[artinfo] RE: Artinfo Digest, Vol 49, Issue 38

SI-LA-GI . silagiart at hotmail.com
Fri Mar 30 13:29:06 CEST 2007


   Maljkovic projectje tul drága......

   Mennyi a drága ?.....

   Kinek  mennyit ér a nemzetközi müvészeti scenahoz valo csatlakozás ?

    Érdekes volna megismerni a különbözö országok kölcségvetését, már
   csak azért is hogy a magyar kiállitás ( Velencei Biennalé )
   támogatasa nem hogy nött hanem majdnem az egyharmadára csökkent a 2005
   ös kölcségvetéshez képest.... ( 80 miliorol 30 milliora )

    Sok ez vagy kevés ? ?

   Persze lehet kiallitást csinálni ingyen is .....

       ______________________________________________________________

     From:  artinfo-request at lists.c3.hu
     Reply-To:  artinfo at lists.c3.hu
     To:  artinfo at lists.c3.hu
     Subject:  Artinfo Digest, Vol 49, Issue 38
     Date:  28 Mar 2007 04:50:24 -0700
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     >Today's Topics:
     >
     >    1. Re: Re:  Maljkovic kirugása (Maja & Reuben Fowkes)
     >    2. TALK/SHOW | tranzit workshops, bratislava, sk | ZMENA !!! |
     >       CHANGE !!! x (lehocka)
     >
     >
     >------------------------------------------------------------------
     ----
     >
     >Message: 1
     >Date: Tue, 27 Mar 2007 21:21:48 +0100
     >From: "Maja & Reuben Fowkes" <fowkes at translocal.org>
     >Subject: Re: [artinfo] Re:  Maljkovic kirugása
     >To: <artinfo at c3.hu>
     >Message-ID: <004901c770ad$8e43f560$6502a8c0 at ARTTOSHIBA09>
     >Content-Type: text/plain; format=flowed; charset="iso-8859-1";
     > reply-type=original
     >
     >This is how David Maljkovic explains what happened...
     >
     >Date: Mon, 12 Mar 2007 04:58:39 -0700 (PDT)
     > >>
     > >>Dear friends and colleagues,
     > >>
     > >>   Unfortunately I'm not going to present Croatia at 52.
     International Art
     > >>Exhibition of Biennale di Venezia. This decision was made by
     the selector
     > >>(commissioner) - artist Zeljko Kipke together with organiser
     (curator)
     > >>Branko Franceschi, Director of the Museum of Modern and
     Contemporary Art
     > >>in
     > >>Rijeka and I suppose with the Ministry of Culture.
     > >>
     > >>   As you might be able to imagine, how disappointed and sorry
     I am.
     > >> Please
     > >>allow me to explain what happened:
     > >>
     > >>   On 22th of February 2007, I presented my project together
     with my
     > >>architect and selector Zeljko Kipke to the Minister of Culture,
     Bozo
     > >>Biskupic. The meeting went well and the minister gave support
     to the
     > >>project and let me know he is very pleased with it. The project
     was sent
     > >>to
     > >>Palazzo Querini Stampalia which is hosting the Croatian
     Pavilion in
     > >>Venice.
     > >>
     > >>   On the 2th of March I received an e-mail from Nina Obuljen,
     the
     > >>assistant of the Minister of Culture, informing me that Querini
     Stampalia
     > >>reviewed my project and decided that is not suitable for the
     'Area Scarpa'
     > >>for which it was designed. Fondazione Querini Stampalia was
     afraid, that
     > >>the construction of my installation could cause damage in the
     newly
     > >>renovated Area Scarpa. Querini Stampalia offered the Ministry
     of Culture
     > >>different spaces in the building. So a date was set to see the
     new space
     > >>on
     > >>Wednesday 7th of March and I had a flight ticket booked to
     Venice.
     > >>
     > >>   I should add, that already on our first visit to Querini
     Stampalia in
     > >>December 2006 me and my architect had asked for the conditions
     as well as
     > >>what we could do in the delicate Scarpa space. Accordingly we
     designed a
     > >>self supporting installation avoiding all invasive actions such
     as
     > >>screwing, drilling, welding etc. Of course I asked for a
     written
     > >>explanation from Querini Stampalia, the Ministry of Culture and
     the
     > >>organiser but I never received any document.
     > >>
     > >>   On 5th of March Zeljko Kipke sent an e-mail informing all
     collaborators
     > >>that my project has been rejected and that I have to hand in a
     new
     > >>proposal
     > >>latest point on the 20th of March. Moreover, he informed me,
     that neither
     > >>in the Scarpa space nor in any other space in Palazzo Querini
     Stampalia I
     > >>am allowed to use plaster boards and wooden construction.
     > >>
     > >>   I responded that certain materials and elements like plaster
     boards or
     > >>wooden constructions are essential in my artistic practice and
     that this
     > >>should be appreciated by the organisers of the Croatian
     Pavilion.
     > >>Furthermore, I reminded about my obligations towards the Museum
     of
     > >>Contemporary Art CAPC in Bordeaux and the Whitechapel Gallery
     in London.
     > >>Both, commissioner and curator of the pavilion knew that I have
     to be in
     > >>Bordeaux from 11th - 17th of March to install a solo exhibition
     and
     > >>subsequently in London on 28th of March for the opening of a
     solo at
     > >>Whitechapel Gallery. I informed them that I only can provide a
     realistic
     > >>timeline for a new project after having seen the new space at
     Querini
     > >>Stampalia.
     > >>
     > >>   I must say I was stunned about the deadline of Mach 20th,
     because
     > >>everybody knew that the Museum CAPC gave me the opportunity to
     install my
     > >>solo exhibition in March although the opening will take place
     on 24th of
     > >>May in order to enable me to focus on the Venice Biennial
     project in the
     > >>following months.
     > >>
     > >>   On the 6th of March I received an e-mail from Commissioner
     Zeljko Kipke
     > >>telling me, that due to his responsibility towards the Ministry
     of Culture
     > >>he has to cancel my appointment as the artist to represent
     Croatia at the
     > >>Venice Biennial. He pointed out that he is sorry but because of
     my other
     > >>obligations I would not capable to finish the work for the
     pavilion.
     > >>
     > >>   Dear friends and colleagues I couldn't believe this, because
     of my
     > >>obligations and responsibility towards the Croatian Pavilion I
     asked for a
     > >>special arrangement to install my exhibition in Bordeaux two
     months before
     > >>the opening (I am using this opportunity to say how much I
     appreciate the
     > >>Museum in Bordeaux CAPC for making it possible) and now I have
     been
     > >>excluded, or should I say - removed, from the Biennial.
     > >>
     > >>   What kind of commissioner, artist (!) and person and what
     kind of
     > >>curator, organiser and person act this way? I keep asking
     myself how they
     > >>can pretend to support the interest of the Ministry but don't
     do anything
     > >>to protect the artist and make an art possible .
     > >>
     > >>   They have not just outwitted me, they outwitted all the
     people I am
     > >>working with, my architect Miroslav Rajic, designer Damir
     Gamulin as well
     > >>as all the people ready and open to help the Croatian Pavilion,
     Sabrina
     > >>van
     > >>der Ley and Markus Richter of European Art Project, the
     institutions I am
     > >>working with who showed the will to help with ads and promotion
     (P.S.1,
     > >>Whitechapel and CAPC Bordeaux) and my gallery Annet Gelink. I
     would like
     > >>to
     > >>apologise to them for this terrible situation and say how
     thankful I am
     > >>for
     > >>all the support they offered
     > >>
     > >>   Once more I have to say how sorry I am that I won't be able
     to present
     > >>my video installation "Lost Memories from These Days", the
     project I am
     > >>working on since 2005. set inside the former Italian  Pavilion
     on Zagreb
     > >>fair.
     > >>I can not describe how disappointed and sad I am.
     > >>
     > >>   Thank you for your understanding and your time
     > >>   Sincerely yours
     > >>   David Maljkovic
     > >>
     > >>
     > >
     >----- Original Message -----
     >From: "anna balint" <subterfluent at gmail.com>
     >To: <>
     >Sent: Tuesday, March 27, 2007 5:12 PM
     >Subject: [artinfo] Re: Maljkovic kirugása
     >
     >
     >hivatalos indoklás szerint  David Maljkovic projektje túl
     bonyolult,
     >túl drága, és  a müvész nem müködött megfelelöen együtt a
     >megbízó intézettel.
     >ba
     >
     >On 26 Mar 2007, at 14:00, SI-LA-GI . wrote:
     >
     > >
     > >   Jo, jo illetve nem jo nem jo, vagy .....  MI az OKA hogy
     kirugtak
     > >   Maljkovic urat ? ?
     >
     >
     >
     >
     >------------------------------------------------------------------
     --------------
     >
     >
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     >
     >
     >------------------------------
     >
     >Message: 2
     >Date: Wed, 28 Mar 2007 05:43:57 +0200
     >From: "lehocka" <lehocka at nextra.sk>
     >Subject: [artinfo] TALK/SHOW | tranzit workshops, bratislava, sk |
     > ZMENA !!! | CHANGE !!! x
     >To: office at tranzit.org
     >Message-ID: <mailman.864.1175082584.51402.artinfo at lists.c3.hu>
     >Content-Type: text/plain; charset="iso-8859-2"
     >
     >POZOR | ATTENTION
     >
     >ANNA SANDERS FILMS
     >
     >NIE NA VSMU | NOT AT VSMU
     >
     >ALE V SNG | BUT AT SNG
     >
     >SLOVAK NATIONAL GALLERY, RIECNA 1, BRATISLAVA
     >
     >1. POSCHODIE | 1ST FLOOR
     >
     >
     >
     >STREDA | WEDNESDAY 28., premietanie | screening, (POZOR!!! |
     ATTENTION!!!)
     >SNG, 18.00
     >
     > >> ANNA SANDERS FILMS,
     >
     >ANNA SANDERS FILMS (F) je fiktivna osoba zijuca v Parizi. Za
     maskou Anny
     >Sanders pracuje kolektiv umelcov s filmarov, ktori produkuju 35mm
     filmy
     >oscilujuce na hrane dokumentu a filmoveho pribehu. V ramci
     TALK/SHOW
     >prezentujeme 35mm filmy od Liam Gillick, Pierre Huyghe, Philippe
     Parreno,
     >Dominique Gonzalez-Foerster
     >
     >ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
     Behind the
     >mask of Anna Sanders operates a collective of artists and
     filmmakers that
     >produces on 35 mm films that oscillate between documentary and
     fiction. The
     >selection for TALK/SHOW will present works by Liam Gillick, Pierre
     Huyghe,
     >Philippe Parreno, Dominique Gonzalez-Foerster
     >
     >
     >
     >Liam Gillick:
     >"Anna Sanders Film Ident" (1 Min., 2001)
     >Dominique Gonzales-Foerster:
     >"Riyo" (10 Min., 1999)
     >"Atomic Park" (8 Min., 2003)
     >
     >Riyo (10 mins, 1999) - Riyo is a single travelling shot of ten
     minutes,
     >moving along the river Kamo in Kyoto, Japan. We overhear an
     awkward
     >telephone conversation between two adolescents whilst the camera
     surveys the
     >urban riverside. As the conversation and the landscape unveil
     themselves
     >simultaneously, the flirtatious dialogue between the unseen boy
     and girl
     >reveals an emotional city, transitory and immature.
     >
     >Atomic Park (8 mins, 2003) - Atomic Park is a landscape of
     ambivalence - a
     >space both for taking a picnic and for ballistic testing. Filmed
     in a
     >national park not far from Trinity Site where the first atom bomb
     was
     >detonated in July 1945, the stark white desert provides an
     inscrutable
     >location in which any presence or movement is impossible to
     interpret with
     >any consistency.
     >
     >Pierre Huyghe:
     >"Streamside Day" (20 Min., 2000)
     >
     >"Block Party" (10 Min., 2002)
     >
     >A documentary on Hip Hop, with Africa Bambaataa, GrandMaster
     Flash, and
     >Grand Wizard Theodore.
     >
     >Philippe Parreno:
     >"Boy from Mars" (11 Min., 2003)
     >The exceptionally atmospheric film images were shot in Thailand on
     a
     >location where Parreno's colleague Rikrit Tiravanija started an
     artist
     >colony.
     >
     >
     >
     >Anna Sanders is at the forefront of the current convergence of
     visual art
     >and cinema. Her films, hovering in an in-between - in between
     cinemas,
     >landscapes, dreams and economies - share a general fascination
     with
     >exploring our world, and its relationship to personal narratives.
     Constantly
     >oscillating between reality and fiction, document and subjective
     memory,
     >mental and visual image, off-screen and on screen these films
     present
     >themselves as footnotes on the margins of reality and of film
     history.
     >Stunning, often sensual, imagery combined with a constant
     questioning of
     >cinema, Anna Sanders' films retains a cool distance from their
     subjects, the
     >filmmakers creating a space for the viewer to become immersed in
     the beauty
     >of images and their multiple meanings, all converging on one
     question, how
     >to make the portrait of a landscape as one would create the
     portrait of a
     >person, in other words, how to tell the world nowadays. Anna
     Sanders Films
     >is the name of a film production company based in Paris. It was
     founded in
     >1997 by Dominique Gonzalez-Foerster, Pierre Huyghe, Charles de
     Meaux and
     >Philippe Parreno. The films are places of encounter, encounters
     with
     >landscape, encounters with the other, and encounters with other
     artists,
     >musicians and filmmakers such as Doug Aitken, Devendra Banhardt,
     Carsten
     >Holler, Liam Gillick, Douglas Gordon, M/M (Paris), Rirkrit
     Tiravanija, Dave
     >Stewart, and Apichatpong Weerasethakul. Anna Sanders Films has
     blazed a
     >trail for a new breed of cinema - one made by visual artists that
     is shown
     >most often in galleries, but increasingly is finding its way into
     cinemas
     >and film festivals. Indeed, the company's production with Thai
     artist
     >Apichatpong Weerasethakul, Blissfully Yours, won the prize Un
     Certain Regard
     >at Cannes Film Festival 2002 and the KNF prize by the Dutch
     critics at the
     >2003 International Film Festival, Rotterdam. Other Anna Sanders
     Film
     >artists, meanwhile, have claimed some of Europe's most prestigious
     visual
     >art prizes. Pierre Huyghe was awarded the Hugo Boss Prize and
     Dominique
     >Gonzales-Foerster the Duchamp prize, both in 2002. The Anna
     Sanders Film
     >Tour comprises of screenings of almost all the films ever produced
     by Anna
     >Sanders. The screenings are preceded by a conference with the
     participation
     >of the director of Anna Sanders - a film director - Charles de
     Meaux and the
     >curator of the film tour Agnieszka Kurant. Besides Kunstverein
     München the
     >Anna Sanders Film Tour will be presented at the ICA, London and
     the MoMA,
     >New York.
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >tranzit.sk bratislava | kunstverein muenchen munich
     >
     >goethe institute bratislava | british council
     >
     >vysoka skola vytvarnych umeni | vysoka skola muzickych umeni
     >
     >vas pozyvaju na | invite you to the
     >
     >
     >
     >TALK/SHOW
     >
     >
     >
     > >> 4. TYZDEN | >> 4TH WEEK
     >
     >
     >
     >(POZOR!!! | ATTENTION!!!) UTOROK | TUESDAY 27., prednáąka |
     lecture, V©VU,
     >18.00
     >
     > >> ANDREAS NEUMEISTER,
     >
     >ANDREAS NEUMEISTER (DE) je spisovatel z Mnichova, ktoreho
     literarna praca
     >obsahuje ideu vizualnosti. Jeho dia premietanie a citanie z  ,Da
     Real World'
     >nas naviguje cez nekonecne horizonty acronym saturujich nase
     zivoto-svety.
     >
     >ANDREAS NEUMEISTER (DE) is a Munich based writer who regularly
     incorporates
     >the idea of the visual in his literary work. His slide-show and
     reading ,Da
     >Real World' navigates through the ubiquitous horizon of acronyms
     saturating
     >our life-worlds.
     >
     >
     >
     >STREDA | WEDNESDAY 28., premietanie | screening, (POZOR!!! |
     ATTENTION!!!)
     >SNG, 18.00
     >
     > >> ANNA SANDERS FILMS,
     >
     >ANNA SANDERS FILMS (F) je fiktivna osoba zijuca v Parizi. Za
     maskou Anny
     >Sanders pracuje kolektiv umelcov s filmarov, ktori produkuju 35mm
     filmy
     >oscilujuce na hrane dokumentu a filmoveho pribehu. V ramci
     TALK/SHOW
     >prezentujeme 35mm filmy od Liam Gillick, Pierre Huyghe, Philippe
     Parreno,
     >Dominique Gonzalez-Foerster
     >
     >ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
     Behind the
     >mask of Anna Sanders operates a collective of artists and
     filmmakers that
     >produces on 35 mm films that oscillate between documentary and
     fiction. The
     >selection for TALK/SHOW will present works by Liam Gillick, Pierre
     Huyghe,
     >Philippe Parreno, Dominique Gonzalez-Foerster
     >
     >
     >
     >©TVRTOK | THURSDAY 29., prednáąka | lecture, V©VU, 18.00
     >
     > >> MICHAELA MELIAN,
     >
     >MICHAELA MELIÁN (DE) je mnichovska umelkyna a hudobnicka, ktora
     prednasa na
     >Akademii umenia v Hamburgu. Je zakladajucim clenom FSK a v jej
     umeleckej
     >praxi znovuozivuje zabudnute historie politickeho disentu. Jej
     prispevkom
     >pre TALK/SHOW je trans-historicka panorama mnichovskej bohemy od
     1910 do 70
     >rokov minuleho storocia.
     >
     >MICHAELA MELIÁN (DE) is a Munich based artist and musician
     currently
     >teaching at the Art Academy of Hamburg. She is a founding member
     of FSK and
     >in her artistic work negotiates neglected histories of political
     dissent.
     >Her contribution to TALK/SHOW is a trans-historical panorama of
     Munich
     >bohemia from the 1910s to the 1970s
     >
     >
     >
     >PIATOK | FRIDAY 30., performance, tranzit dielne | workshops,
     18.00
     >
     > >>  FLORIAN HECKER,
     >
     >FLORIAN HECKER (AT/DE) je umelec a hudobnik zijuci vo Viedni.
     Hecker patri k
     >najinovativnejsim kreativnym, kulturnym tvorcom v ramci
     medzinarodnej sceny
     >elektronickej hudby, mimo inych, pracuje s technologiami
     vytvorenymi
     >archietktmi pod vedenim priekopnika elektronickej hudby Ianisa
     Xenakisa.
     >
     >FLORIAN HECKER (AT/DE) is an artist and musician based in Vienna.
     Hecker is
     >considered as one of the most innovative creative cultural
     producers in
     >international electronic music working, among others, with
     technologies
     >developed by architect and electronic music pioneer Ianis Xenakis.
     >
     >
     >
     >SOBOTA | SATURDAY 31., projekty | projects, tranzit dielne |
     workshops,
     >18.00
     >
     > >> JEREMY DELLER, ANNA SANDERS FILMS, MICHAELA MELIAN, FLORIAN
     HECKER,
     >ANDREAS NEUMEISTER,
     >
     >LUCA FREI, SCOTT KING, PUBLISH AND BE DAMNED, PABLO LEON DE LA
     BARRA,
     >STEPHAN DILLEMUTH, SEAN SNYDER, LOCAL MODERNITIES, ANARCHITEKTUR,
     JAN
     >VERWOERT
     >
     >'The Battle of Orgreave' of Jeremy Deller,  Michaela Melian's
     panoramatic
     >mural, Andreas Neumeister's ,Da Real World' slide show,
     soundperformance of
     >Florian Hecker, films of Anna Sanders Films, Luca Frei's  'Gruppo
     Parole e
     >Immagini', Anarchitektur's The Preliminary Charter of Oppositional
     >Architecture, Perangola workshop of Pablo Leon de la Barra,
     'Casio, Seiko,
     >Sheraton, Toyota, Mars' of Sean Snyder, Archive of Local
     Modernities,
     >situation of Stephan Dillemuth, Scott King's large mural, Jan
     Verwoert's
     >posters and more than 600 publications of Publish and be Damned.
     >
     >JEREMY DELLER (UK) je londynsky umelec, nositel prestiznej Turner
     Prize
     >2004. V jeho praci sa pohybuje medzi rolou umelca, kuratora a
     tvorcu
     >sirokeho spektra projektov ktore su casto zalozene na principe
     ucasti, casto
     >presuva hranice medzi vysokym a nizkym, umenim a kazdodennou
     kulturnou
     >praxou. Pre TALK/SHOW osobne uvedie 'The Battle of Orgreave',
     masivnu
     >rekonstrukciu strajku britskych banikov z 1984/85.
     >
     >JEREMY DELLER (UK) is a London based artist and winner of the
     prestigious
     >Turner Prize 2004. In his work he shifts between the roles of
     artist,
     >curator and producer of a broad range of projects that often take
     shape in
     >participatory modes and frequently sidestep the common
     demarcations between
     >high and low, between art and everyday cultural practices. For
     TALK/SHOW he
     >will personally present 'The Battle of Orgreave', a massive
     re-enactment of
     >the British miner's strike of 1984/85.
     >
     >
     >
     >
     >
     >
     >
     >
     >
     > >>
     >
     >TALK/SHOW
     >
     >prednasky (stredy, stvrtky, piatky - VSVU) a | lectures
     (wednesdays,
     >thursdays, fridays - AFAD) and
     >
     >projekty (soboty - tranzit dielne) | projects (saturdays - tranzit
     >workshops) - od | by
     >
     >ANARCHITEKTUR (DE),
     >
     >PABLO LEON DE LA BARRA (MEX/UK),
     >
     >JEREMY DELLER (UK),
     >
     >STEPHAN DILLEMUTH (DE),
     >
     >LUCA FREI (CH),
     >
     >SOEREN GRAMMEL (DK/AT)
     >
     >FLORIAN HECKER (AT),
     >
     >SCOTT KING (UK)
     >
     >LOCAL MODERNITY / HEIKE ANDER (AT/DE),
     >
     >MICHAELA MELIAN (DE),
     >
     >ANDREAS NEUMEISTER (DE),
     >
     >PUBLISH AND BE DAMNED / KIT HAMMONDS (UK),
     >
     >ANNA SANDERS FILMS (F), FEAT. LIAM GILLICK (UK), DOMINIQUE
     GONZALES-FOERSTER
     >(F), PIERRE HUYGHE (F), PHILIPPE PARRENO (F),
     >
     >SEAN SNYDER (USA/DE),
     >
     >JAN VERWOERT (DE)
     >
     >
     >
     >CURATED BY
     >
     >STEFAN KALMAR & DANIEL PIES
     >
     >KUNSTVEREIN MUNICH (DE)
     >
     >
     >
     >OD | FROM MAREC | MARCH 07
     >
     >DO | TO APRIL 14, 2007
     >
     >V | AT
     >
     >tranzit dielne | workshops
     >
     >studena 12, bratislava, slovensko | slovakia
     >
     >otvorene od stredy do soboty
     >
     >open from wednesday to saturday
     >
     >od | from 15:00 do | to 18:00
     >
     >&
     >
     >vysoka skola vytvarnych umeni
     >
     >hviezdoslavovo nam 15, bratislava
     >
     >&
     >
     >vysoka skola muzickych umeni
     >
     >svoradova 1, bratislava
     >
     >
     >
     >  <http://www.tranzit.org/> www.tranzit.org
     >
     >www.kunstverein-muenchen.de
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >TALK/SHOW PROGRAM
     >
     >
     >
     >STREDA | WEDNESDAY 07., prednáąka | lecture, V©VU, 18.00
     >
     > >> JAN VERWOERT
     >
     >
     >
     >©TVRTOK | THURSDAY 08., prednáąka, | lecture, V©VU, 18.00
     >
     > >> PUBLISH AND BE DAMNED / KIT HAMMONDS
     >
     >
     >
     >PIATOK | FRIDAY 09., prednáąka, | lecture, V©VU, 18.00
     >
     > >> SCOTT KING
     >
     >
     >
     >SOBOTA | SATURDAY 10., projekty | projects, tranzit dielne |
     workshops,
     >18.00
     >
     > >> SCOTT KING, PUBLISH AND BE DAMNED, JAN VERWOERT
     >
     >
     >
     >STREDA | WEDNESDAY 14., prednáąka | lecture, V©VU, 18.00
     >
     > >> STEPHAN DILLEMUTH
     >
     >
     >
     >©TVRTOK | THURSDAY 15., prednáąka | lecture, V©VU, 18.00
     >
     > >> SOEREN GRAMMEL
     >
     >
     >
     >PIATOK | FRIDAY 16., prednáąka | lecture, V©VU, 18.00
     >
     > >>  LOCAL MODERNITIES / HEIKE ANDER
     >
     >
     >
     >SOBOTA | SATURDAY 17., projekty | projects, tranzit dielne |
     workshops,
     >18.00
     >
     > >> PABLO LEON DE LA BARRA, SEAN SNYDER, STEPHAN DILLEMUTH, LOCAL
     >MODERNITIES,
     >
     >SCOTT KING, PUBLISH AND BE DAMNED, JAN VERWOERT
     >
     >
     >
     >STREDA | WEDNESDAY 21., prednáąka | lecture, V©VU, 18.00
     >
     > >> ANARCHITEKTUR
     >
     >
     >
     >©TVRTOK | THURSDAY 22., prednáąka | lecture, V©VU, 18.00
     >
     > >> LUCA FREI
     >
     >
     >
     >SOBOTA | SATURDAY 24., projekty | projects, tranzit dielne |
     workshops,
     >18.00
     >
     > >> ANARCHITEKTUR, LUCA FREI
     >
     >LOCAL MODERNITIES, PABLO LEON DE LA BARRA, STEPHAN DILLEMUTH, SEAN
     SNYDER,
     >SCOTT KING, PUBLISH AND BE DAMNED
     >
     >
     >
     >UTOROK | TUESDAY 27., prednáąka | lecture, V©VU, 18.00
     >
     > >> ANDREAS NEUMEISTER
     >
     >
     >
     >STREDA | WEDNESDAY 28., premietanie | screening, V©MU, 18.00
     >
     > >> ANNA SANDERS FILMS with LIAM GILLICK, DOMINIQUE
     GONZALES-FOERSTER, PIERRE
     >HUYGHE, PHILIPPE PARRENO
     >
     >
     >
     >©TVRTOK | THURSDAY 29., prednáąka | lecture, V©VU, 18.00
     >
     > >> MICHAELA MELIAN
     >
     >
     >
     >PIATOK | FRIDAY 30., performnce, tranzit dielne | workshops, 18.00
     >
     > >> FLORIAN HECKER
     >
     >
     >
     >SOBOTA | SATURDAY 31., projekty | projects, tranzit dielne |
     workshops,
     >18.00 (- APRIL 14, 2007)
     >
     > >> JEREMY DELLER, ANNA SANDERS FILMS, MICHAELA MELIAN, FLORIAN
     HECKER,
     >ANDREAS NEUMEISTER,
     >
     >LUCA FREI, SCOTT KING, PUBLISH AND BE DAMNED, PABLO LEON DE LA
     BARRA,
     >STEPHAN DILLEMUTH, SEAN SNYDER, LOCAL MODERNITIES, ANARCHITEKTUR,
     ANDREAS
     >NEUMEISTER, JAN VERWOERT
     >
     >
     >
     >TALK/SHOW does what it says: over the period of 4 weeks a group of
     >altogether 16 internationally reknown artists and cultural
     practioners are
     >invited to deliver a TALK at Bratislava Academy of Fine Arts and
     Design. In
     >the course of this programme a SHOW will build up step by step at
     tranzit
     >workshops, with each invited guest contributing a work to the
     show. On a
     >non-pragmatic level, however, TALK/SHOW also signifies the media
     format
     >epitomizing what critics have called the denigration of the public
     sphere.
     >Before the background of recent developments in the urban and
     political
     >landscape of Bratislava, the project TALK/SHOW thus revolves
     around issues
     >of the constitution of the public sphere and questions of public
     access to
     >urban as well as discursive spaces in the face of their increasing
     >normalisation, commercialisation and privatisation. TALK/SHOW will
     try to
     >enter a dialogue with a local public by presenting comparable
     developments
     >within the so-called 'Western' world through the work of 16
     international
     >artists, architects, musicians, graphic designers, filmmakers and
     curators
     >whose practices share a common interest in exploring the
     possibilities of
     >articulating parallel structures to mainstream economies of space
     and
     >discourse: sub-economies, sub-communities, sub-publishing,
     sub-architectures
     >and sub-designs. While the invited groups and individuals are
     analysing and
     >infiltrating the political, economical and urban realities of the
     early 21st
     >Century, they at the same time employ these conditions to divert
     resources
     >towards forms of production that critically re-negotiate questions
     of power,
     >ownership and authorship within the public sphere. In this
     TALK/SHOW  brings
     >together a unique and internationally outstanding group of
     creative
     >producers that are not only able to present developments and
     strategies
     >parallel to those experienced in Slovakia but as a whole might
     create an
     >atmosphere of inter-cultural exchange within which both sides will
     be able
     >to discover common grounds.
     >
     >STEFAN KALMAR & DANIEL PIES - K.M
     >
     >
     >
     >ANARCHITEKTUR (DE) is a group of Berlin based architects and
     theoreticians,
     >regularly publishing a magazine on contemporary debates about
     architecture
     >and urban planning. They are also the initiators of the  "Camp for
     >Oppositional Architecture" that, continuing in the tradition of
     socially
     >committed groups of architects such as C.I.A.M. or Team 10,
     discusses the
     >framework and opportunities for a politically involved
     contemporary
     >production of architectural space.
     >
     >
     >
     >PABLO LEÓN DE LA BARRA (UK/MEX) is a London based artist, curator,
     publisher
     >and gallerist, who has curated numerous exhibitions dealing with
     urban and
     >artistic practices all across Europe and South America. For
     TALK/SHOW de la
     >Barra will initiate a Perangola workshop at tranzit workshops. -
     BE
     >MARGINAL, BE HEROIC! - SPECIAL EVENT ON SATURDAY 17: Parangole
     workshop with
     >very special guest PABLO LEÓN DE LA BARRA (UK/MEX). Parangole is
     an artistic
     >practice developed by Brasilian modernist Helio Oiticica, central
     figure of
     >the South-American Anthropophagia movement of the 1960s, which
     involves the
     >collective production of costumes, capes and clothes from leftover
     textiles
     >and other materials. BRING ONE PIECE OF CLOTH OR PLASTIC TO CREATE
     YOUR OWN
     >PARANGOLE!, "My entire evolution, leading up to the formulation of
     the
     >Parangole, aims at this magical incorporation of the elements of
     the work as
     >such, in the whole life-experience of the spectator, whom I now
     call
     >'participator'." | Helio Oiticica, Notes on the
     Parangole  *Parangole,
     >slang, meaning animated situation and sudden confusion and/or
     agitation
     >between people.
     >
     >
     >
     >JEREMY DELLER (UK) is a London based artist and winner of the
     prestigious
     >Turner Prize 2004. In his work he shifts between the roles of
     artist,
     >curator and producer of a broad range of projects that often take
     shape in
     >participatory modes and frequently sidestep the common
     demarcations between
     >high and low, between art and everyday cultural practices. For
     TALK/SHOW he
     >will present 'The Battle of Orgreave', a massive re-enactment of
     the British
     >miner's strike of 1984/85.
     >
     >
     >
     >STEPHAN DILLEMUTH (DE) is a Munich based artist and cultural
     activist. He
     >will present his artistic work as well as his collaborative
     research and
     >project work from Friesenwall (Cologne) to Papertiger TV, the
     Summer Academy
     >(Munich) and his speculative inquiry into the history of bohemia
     and the
     >'Lebensreform'-movement.
     >
     >
     >
     >LUCA FREI (SWE/CH) is a Swiss artist living in Lund, Sweden. In
     his work he
     >has consistently been exploring the borders between art as an
     autonomous
     >aesthetic practice and as a participatory public process. In
     Bratislava he
     >will present his series of fictitious political posters 'Gruppo
     Parole e
     >Immagini".
     >
     >
     >
     >SOEREN GRAMMEL (DE/AT),  is a curator presently working as
     director of
     >Grazer Kunstverein, Graz (AT). Among many other projects he has
     curated
     >Videonale 9, Bonn, Telling Histories, Munich, and was initiator of
     the
     >video-archiv on documentary practices 'It's Hard to Touch the
     Real'.
     >Throughout his career he has been challenging the common standards
     of
     >exhibition making. Soeren Grammel will introduce his curatorial
     work and
     >initiate a workshop on performative practices in curating in
     collaboration
     >with Daniel Pies.
     >
     >FLORIAN HECKER (AT/DE) is an artist and musician based in Vienna.
     Hecker is
     >considered as one of the most innovative creative cultural
     producers in
     >international electronic music working, among others, with
     technologies
     >developed by architect and electronic music pioneer Ianis Xenakis.
     >
     >
     >
     >SCOTT KING (UK) is a London based artist and one of the most
     important
     >graphic designers of his generation. Among others, he has been art
     director
     >of ID Magazine, Sleazenation, designed record covers for
     Morrissey, Pet Shop
     >Boys, Suicide and also publishes the fanzine CRASH!
     >
     >
     >
     >LOCAL MODERNITIES (DE/AT) is a research project mapping the
     locally specific
     >articulations of post-war modernist architecture in the former
     Soviet
     >Republics and their relations amongst each other. Heike Ander,
     curator and
     >critc based in Vienna and Munich, will introduce the project and
     its rich
     >archive of photographic documents.
     >
     >
     >
     >MICHAELA MELIÁN (DE) is a Munich based artist and musician
     currently
     >teaching at the Art Academy of Hamburg. She is a founding member
     of FSK and
     >in her artistic work negotiates neglected histories of political
     dissent.
     >Her contribution to TALK/SHOW is a trans-historical panorama of
     Munich
     >bohemia from the 1910s to the 1970s
     >
     >
     >
     >ANDREAS NEUMEISTER (DE) is a Munich based writer who regularly
     incorporates
     >the idea of the visual in his literary work. His slide-show and
     reading ,Da
     >Real World' navigates through the ubiquitous horizon of acronyms
     saturating
     >our life-worlds.
     >
     >
     >
     >PUBLISH AND BE DAMNED (UK) is a touring archive and annual fair
     for
     >alternative artists' publications that has, among others, been
     presented at
     >Cubitt, London, Casco, Utrecht and LA MOCA, Los Angeles. Publish
     And Be
     >Damned was initiated by Emily Pethick and Kit Hammonds, who will
     introduce
     >the project at Bratislava Academy of Fine Arts.
     >
     >
     >
     >ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
     Behind the
     >mask of Anna Sanders operates a collective of artists and
     filmmakers that
     >produces on 35 mm films that oscillate between documentary and
     fiction. The
     >selection for TALK/SHOW will present works by Liam Gillick, Pierre
     Huyghe,
     >Philippe Parreno, Dominique Gonzalez-Foerster
     >
     >
     >
     >SEAN SNYDER (DE/US) is a Berlin based artist whose work is an
     extended
     >research into the imagery and the reporting of war. The intention
     is not to
     >comment on political issues, but to investigate the
     representational modes
     >of events that are consumed second hand. Snyder will present his
     video
     >'Casio, Seiko, Sheraton, Toyota, Mars' produced for 9th Istanbul
     Biennial
     >which maps the transnational migration of global brands across
     enemy
     >territories and ideological demarcations.
     >
     >
     >
     >JAN VERWOERT (DE) is a Berlin based critic working as contributing
     editor
     >for frieze. He teaches at Piet Zwart Institute, Rotterdam and
     writes, among
     >others, for Metropolis M, Afterall and Piktogram. His talk ,From
     >Appropriation to Invocation' discusses the crisis of
     historiography
     >coinciding with the crisis of the nation state and our definitions
     of social
     >communities: ,Many seek to bring back the national myth. But this
     is not
     >where we want to go. We live surrounded by the ghosts of
     unresolved
     >conflicts. Evoking these ghosts in the clandestine ceremonies of
     critical
     >art practice may open up ways to construct alternative communities
     around a
     >different sense of shared histories.'
     >
     >
     >
     >and others...
     >
     >
     >
     >www.tranzit.org <http://www.tranzit.org/>
     >
     >www.kunstverein-muenchen.de <http://www.kunstverein-muenchen.de/>
     >
     >
     >
     >TALK/SHOW
     >
     >podporuje | is supported by
     >
     >goethe institut bratislava
     >
     >british council bratislava
     >
     >auswartiges amt bundesrepublik deutschland
     >
     >academy of fine arts
     >
     >academy of dramatic arts
     >
     >magyar koztarsasag kulturalis inteze
     >
     >institute francaise
     >
     >
     >
     >
     >
     >
     >
     >kunstverein muenchen
     >
     >podporuje | is supported by
     >
     >Kulturreferat der Landeshauptstadt München
     >
     >
     >
     >
     >
     >
     >
     >tranzit.sk
     >
     >podporuje | is supported by
     >
     >SLOVENSKA SPORITELNA
     >
     >  <http://www.slsp.sk/> www.slsp.sk
     >
     >
     >
     >tranzit
     >
     >podporuje | is supported by
     >
     >ERSTE BANK GROUP:
     >
     >ERSTE BANK | SLOVENSKA SPORITELNA | CESKA SPORITELNA
     >
     >  <http://www.erstebank.at/>
     www.erstebank.at  <http://www.slsp.sk/>
     >www.slsp.sk  <http://www.csas.cz/> www.csas.cz
     ><http://www.erstebankgroup.net/> www.erstebankgroup.net
     >
     >
     >
     >--------------------------------------------------------------
     >
     >
     >
     >tranzit dielne | workshops & tranzit ateliery | studios
     >
     >podporuje | is supported by
     >
     >SHOPPING PALACE & SORAVIA GRUPPE
     >
     >  <http://www.shoppingpalace.com/> www.shoppingpalace.com
     www.soravia.at
     >
     >a  | and
     >
     >SWAN
     >
     >www.swan.sk
     >
     >--------------------------------------------------------------
     >
     >
     >
     >s podakovanim | with thanks to
     >
     >ATELIER R
     >
     >BAGLS
     >
     >KONSEPTI
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >
     >End of Artinfo Digest, Vol 49, Issue 38
     >***************************************
     _________________________________________________________________

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References

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