<div dir="ltr"><div class="gmail_default" style="font-family:tahoma,sans-serif"><br></div><div class="gmail_quote">---------- Forwarded message ----------<br>From: <b class="gmail_sendername">arcade</b> <span dir="ltr"><<a href="mailto:arcade@artprint.at">arcade@artprint.at</a>></span><br>Date: 30 March 2017 at 12:23<br>Subject: opening Anna Barnaföldi, Sa 8.4., 18 h kunstraumarcade, Mödling<br>To: anna barnafoldi <<a href="mailto:barnafoldi.anna@gmail.com">barnafoldi.anna@gmail.com</a>><br><br><br><div style="word-wrap:break-word"><b>ANNA BARNAFÖLDI </b>– Science Montage, <br><div>opening: 8. April 2017, 6 p.a.<br>Einführung: Verena Gamper, Kuratorin AIR–ARTIST IN RESIDENCE Niederösterreich<br><br><div><img height="746" width="800" id="m_19325907148369072970E635E0D-4571-45F4-A8F7-34B4F1579BA4" src="cid:043716D4-8C74-4E70-989F-6F3BD1AF3054"><br> <br><b>Anna Barnaföldi </b>– Science Montage<br>In her artistic work, Budapest-based artist Anna Barnaföldi explores photographic and video images and related technical equipment and Prozesses. <div>In a research project that lasted several years, the focus of her interest was on television and thus also the television set, including all the issues arising </div><div>in terms of the history of media and the philosophy of perception. Finally, in 2015, she memorably and convincingly rendered her reflections on the </div><div>selection and interpretation of images in her Media Étude installation. Projecting two different video sequences onto a folding screen and thereby generating</div><div>a lenticular effect, she demonstrates how the collision of transmitted television images with reflections on the surface of the screen generally requires </div><div>one piece of information to replace another, either by fading the one in and the other out, or by the one superimposing itself on the other. She takes this </div><div>as a starting point for experimental set-ups, illuminating the aesthetic qualities of the fusion of virtual images with representations of physically real space. </div><div>In her montage experiments, the artist goes as far as using a webcam to film the scene occurring opposite the radiating, reflecting surface of the Monitor, </div><div>and to project it live onto the screen. The supposed view through the window manifests itself as a permanent ordering of various times, spaces and realities.<br><br>Barnaföldi’s Media Étude II – Science Montage, a video work created during her residency in Krems, focuses on the intersection between the communication </div><div>of science and art performances; she discovered striking similarities between the scientists’ explanations and the vocabulary of artistic performance. </div><div>On the screen, the artist lets work by József Öveges, a famous Hungarian professor, whose experiments have popularized the natural sciences on state television </div><div>since 1957, collide with her own artistic actions. Without further ado, this results in a rare reconciliation of exact sciences with “fine arts.” Text: Verena Gamper<br><br>Kunstraumarcade, Hauptstraße 79, 2340 Mödling<br>Fr 15–18 Uhr, Sa 10–15 Uhr, <a href="http://www.kunstraumarcade.at" target="_blank">www.kunstraumarcade.at</a><br><br></div></div></div></div></div><br></div><div id="DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2"><br> <table style="border-top:1px solid #d3d4de">
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