[artinfo] RE: Artinfo Digest, Vol 49, Issue 38
SI-LA-GI .
silagiart at hotmail.com
Fri Mar 30 13:29:06 CEST 2007
Maljkovic projectje tul drága......
Mennyi a drága ?.....
Kinek mennyit ér a nemzetközi müvészeti scenahoz valo csatlakozás ?
Érdekes volna megismerni a különbözö országok kölcségvetését, már
csak azért is hogy a magyar kiállitás ( Velencei Biennalé )
támogatasa nem hogy nött hanem majdnem az egyharmadára csökkent a 2005
ös kölcségvetéshez képest.... ( 80 miliorol 30 milliora )
Sok ez vagy kevés ? ?
Persze lehet kiallitást csinálni ingyen is .....
______________________________________________________________
From: artinfo-request at lists.c3.hu
Reply-To: artinfo at lists.c3.hu
To: artinfo at lists.c3.hu
Subject: Artinfo Digest, Vol 49, Issue 38
Date: 28 Mar 2007 04:50:24 -0700
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>Today's Topics:
>
> 1. Re: Re: Maljkovic kirugása (Maja & Reuben Fowkes)
> 2. TALK/SHOW | tranzit workshops, bratislava, sk | ZMENA !!! |
> CHANGE !!! x (lehocka)
>
>
>------------------------------------------------------------------
----
>
>Message: 1
>Date: Tue, 27 Mar 2007 21:21:48 +0100
>From: "Maja & Reuben Fowkes" <fowkes at translocal.org>
>Subject: Re: [artinfo] Re: Maljkovic kirugása
>To: <artinfo at c3.hu>
>Message-ID: <004901c770ad$8e43f560$6502a8c0 at ARTTOSHIBA09>
>Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> reply-type=original
>
>This is how David Maljkovic explains what happened...
>
>Date: Mon, 12 Mar 2007 04:58:39 -0700 (PDT)
> >>
> >>Dear friends and colleagues,
> >>
> >> Unfortunately I'm not going to present Croatia at 52.
International Art
> >>Exhibition of Biennale di Venezia. This decision was made by
the selector
> >>(commissioner) - artist Zeljko Kipke together with organiser
(curator)
> >>Branko Franceschi, Director of the Museum of Modern and
Contemporary Art
> >>in
> >>Rijeka and I suppose with the Ministry of Culture.
> >>
> >> As you might be able to imagine, how disappointed and sorry
I am.
> >> Please
> >>allow me to explain what happened:
> >>
> >> On 22th of February 2007, I presented my project together
with my
> >>architect and selector Zeljko Kipke to the Minister of Culture,
Bozo
> >>Biskupic. The meeting went well and the minister gave support
to the
> >>project and let me know he is very pleased with it. The project
was sent
> >>to
> >>Palazzo Querini Stampalia which is hosting the Croatian
Pavilion in
> >>Venice.
> >>
> >> On the 2th of March I received an e-mail from Nina Obuljen,
the
> >>assistant of the Minister of Culture, informing me that Querini
Stampalia
> >>reviewed my project and decided that is not suitable for the
'Area Scarpa'
> >>for which it was designed. Fondazione Querini Stampalia was
afraid, that
> >>the construction of my installation could cause damage in the
newly
> >>renovated Area Scarpa. Querini Stampalia offered the Ministry
of Culture
> >>different spaces in the building. So a date was set to see the
new space
> >>on
> >>Wednesday 7th of March and I had a flight ticket booked to
Venice.
> >>
> >> I should add, that already on our first visit to Querini
Stampalia in
> >>December 2006 me and my architect had asked for the conditions
as well as
> >>what we could do in the delicate Scarpa space. Accordingly we
designed a
> >>self supporting installation avoiding all invasive actions such
as
> >>screwing, drilling, welding etc. Of course I asked for a
written
> >>explanation from Querini Stampalia, the Ministry of Culture and
the
> >>organiser but I never received any document.
> >>
> >> On 5th of March Zeljko Kipke sent an e-mail informing all
collaborators
> >>that my project has been rejected and that I have to hand in a
new
> >>proposal
> >>latest point on the 20th of March. Moreover, he informed me,
that neither
> >>in the Scarpa space nor in any other space in Palazzo Querini
Stampalia I
> >>am allowed to use plaster boards and wooden construction.
> >>
> >> I responded that certain materials and elements like plaster
boards or
> >>wooden constructions are essential in my artistic practice and
that this
> >>should be appreciated by the organisers of the Croatian
Pavilion.
> >>Furthermore, I reminded about my obligations towards the Museum
of
> >>Contemporary Art CAPC in Bordeaux and the Whitechapel Gallery
in London.
> >>Both, commissioner and curator of the pavilion knew that I have
to be in
> >>Bordeaux from 11th - 17th of March to install a solo exhibition
and
> >>subsequently in London on 28th of March for the opening of a
solo at
> >>Whitechapel Gallery. I informed them that I only can provide a
realistic
> >>timeline for a new project after having seen the new space at
Querini
> >>Stampalia.
> >>
> >> I must say I was stunned about the deadline of Mach 20th,
because
> >>everybody knew that the Museum CAPC gave me the opportunity to
install my
> >>solo exhibition in March although the opening will take place
on 24th of
> >>May in order to enable me to focus on the Venice Biennial
project in the
> >>following months.
> >>
> >> On the 6th of March I received an e-mail from Commissioner
Zeljko Kipke
> >>telling me, that due to his responsibility towards the Ministry
of Culture
> >>he has to cancel my appointment as the artist to represent
Croatia at the
> >>Venice Biennial. He pointed out that he is sorry but because of
my other
> >>obligations I would not capable to finish the work for the
pavilion.
> >>
> >> Dear friends and colleagues I couldn't believe this, because
of my
> >>obligations and responsibility towards the Croatian Pavilion I
asked for a
> >>special arrangement to install my exhibition in Bordeaux two
months before
> >>the opening (I am using this opportunity to say how much I
appreciate the
> >>Museum in Bordeaux CAPC for making it possible) and now I have
been
> >>excluded, or should I say - removed, from the Biennial.
> >>
> >> What kind of commissioner, artist (!) and person and what
kind of
> >>curator, organiser and person act this way? I keep asking
myself how they
> >>can pretend to support the interest of the Ministry but don't
do anything
> >>to protect the artist and make an art possible .
> >>
> >> They have not just outwitted me, they outwitted all the
people I am
> >>working with, my architect Miroslav Rajic, designer Damir
Gamulin as well
> >>as all the people ready and open to help the Croatian Pavilion,
Sabrina
> >>van
> >>der Ley and Markus Richter of European Art Project, the
institutions I am
> >>working with who showed the will to help with ads and promotion
(P.S.1,
> >>Whitechapel and CAPC Bordeaux) and my gallery Annet Gelink. I
would like
> >>to
> >>apologise to them for this terrible situation and say how
thankful I am
> >>for
> >>all the support they offered
> >>
> >> Once more I have to say how sorry I am that I won't be able
to present
> >>my video installation "Lost Memories from These Days", the
project I am
> >>working on since 2005. set inside the former Italian Pavilion
on Zagreb
> >>fair.
> >>I can not describe how disappointed and sad I am.
> >>
> >> Thank you for your understanding and your time
> >> Sincerely yours
> >> David Maljkovic
> >>
> >>
> >
>----- Original Message -----
>From: "anna balint" <subterfluent at gmail.com>
>To: <>
>Sent: Tuesday, March 27, 2007 5:12 PM
>Subject: [artinfo] Re: Maljkovic kirugása
>
>
>hivatalos indoklás szerint David Maljkovic projektje túl
bonyolult,
>túl drága, és a müvész nem müködött megfelelöen együtt a
>megbízó intézettel.
>ba
>
>On 26 Mar 2007, at 14:00, SI-LA-GI . wrote:
>
> >
> > Jo, jo illetve nem jo nem jo, vagy ..... MI az OKA hogy
kirugtak
> > Maljkovic urat ? ?
>
>
>
>
>------------------------------------------------------------------
--------------
>
>
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>Leiratkozas~To unsubscribe: artinfo-request at lists.c3.hu (level
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>the body of the msg: unsubscribe)
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>
>
>------------------------------
>
>Message: 2
>Date: Wed, 28 Mar 2007 05:43:57 +0200
>From: "lehocka" <lehocka at nextra.sk>
>Subject: [artinfo] TALK/SHOW | tranzit workshops, bratislava, sk |
> ZMENA !!! | CHANGE !!! x
>To: office at tranzit.org
>Message-ID: <mailman.864.1175082584.51402.artinfo at lists.c3.hu>
>Content-Type: text/plain; charset="iso-8859-2"
>
>POZOR | ATTENTION
>
>ANNA SANDERS FILMS
>
>NIE NA VSMU | NOT AT VSMU
>
>ALE V SNG | BUT AT SNG
>
>SLOVAK NATIONAL GALLERY, RIECNA 1, BRATISLAVA
>
>1. POSCHODIE | 1ST FLOOR
>
>
>
>STREDA | WEDNESDAY 28., premietanie | screening, (POZOR!!! |
ATTENTION!!!)
>SNG, 18.00
>
> >> ANNA SANDERS FILMS,
>
>ANNA SANDERS FILMS (F) je fiktivna osoba zijuca v Parizi. Za
maskou Anny
>Sanders pracuje kolektiv umelcov s filmarov, ktori produkuju 35mm
filmy
>oscilujuce na hrane dokumentu a filmoveho pribehu. V ramci
TALK/SHOW
>prezentujeme 35mm filmy od Liam Gillick, Pierre Huyghe, Philippe
Parreno,
>Dominique Gonzalez-Foerster
>
>ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
Behind the
>mask of Anna Sanders operates a collective of artists and
filmmakers that
>produces on 35 mm films that oscillate between documentary and
fiction. The
>selection for TALK/SHOW will present works by Liam Gillick, Pierre
Huyghe,
>Philippe Parreno, Dominique Gonzalez-Foerster
>
>
>
>Liam Gillick:
>"Anna Sanders Film Ident" (1 Min., 2001)
>Dominique Gonzales-Foerster:
>"Riyo" (10 Min., 1999)
>"Atomic Park" (8 Min., 2003)
>
>Riyo (10 mins, 1999) - Riyo is a single travelling shot of ten
minutes,
>moving along the river Kamo in Kyoto, Japan. We overhear an
awkward
>telephone conversation between two adolescents whilst the camera
surveys the
>urban riverside. As the conversation and the landscape unveil
themselves
>simultaneously, the flirtatious dialogue between the unseen boy
and girl
>reveals an emotional city, transitory and immature.
>
>Atomic Park (8 mins, 2003) - Atomic Park is a landscape of
ambivalence - a
>space both for taking a picnic and for ballistic testing. Filmed
in a
>national park not far from Trinity Site where the first atom bomb
was
>detonated in July 1945, the stark white desert provides an
inscrutable
>location in which any presence or movement is impossible to
interpret with
>any consistency.
>
>Pierre Huyghe:
>"Streamside Day" (20 Min., 2000)
>
>"Block Party" (10 Min., 2002)
>
>A documentary on Hip Hop, with Africa Bambaataa, GrandMaster
Flash, and
>Grand Wizard Theodore.
>
>Philippe Parreno:
>"Boy from Mars" (11 Min., 2003)
>The exceptionally atmospheric film images were shot in Thailand on
a
>location where Parreno's colleague Rikrit Tiravanija started an
artist
>colony.
>
>
>
>Anna Sanders is at the forefront of the current convergence of
visual art
>and cinema. Her films, hovering in an in-between - in between
cinemas,
>landscapes, dreams and economies - share a general fascination
with
>exploring our world, and its relationship to personal narratives.
Constantly
>oscillating between reality and fiction, document and subjective
memory,
>mental and visual image, off-screen and on screen these films
present
>themselves as footnotes on the margins of reality and of film
history.
>Stunning, often sensual, imagery combined with a constant
questioning of
>cinema, Anna Sanders' films retains a cool distance from their
subjects, the
>filmmakers creating a space for the viewer to become immersed in
the beauty
>of images and their multiple meanings, all converging on one
question, how
>to make the portrait of a landscape as one would create the
portrait of a
>person, in other words, how to tell the world nowadays. Anna
Sanders Films
>is the name of a film production company based in Paris. It was
founded in
>1997 by Dominique Gonzalez-Foerster, Pierre Huyghe, Charles de
Meaux and
>Philippe Parreno. The films are places of encounter, encounters
with
>landscape, encounters with the other, and encounters with other
artists,
>musicians and filmmakers such as Doug Aitken, Devendra Banhardt,
Carsten
>Holler, Liam Gillick, Douglas Gordon, M/M (Paris), Rirkrit
Tiravanija, Dave
>Stewart, and Apichatpong Weerasethakul. Anna Sanders Films has
blazed a
>trail for a new breed of cinema - one made by visual artists that
is shown
>most often in galleries, but increasingly is finding its way into
cinemas
>and film festivals. Indeed, the company's production with Thai
artist
>Apichatpong Weerasethakul, Blissfully Yours, won the prize Un
Certain Regard
>at Cannes Film Festival 2002 and the KNF prize by the Dutch
critics at the
>2003 International Film Festival, Rotterdam. Other Anna Sanders
Film
>artists, meanwhile, have claimed some of Europe's most prestigious
visual
>art prizes. Pierre Huyghe was awarded the Hugo Boss Prize and
Dominique
>Gonzales-Foerster the Duchamp prize, both in 2002. The Anna
Sanders Film
>Tour comprises of screenings of almost all the films ever produced
by Anna
>Sanders. The screenings are preceded by a conference with the
participation
>of the director of Anna Sanders - a film director - Charles de
Meaux and the
>curator of the film tour Agnieszka Kurant. Besides Kunstverein
München the
>Anna Sanders Film Tour will be presented at the ICA, London and
the MoMA,
>New York.
>
>
>
>
>
>
>
>
>
>tranzit.sk bratislava | kunstverein muenchen munich
>
>goethe institute bratislava | british council
>
>vysoka skola vytvarnych umeni | vysoka skola muzickych umeni
>
>vas pozyvaju na | invite you to the
>
>
>
>TALK/SHOW
>
>
>
> >> 4. TYZDEN | >> 4TH WEEK
>
>
>
>(POZOR!!! | ATTENTION!!!) UTOROK | TUESDAY 27., prednáąka |
lecture, V©VU,
>18.00
>
> >> ANDREAS NEUMEISTER,
>
>ANDREAS NEUMEISTER (DE) je spisovatel z Mnichova, ktoreho
literarna praca
>obsahuje ideu vizualnosti. Jeho dia premietanie a citanie z ,Da
Real World'
>nas naviguje cez nekonecne horizonty acronym saturujich nase
zivoto-svety.
>
>ANDREAS NEUMEISTER (DE) is a Munich based writer who regularly
incorporates
>the idea of the visual in his literary work. His slide-show and
reading ,Da
>Real World' navigates through the ubiquitous horizon of acronyms
saturating
>our life-worlds.
>
>
>
>STREDA | WEDNESDAY 28., premietanie | screening, (POZOR!!! |
ATTENTION!!!)
>SNG, 18.00
>
> >> ANNA SANDERS FILMS,
>
>ANNA SANDERS FILMS (F) je fiktivna osoba zijuca v Parizi. Za
maskou Anny
>Sanders pracuje kolektiv umelcov s filmarov, ktori produkuju 35mm
filmy
>oscilujuce na hrane dokumentu a filmoveho pribehu. V ramci
TALK/SHOW
>prezentujeme 35mm filmy od Liam Gillick, Pierre Huyghe, Philippe
Parreno,
>Dominique Gonzalez-Foerster
>
>ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
Behind the
>mask of Anna Sanders operates a collective of artists and
filmmakers that
>produces on 35 mm films that oscillate between documentary and
fiction. The
>selection for TALK/SHOW will present works by Liam Gillick, Pierre
Huyghe,
>Philippe Parreno, Dominique Gonzalez-Foerster
>
>
>
>©TVRTOK | THURSDAY 29., prednáąka | lecture, V©VU, 18.00
>
> >> MICHAELA MELIAN,
>
>MICHAELA MELIÁN (DE) je mnichovska umelkyna a hudobnicka, ktora
prednasa na
>Akademii umenia v Hamburgu. Je zakladajucim clenom FSK a v jej
umeleckej
>praxi znovuozivuje zabudnute historie politickeho disentu. Jej
prispevkom
>pre TALK/SHOW je trans-historicka panorama mnichovskej bohemy od
1910 do 70
>rokov minuleho storocia.
>
>MICHAELA MELIÁN (DE) is a Munich based artist and musician
currently
>teaching at the Art Academy of Hamburg. She is a founding member
of FSK and
>in her artistic work negotiates neglected histories of political
dissent.
>Her contribution to TALK/SHOW is a trans-historical panorama of
Munich
>bohemia from the 1910s to the 1970s
>
>
>
>PIATOK | FRIDAY 30., performance, tranzit dielne | workshops,
18.00
>
> >> FLORIAN HECKER,
>
>FLORIAN HECKER (AT/DE) je umelec a hudobnik zijuci vo Viedni.
Hecker patri k
>najinovativnejsim kreativnym, kulturnym tvorcom v ramci
medzinarodnej sceny
>elektronickej hudby, mimo inych, pracuje s technologiami
vytvorenymi
>archietktmi pod vedenim priekopnika elektronickej hudby Ianisa
Xenakisa.
>
>FLORIAN HECKER (AT/DE) is an artist and musician based in Vienna.
Hecker is
>considered as one of the most innovative creative cultural
producers in
>international electronic music working, among others, with
technologies
>developed by architect and electronic music pioneer Ianis Xenakis.
>
>
>
>SOBOTA | SATURDAY 31., projekty | projects, tranzit dielne |
workshops,
>18.00
>
> >> JEREMY DELLER, ANNA SANDERS FILMS, MICHAELA MELIAN, FLORIAN
HECKER,
>ANDREAS NEUMEISTER,
>
>LUCA FREI, SCOTT KING, PUBLISH AND BE DAMNED, PABLO LEON DE LA
BARRA,
>STEPHAN DILLEMUTH, SEAN SNYDER, LOCAL MODERNITIES, ANARCHITEKTUR,
JAN
>VERWOERT
>
>'The Battle of Orgreave' of Jeremy Deller, Michaela Melian's
panoramatic
>mural, Andreas Neumeister's ,Da Real World' slide show,
soundperformance of
>Florian Hecker, films of Anna Sanders Films, Luca Frei's 'Gruppo
Parole e
>Immagini', Anarchitektur's The Preliminary Charter of Oppositional
>Architecture, Perangola workshop of Pablo Leon de la Barra,
'Casio, Seiko,
>Sheraton, Toyota, Mars' of Sean Snyder, Archive of Local
Modernities,
>situation of Stephan Dillemuth, Scott King's large mural, Jan
Verwoert's
>posters and more than 600 publications of Publish and be Damned.
>
>JEREMY DELLER (UK) je londynsky umelec, nositel prestiznej Turner
Prize
>2004. V jeho praci sa pohybuje medzi rolou umelca, kuratora a
tvorcu
>sirokeho spektra projektov ktore su casto zalozene na principe
ucasti, casto
>presuva hranice medzi vysokym a nizkym, umenim a kazdodennou
kulturnou
>praxou. Pre TALK/SHOW osobne uvedie 'The Battle of Orgreave',
masivnu
>rekonstrukciu strajku britskych banikov z 1984/85.
>
>JEREMY DELLER (UK) is a London based artist and winner of the
prestigious
>Turner Prize 2004. In his work he shifts between the roles of
artist,
>curator and producer of a broad range of projects that often take
shape in
>participatory modes and frequently sidestep the common
demarcations between
>high and low, between art and everyday cultural practices. For
TALK/SHOW he
>will personally present 'The Battle of Orgreave', a massive
re-enactment of
>the British miner's strike of 1984/85.
>
>
>
>
>
>
>
>
>
> >>
>
>TALK/SHOW
>
>prednasky (stredy, stvrtky, piatky - VSVU) a | lectures
(wednesdays,
>thursdays, fridays - AFAD) and
>
>projekty (soboty - tranzit dielne) | projects (saturdays - tranzit
>workshops) - od | by
>
>ANARCHITEKTUR (DE),
>
>PABLO LEON DE LA BARRA (MEX/UK),
>
>JEREMY DELLER (UK),
>
>STEPHAN DILLEMUTH (DE),
>
>LUCA FREI (CH),
>
>SOEREN GRAMMEL (DK/AT)
>
>FLORIAN HECKER (AT),
>
>SCOTT KING (UK)
>
>LOCAL MODERNITY / HEIKE ANDER (AT/DE),
>
>MICHAELA MELIAN (DE),
>
>ANDREAS NEUMEISTER (DE),
>
>PUBLISH AND BE DAMNED / KIT HAMMONDS (UK),
>
>ANNA SANDERS FILMS (F), FEAT. LIAM GILLICK (UK), DOMINIQUE
GONZALES-FOERSTER
>(F), PIERRE HUYGHE (F), PHILIPPE PARRENO (F),
>
>SEAN SNYDER (USA/DE),
>
>JAN VERWOERT (DE)
>
>
>
>CURATED BY
>
>STEFAN KALMAR & DANIEL PIES
>
>KUNSTVEREIN MUNICH (DE)
>
>
>
>OD | FROM MAREC | MARCH 07
>
>DO | TO APRIL 14, 2007
>
>V | AT
>
>tranzit dielne | workshops
>
>studena 12, bratislava, slovensko | slovakia
>
>otvorene od stredy do soboty
>
>open from wednesday to saturday
>
>od | from 15:00 do | to 18:00
>
>&
>
>vysoka skola vytvarnych umeni
>
>hviezdoslavovo nam 15, bratislava
>
>&
>
>vysoka skola muzickych umeni
>
>svoradova 1, bratislava
>
>
>
> <http://www.tranzit.org/> www.tranzit.org
>
>www.kunstverein-muenchen.de
>
>
>
>
>
>
>
>
>
>TALK/SHOW PROGRAM
>
>
>
>STREDA | WEDNESDAY 07., prednáąka | lecture, V©VU, 18.00
>
> >> JAN VERWOERT
>
>
>
>©TVRTOK | THURSDAY 08., prednáąka, | lecture, V©VU, 18.00
>
> >> PUBLISH AND BE DAMNED / KIT HAMMONDS
>
>
>
>PIATOK | FRIDAY 09., prednáąka, | lecture, V©VU, 18.00
>
> >> SCOTT KING
>
>
>
>SOBOTA | SATURDAY 10., projekty | projects, tranzit dielne |
workshops,
>18.00
>
> >> SCOTT KING, PUBLISH AND BE DAMNED, JAN VERWOERT
>
>
>
>STREDA | WEDNESDAY 14., prednáąka | lecture, V©VU, 18.00
>
> >> STEPHAN DILLEMUTH
>
>
>
>©TVRTOK | THURSDAY 15., prednáąka | lecture, V©VU, 18.00
>
> >> SOEREN GRAMMEL
>
>
>
>PIATOK | FRIDAY 16., prednáąka | lecture, V©VU, 18.00
>
> >> LOCAL MODERNITIES / HEIKE ANDER
>
>
>
>SOBOTA | SATURDAY 17., projekty | projects, tranzit dielne |
workshops,
>18.00
>
> >> PABLO LEON DE LA BARRA, SEAN SNYDER, STEPHAN DILLEMUTH, LOCAL
>MODERNITIES,
>
>SCOTT KING, PUBLISH AND BE DAMNED, JAN VERWOERT
>
>
>
>STREDA | WEDNESDAY 21., prednáąka | lecture, V©VU, 18.00
>
> >> ANARCHITEKTUR
>
>
>
>©TVRTOK | THURSDAY 22., prednáąka | lecture, V©VU, 18.00
>
> >> LUCA FREI
>
>
>
>SOBOTA | SATURDAY 24., projekty | projects, tranzit dielne |
workshops,
>18.00
>
> >> ANARCHITEKTUR, LUCA FREI
>
>LOCAL MODERNITIES, PABLO LEON DE LA BARRA, STEPHAN DILLEMUTH, SEAN
SNYDER,
>SCOTT KING, PUBLISH AND BE DAMNED
>
>
>
>UTOROK | TUESDAY 27., prednáąka | lecture, V©VU, 18.00
>
> >> ANDREAS NEUMEISTER
>
>
>
>STREDA | WEDNESDAY 28., premietanie | screening, V©MU, 18.00
>
> >> ANNA SANDERS FILMS with LIAM GILLICK, DOMINIQUE
GONZALES-FOERSTER, PIERRE
>HUYGHE, PHILIPPE PARRENO
>
>
>
>©TVRTOK | THURSDAY 29., prednáąka | lecture, V©VU, 18.00
>
> >> MICHAELA MELIAN
>
>
>
>PIATOK | FRIDAY 30., performnce, tranzit dielne | workshops, 18.00
>
> >> FLORIAN HECKER
>
>
>
>SOBOTA | SATURDAY 31., projekty | projects, tranzit dielne |
workshops,
>18.00 (- APRIL 14, 2007)
>
> >> JEREMY DELLER, ANNA SANDERS FILMS, MICHAELA MELIAN, FLORIAN
HECKER,
>ANDREAS NEUMEISTER,
>
>LUCA FREI, SCOTT KING, PUBLISH AND BE DAMNED, PABLO LEON DE LA
BARRA,
>STEPHAN DILLEMUTH, SEAN SNYDER, LOCAL MODERNITIES, ANARCHITEKTUR,
ANDREAS
>NEUMEISTER, JAN VERWOERT
>
>
>
>TALK/SHOW does what it says: over the period of 4 weeks a group of
>altogether 16 internationally reknown artists and cultural
practioners are
>invited to deliver a TALK at Bratislava Academy of Fine Arts and
Design. In
>the course of this programme a SHOW will build up step by step at
tranzit
>workshops, with each invited guest contributing a work to the
show. On a
>non-pragmatic level, however, TALK/SHOW also signifies the media
format
>epitomizing what critics have called the denigration of the public
sphere.
>Before the background of recent developments in the urban and
political
>landscape of Bratislava, the project TALK/SHOW thus revolves
around issues
>of the constitution of the public sphere and questions of public
access to
>urban as well as discursive spaces in the face of their increasing
>normalisation, commercialisation and privatisation. TALK/SHOW will
try to
>enter a dialogue with a local public by presenting comparable
developments
>within the so-called 'Western' world through the work of 16
international
>artists, architects, musicians, graphic designers, filmmakers and
curators
>whose practices share a common interest in exploring the
possibilities of
>articulating parallel structures to mainstream economies of space
and
>discourse: sub-economies, sub-communities, sub-publishing,
sub-architectures
>and sub-designs. While the invited groups and individuals are
analysing and
>infiltrating the political, economical and urban realities of the
early 21st
>Century, they at the same time employ these conditions to divert
resources
>towards forms of production that critically re-negotiate questions
of power,
>ownership and authorship within the public sphere. In this
TALK/SHOW brings
>together a unique and internationally outstanding group of
creative
>producers that are not only able to present developments and
strategies
>parallel to those experienced in Slovakia but as a whole might
create an
>atmosphere of inter-cultural exchange within which both sides will
be able
>to discover common grounds.
>
>STEFAN KALMAR & DANIEL PIES - K.M
>
>
>
>ANARCHITEKTUR (DE) is a group of Berlin based architects and
theoreticians,
>regularly publishing a magazine on contemporary debates about
architecture
>and urban planning. They are also the initiators of the "Camp for
>Oppositional Architecture" that, continuing in the tradition of
socially
>committed groups of architects such as C.I.A.M. or Team 10,
discusses the
>framework and opportunities for a politically involved
contemporary
>production of architectural space.
>
>
>
>PABLO LEÓN DE LA BARRA (UK/MEX) is a London based artist, curator,
publisher
>and gallerist, who has curated numerous exhibitions dealing with
urban and
>artistic practices all across Europe and South America. For
TALK/SHOW de la
>Barra will initiate a Perangola workshop at tranzit workshops. -
BE
>MARGINAL, BE HEROIC! - SPECIAL EVENT ON SATURDAY 17: Parangole
workshop with
>very special guest PABLO LEÓN DE LA BARRA (UK/MEX). Parangole is
an artistic
>practice developed by Brasilian modernist Helio Oiticica, central
figure of
>the South-American Anthropophagia movement of the 1960s, which
involves the
>collective production of costumes, capes and clothes from leftover
textiles
>and other materials. BRING ONE PIECE OF CLOTH OR PLASTIC TO CREATE
YOUR OWN
>PARANGOLE!, "My entire evolution, leading up to the formulation of
the
>Parangole, aims at this magical incorporation of the elements of
the work as
>such, in the whole life-experience of the spectator, whom I now
call
>'participator'." | Helio Oiticica, Notes on the
Parangole *Parangole,
>slang, meaning animated situation and sudden confusion and/or
agitation
>between people.
>
>
>
>JEREMY DELLER (UK) is a London based artist and winner of the
prestigious
>Turner Prize 2004. In his work he shifts between the roles of
artist,
>curator and producer of a broad range of projects that often take
shape in
>participatory modes and frequently sidestep the common
demarcations between
>high and low, between art and everyday cultural practices. For
TALK/SHOW he
>will present 'The Battle of Orgreave', a massive re-enactment of
the British
>miner's strike of 1984/85.
>
>
>
>STEPHAN DILLEMUTH (DE) is a Munich based artist and cultural
activist. He
>will present his artistic work as well as his collaborative
research and
>project work from Friesenwall (Cologne) to Papertiger TV, the
Summer Academy
>(Munich) and his speculative inquiry into the history of bohemia
and the
>'Lebensreform'-movement.
>
>
>
>LUCA FREI (SWE/CH) is a Swiss artist living in Lund, Sweden. In
his work he
>has consistently been exploring the borders between art as an
autonomous
>aesthetic practice and as a participatory public process. In
Bratislava he
>will present his series of fictitious political posters 'Gruppo
Parole e
>Immagini".
>
>
>
>SOEREN GRAMMEL (DE/AT), is a curator presently working as
director of
>Grazer Kunstverein, Graz (AT). Among many other projects he has
curated
>Videonale 9, Bonn, Telling Histories, Munich, and was initiator of
the
>video-archiv on documentary practices 'It's Hard to Touch the
Real'.
>Throughout his career he has been challenging the common standards
of
>exhibition making. Soeren Grammel will introduce his curatorial
work and
>initiate a workshop on performative practices in curating in
collaboration
>with Daniel Pies.
>
>FLORIAN HECKER (AT/DE) is an artist and musician based in Vienna.
Hecker is
>considered as one of the most innovative creative cultural
producers in
>international electronic music working, among others, with
technologies
>developed by architect and electronic music pioneer Ianis Xenakis.
>
>
>
>SCOTT KING (UK) is a London based artist and one of the most
important
>graphic designers of his generation. Among others, he has been art
director
>of ID Magazine, Sleazenation, designed record covers for
Morrissey, Pet Shop
>Boys, Suicide and also publishes the fanzine CRASH!
>
>
>
>LOCAL MODERNITIES (DE/AT) is a research project mapping the
locally specific
>articulations of post-war modernist architecture in the former
Soviet
>Republics and their relations amongst each other. Heike Ander,
curator and
>critc based in Vienna and Munich, will introduce the project and
its rich
>archive of photographic documents.
>
>
>
>MICHAELA MELIÁN (DE) is a Munich based artist and musician
currently
>teaching at the Art Academy of Hamburg. She is a founding member
of FSK and
>in her artistic work negotiates neglected histories of political
dissent.
>Her contribution to TALK/SHOW is a trans-historical panorama of
Munich
>bohemia from the 1910s to the 1970s
>
>
>
>ANDREAS NEUMEISTER (DE) is a Munich based writer who regularly
incorporates
>the idea of the visual in his literary work. His slide-show and
reading ,Da
>Real World' navigates through the ubiquitous horizon of acronyms
saturating
>our life-worlds.
>
>
>
>PUBLISH AND BE DAMNED (UK) is a touring archive and annual fair
for
>alternative artists' publications that has, among others, been
presented at
>Cubitt, London, Casco, Utrecht and LA MOCA, Los Angeles. Publish
And Be
>Damned was initiated by Emily Pethick and Kit Hammonds, who will
introduce
>the project at Bratislava Academy of Fine Arts.
>
>
>
>ANNA SANDERS FILMS (F) is a fictitious persona living in Paris.
Behind the
>mask of Anna Sanders operates a collective of artists and
filmmakers that
>produces on 35 mm films that oscillate between documentary and
fiction. The
>selection for TALK/SHOW will present works by Liam Gillick, Pierre
Huyghe,
>Philippe Parreno, Dominique Gonzalez-Foerster
>
>
>
>SEAN SNYDER (DE/US) is a Berlin based artist whose work is an
extended
>research into the imagery and the reporting of war. The intention
is not to
>comment on political issues, but to investigate the
representational modes
>of events that are consumed second hand. Snyder will present his
video
>'Casio, Seiko, Sheraton, Toyota, Mars' produced for 9th Istanbul
Biennial
>which maps the transnational migration of global brands across
enemy
>territories and ideological demarcations.
>
>
>
>JAN VERWOERT (DE) is a Berlin based critic working as contributing
editor
>for frieze. He teaches at Piet Zwart Institute, Rotterdam and
writes, among
>others, for Metropolis M, Afterall and Piktogram. His talk ,From
>Appropriation to Invocation' discusses the crisis of
historiography
>coinciding with the crisis of the nation state and our definitions
of social
>communities: ,Many seek to bring back the national myth. But this
is not
>where we want to go. We live surrounded by the ghosts of
unresolved
>conflicts. Evoking these ghosts in the clandestine ceremonies of
critical
>art practice may open up ways to construct alternative communities
around a
>different sense of shared histories.'
>
>
>
>and others...
>
>
>
>www.tranzit.org <http://www.tranzit.org/>
>
>www.kunstverein-muenchen.de <http://www.kunstverein-muenchen.de/>
>
>
>
>TALK/SHOW
>
>podporuje | is supported by
>
>goethe institut bratislava
>
>british council bratislava
>
>auswartiges amt bundesrepublik deutschland
>
>academy of fine arts
>
>academy of dramatic arts
>
>magyar koztarsasag kulturalis inteze
>
>institute francaise
>
>
>
>
>
>
>
>kunstverein muenchen
>
>podporuje | is supported by
>
>Kulturreferat der Landeshauptstadt München
>
>
>
>
>
>
>
>tranzit.sk
>
>podporuje | is supported by
>
>SLOVENSKA SPORITELNA
>
> <http://www.slsp.sk/> www.slsp.sk
>
>
>
>tranzit
>
>podporuje | is supported by
>
>ERSTE BANK GROUP:
>
>ERSTE BANK | SLOVENSKA SPORITELNA | CESKA SPORITELNA
>
> <http://www.erstebank.at/>
www.erstebank.at <http://www.slsp.sk/>
>www.slsp.sk <http://www.csas.cz/> www.csas.cz
><http://www.erstebankgroup.net/> www.erstebankgroup.net
>
>
>
>--------------------------------------------------------------
>
>
>
>tranzit dielne | workshops & tranzit ateliery | studios
>
>podporuje | is supported by
>
>SHOPPING PALACE & SORAVIA GRUPPE
>
> <http://www.shoppingpalace.com/> www.shoppingpalace.com
www.soravia.at
>
>a | and
>
>SWAN
>
>www.swan.sk
>
>--------------------------------------------------------------
>
>
>
>s podakovanim | with thanks to
>
>ATELIER R
>
>BAGLS
>
>KONSEPTI
>
>
>
>
>
>
>
>
>
>
>
>
>
>End of Artinfo Digest, Vol 49, Issue 38
>***************************************
_________________________________________________________________
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