[im] deadline August 1st: 2026 for Post-Disciplinary Creative Practices
Sugár János
sj at c3.hu
Fri Jul 10 14:01:54 CEST 2026
> From: Garrett Lynch
> Garrett at asquare.org
> http://www.asquare.org/
> Extended deadline of August 1st 2026 to submit a paper on
> Post-Disciplinary Creative Practices
> for the 15th EAI International Conference: ArtsIT, Interactivity & Game Creation.
> This will be a Hybrid Conference and occurs 2nd - 4th December, 2026 in Bratislava, Slovakia.
>
> Full details are available here:
>
https://artsit.eai-conferences.org/2026/call-for-special-track-papers-on-post-disciplinary-creative-practices/
> Post-Disciplinary Creative Practices
>
> In the twentieth-century artistic practices repeatedly sought to move beyond the specificity of medium, technique, process, style and form. This yielded practices that were ahead of their time, evaded traditional
> classifications and consequently became known as the avant-garde. As the
> century progressed theories formulating the working practices of the
> avant-garde were developed. Artworks were, for example, conceived as open
> forms (Eco, 1962) or as an expanded medium (Youngblood, 1970) and practice
> transitioned through a number of stages of disciplinarity, moving from
> intradisciplinarity to multidisciplinarity, crossdisciplinarity,
> interdisciplinarity and transdisciplinarity (ARJ, 2012; ARJ, 2022). While
> these developments in art of moving beyond, opening or expanding outwards,
> seem to contradict the ‘modern project’ of the division of labour and
> increasing specialization (De Langhe, 2010) evident in the fields of
> science and technology they in fact echo desires present in mid-century
> innovative fields, such as Cybernetics and Systems Theory, to reappraise
> working practices.
>
> For this EAI ArtsIT Special Track it is proposed that contemporary creative
> practices that employ technology continue the tradition of the avant-garde
> by adopting mediums, techniques, processes, styles and forms from beyond
> the specificity of artistic practice. In doing so they form part of a new
> emerging stage of disciplinarity, post-disciplinarity, where practitioners
> not only practice in/across/between/beyond disciples but do so from outside
> or post the context of disciplinarity itself.
>
>
> Special Track Topics
>
> This track will seek papers that explore and discuss how digital and
> electronic technologies form a key component in post-disciplinary creative
> practices, under the following (but not limited to) themes:
>
> • Disciplinarity and creative practice;
> • Technology as medium, technique, process, style and form in creative practice;
> • Post-disciplinary creative practices and authorship;
> • Creative identity;
> • AI art;
> • Open Source, Creative Commons, shared and distributed media in creative practice;
> • Participative, interactive and collaborative forms;
> • Technology and post-humanism;
> • Post-disciplinary creative practices and audiences;
> • Post-disciplinary creative practices’ relationship with broader ‘postness’ in culture e.g. post-art, post-internet, post-digital, post-modern, post-anthropocene etc.;
> • Post-disciplinary creative practice and ‘the academy’;
> • Disciplinary knowledge and Do-It-Yourself knowledge e.g. maker and hacker
> culture;
>
> The track will welcome papers where post-disciplinary working practices and
> methods are foregrounded.
>
> --
> regards
> Dr. Lynch IRL
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