[im] Fwd: What Is Post-AI Art?

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> From: ArtReview <emedia at artreview.com>
> Subject: What Is Post-AI Art?
> Date: 2025. November 19. at 16:01:16 CET
> To: <kisspal.sz at gmail.com>
> Reply-To: ArtReview <emedia at artreview.com>
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> View this email in your browser <https://mailchi.mp/artreview/post-ai-art?e=ddadd2f1c6>
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> Context Window
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> The problems and potentials of artificial intelligence are the subject of near-constant discussion at the moment, not least for how AI is impacting on art, now and in the future <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=85261b0e7c&e=ddadd2f1c6>. In recent years artists have been both enthusiastic adopters of AI technologies and vocal critics of the implications of AI for human creativity, culture and society. Nonetheless, it seems – at this moment, at least – that the clankers are here to stay <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=674b427e4a&e=ddadd2f1c6>, by invitation or otherwise.
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> ArtReview invited five artists deeply involved with AI technologies – Avery Singer, Simon Denny, Holly Herndon, Mat Dryhurst and Jon Rafman <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=cecae66511&e=ddadd2f1c6> – to discuss a simple question: where will art be, ‘post-AI’? <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=8e283fdf30&e=ddadd2f1c6> Much like ‘postinternet art’ – which supposed that, after the internet, nothing in art could be the same again – ‘post-AI’ art is a slippery term to say the least. The goalposts are constantly moving, and with it our ability to understand our times. For Rafman, that’s the point: ‘Working with AI means living with constant change… AI reflects aspects of reality, and using it makes that more transparent.’
> 
> But the mood is still sour <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=2b24fcd8be&e=ddadd2f1c6>. While older tools – CGI, Photoshop, the internet: all earlier bastard children of artmaking – no longer provoke visceral reactions, AI still does. ‘The fact that they do,’ Denny notes, ‘tells you there’s something else going on. It’s threatening to people in a way that other tools aren’t <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=066ab769fe&e=ddadd2f1c6>.’ If artists have long fought to control the narrative of their work, then it seems those working with AI face a tall order. Rightly so, says Singer: ‘Artists should be the ones to declare what burgeoning art movements they are active in.’ 
> 
> That, ultimately, is the prevailing tone here: that in defiance of corporate takeover and AI slop, artists are looking to define the terms of engagement for themselves; to establish a context for their work, and therefore their world; and ‘context’, as Dryhurst points out, ‘establishes a cohort’.
> 
> Alexander Leissle, Digital Editor
> Read Now
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> Tearsheets
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> How to Train an Artistic AI
> Could the machine be taught to think like a painter? David Salle considers the ideal curriculum. read now <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=b7f830e4a7&e=ddadd2f1c6>
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> I’m an Art Critic. Will AI Steal My Job?
> ChatGPT’s recommendations for writing an exhibition review are nothing if not uncritical, and yet they are unmistakably of the moment, writes Martin Herbert. read now <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=d067662fea&e=ddadd2f1c6>
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> Talk: Creative Authorship in AI
> J.J. Charlesworth, Simon Denny and Hito Steyerl discuss the evolving concept of authorship in AI-generated works, ethical concerns around attribution, and how creatives can navigate this shifting landscape while retaining artistic agency. read now <https://artreview.us1.list-manage.com/track/click?u=59ee01dbbedc235439ec77a80&id=88962a90ec&e=ddadd2f1c6>
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