[im] Fwd: opening Anna Barnaföldi, Sa 8.4., 18 h kunstraumarcade, Mödling

[anna barnafoldi]

---------- Forwarded message ----------
From: arcade <arcade at artprint.at>
Date: 30 March 2017 at 12:23
Subject: opening Anna Barnaföldi, Sa 8.4., 18 h kunstraumarcade, Mödling
To: anna barnafoldi <barnafoldi.anna at gmail.com>


*ANNA BARNAFÖLDI *– Science Montage,
opening: 8. April 2017, 6 p.a.
Einführung: Verena Gamper, Kuratorin AIR–ARTIST IN RESIDENCE
Niederösterreich



*Anna Barnaföldi *– Science Montage
In her artistic work, Budapest-based artist Anna Barnaföldi explores
photographic and video images and related technical equipment and
Prozesses.
In a research project that lasted several years, the focus of her interest
was on television and thus also the television set, including all the
issues arising
in terms of the history of media and the philosophy of perception. Finally,
in 2015, she memorably and convincingly rendered her reflections on the
selection and interpretation of images in her Media
Étude installation. Projecting two different video sequences onto a folding
screen and thereby generating
a lenticular effect, she demonstrates how the collision of transmitted
television images with reflections on the surface of the screen generally
requires
one piece of information to replace another, either by fading the one in
and the other out, or by the one superimposing itself on the other. She
takes this
as a starting point for experimental set-ups, illuminating the aesthetic
qualities of the fusion of virtual images with representations of
physically real space.
In her montage experiments, the artist goes as far as using a webcam to
film the scene occurring opposite the radiating, reflecting surface of
the Monitor,
and to project it live onto the screen. The supposed view through the
window manifests itself as a permanent ordering of various times, spaces
and realities.

Barnaföldi’s Media Étude II – Science Montage, a video work created during
her residency in Krems, focuses on the intersection between the
communication
of science and art performances; she discovered striking similarities
between the scientists’ explanations and the vocabulary of
artistic performance.
On the screen, the artist lets work by József Öveges, a famous Hungarian
professor, whose experiments have popularized the natural sciences on state
television
since 1957, collide with her own artistic actions. Without further ado,
this results in a rare reconciliation of exact sciences with “fine arts.”
  Text: Verena Gamper

Kunstraumarcade, Hauptstraße 79, 2340 Mödling
Fr 15–18 Uhr, Sa 10–15 Uhr, www.kunstraumarcade.at



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