[artinfo] Re: Artinfo Digest, Vol 40, Issue 4
milan vracar
miiilaaaan at yahoo.co.uk
Wed Jun 7 14:03:26 CEST 2006
1. CALL FOR ARTISTIC DIRECTOR
AAC kulturanova is running site-specific festival in Novi Sad, Serbia, FACE - festival of alternative creative exchange. For 2007. edition (this festival is bi-annual) the theme will be the River. We are now looking for artistic director from Hungary. Propositions:
- till 25 years old in October 2007
- energetic,enthusiastic, innovative
- well educated in the field of conteporary art (MA in art theory, if possible)
- well informed about current trends in contemporary art in Austria, Bulgaria, Croatia, Germany, Hungary, Moldova, Slovakia, Bosnia and Herzegovina, Czech Republic, Slovenia, Romania, Russia, Ukraine and Serbia
- willing to spend 6 months in Serbia on a wokring residency
For any further information please contact:
Milan Vracar
milankn at gmail.com
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
--
--
Milan Vracar
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
\nhttp://www.kulturanova.blog.hr
",1] ); D(["mb","--
",1] ); D(["mb","- Show quoted text -
--
Milan Vracar
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
\nhttp://www.kulturanova.blog.hr \n\n
",0] ); D(["ce"]); //--> http://www.kulturanova.blog.hr
2.CALL FOR PARTNERS
<please feel free to distribute>
Dear Friends,
AAC kulturanova is running site-specific festival in Novi Sad, Serbia, FACE - festival of alternative creative exchange. For 2007. edition (this festival is bi-annual) the theme will be the River. We are now looking for partners from Austria, Bulgaria, Croatia, Germany, Hungary, Moldova, Slovakia, Bosnia and Herzegovina, Czech Republic, Slovenia, Romania, Russia, Ukraine and Serbia. The artists will gather around joint site-specific works of art. Our organization' focus is on development of urban youth culture and raising awareness on relevant social issues, with the vision of building creative platforms for youth in Novi Sad and in region.
The festival is happening in the year of 10th anniversarie of Conference in Helsinki 1997 at which the pan-European corridors were agreed on, a Memorandum of Understanding (MoU) for Corridor VII was signed by the competent ministries of Germany, Austria, Slovakia, Hungary, Croatia, the Federal Republic of Yugoslavia,
Bulgaria , Romania , Moldova , Ukraine Our main goal is to fight xenophobia and improve dialogue between different cultures, because, although the political situation in Serbia has changed in many ways, the young still bear the scars of the previous war and we believe that this model could help them overcome the problems they are facing, as well as synchronize home art scene with current European trends. \n
\n
\nThe artists will gather around joint site-specific works of art which would reflect their idea of what it means to be a European citizen. The Danube is the second largest river in Europe - after the Volga. \nThe territory covered by the Danube\n river basin measures almost 1 million km². This is roughly one-third of the EU-15\'s territory ( 3.2 mill km²). The Danube River Basin is home to 81 million people with a wide range of cultures, languages and historical backgrounds. That is why we would like to question the relationship of a city (and citizens) and the river. What role a culture can take in such context? We need to re-think an alternative way on understanding contemporary art of critical thinking and its implementations in everyday life and that is why this festival gathers young and creative people who are exploring marginal areas of art. " \nF.A.C.E." project is rich in various types of happenings, such as: street performance, video-art, installations,
interactive paint exhibitions etc; often combining numerous things into an integral art expression.",1] ); //--> and by the European Commission. That year and a Steering Committee of Paneuropean Transport decided to establish Corridor VII – The Danube. Our main goal is to fight xenophobia and improve dialogue between different cultures, because, although the political situation in Serbia has changed in many ways, the young still bear the scars of the previous war and we believe that this model could help them overcome the problems they are facing, as well as synchronize home art scene with current European trends.
The artists will gather around joint site-specific works of art which would reflect their idea of what it means to be a European citizen. The Danube is the second largest river in Europe - after the Volga. The territory covered by the Danube river basin measures almost 1 million km². This is roughly one-third of the EU-15's territory ( 3.2 mill km²). The Danube River Basin is home to 81 million people with a wide range of cultures, languages and historical backgrounds. That is why we would like to question the relationship of a city (and citizens) and the river. What role a culture can take in such context? We need to re-think an alternative way on understanding contemporary art of critical thinking and its implementations in everyday life and that is why this festival gathers young and creative people who are exploring marginal areas of art. " F.A.C.E." project is rich in various types of happenings, such as: street performance, video-art, installations, interactive
paint exhibitions etc; often combining numerous things into an integral art expression. \n
\n
\nAs a part of the festival there will be organized a numerous events, such as scientific conference on the University of Novi Sad on the themes of river protection, an international art conference in Belgrade on the theme « Local and regional cultural policies and possibilities for cooperation - a way to achieve a common European future» (because we believe that the future Europe is the Europe of it\'s cities and the regions), during which we shall debate on some issues of modern European integration process and try to affect \n the development of cultural policy for the youth in the Southeastern Europe and wider.
\n
\nBasicaly, the role of partner is to do promotion of the festival in their country, to be selector for artist from that country, to have it\'s representative during prep meeting, to organise everything about the trip to festival, to be logistical coordinator, to try to fundreise localy or regionaly and maybe to organise a follow up event in their country. The festival is consisted of many different parts, so some of the partners that have experience in certain field could be responsible for that part of festival. For example one can be responsible just for the festival conference. We would like it to be real joint project and we are really open to any comment and suggestion. On one\'s request we will send you more info about previous editions of this festival, more precise explanation of role of partners and some other agendas. \n
Kind regards
Milan
--
Milan Vracar
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
",1] ); //-->
As a part of the festival there will be organized a numerous events, such as scientific conference on the University of Novi Sad on the themes of river protection, an international art conference in Belgrade on the theme « Local and regional cultural policies and possibilities for cooperation - a way to achieve a common European future» (because we believe that the future Europe is the Europe of it's cities and the regions), during which we shall debate on some issues of modern European integration process and try to affect the development of cultural policy for the youth in the Southeastern Europe and wider.
Basicaly, the role of partner is to do promotion of the festival in their country, to be selector for artist from that country, to have it's representative during prep meeting, to organise everything about the trip to festival, to be logistical coordinator, to try to fundreise localy or regionaly and maybe to organise a follow up event in their country. The festival is consisted of many different parts, so some of the partners that have experience in certain field could be responsible for that part of festival. For example one can be responsible just for the festival conference. We would like it to be real joint project and we are really open to any comment and suggestion. On one's request we will send you more info about previous editions of this festival, more precise explanation of role of partners and some other agendas.
Kind regards
Milan
--
For any further information please contact:
Milan Vracar
milankn at gmail.com
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
--
--
Milan Vracar
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
\nhttp://www.kulturanova.blog.hr
",1] ); D(["mb","--
",1] ); D(["mb","- Show quoted text -
--
Milan Vracar
AAC kulturanova
Zmaj Jovina 4/II
21000 Novi Sad, Serbia
t/f +38121452543
cell +381641814539
\nhttp://www.kulturanova.blog.hr \n\n
",0] ); D(["ce"]); //--> http://www.kulturanova.blog.hr
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When replying, please edit your Subject line so it is more specific
than "Re: Contents of Artinfo digest..."
Today's Topics:
1. Altered Identities – Workshop on Contemporary Art and
Nationalism, Prishtina, Kosova (Albert Heta)
2. Fwd: Contest for the illustration of a calendar
(Artpool Art Research Center)
3. Fw: manifesta 6 out of cyprus (kisspal)
4. Call for Images: Everyday Information Architecture
(Benjamin Fischer)
5. Dokufilmek a hajlektalansagrol (Seres Szilvia)
----------------------------------------------------------------------
Message: 1
Date: Tue, 6 Jun 2006 05:07:37 -0700 (PDT)
From: Albert Heta
Subject: [artinfo] Altered Identities – Workshop on Contemporary Art
and Nationalism, Prishtina, Kosova
To: artinfo at lists.c3.hu
Message-ID: <20060606120737.59159.qmail at web53002.mail.yahoo.com>
Content-Type: text/plain; charset="iso-8859-1"
Altered Identities
June 8 - 10, 2006.
Workshop on Contemporary Art and Nationalism
Participants:
Marita Muukkonen, Helsinki
Oliver Kochta-Kalleinen, Helsinki
Vasif Kortun, Istanbul
Albert Heta, Prishtina
Shkëlzen Maliqi, Prishtina
Sokol Beqiri, Peja
Erzen Shkololli, Peja
Branimir Stojanovic, Belgrade
Igor Grubic, Zagreb
Branislav Dimitrijevic, Belgrade
Ingar Roys, Oslo
Lulëzim Zeqiri, Viti
Nita Luci, Prishtina
Marta Gregorcic, Ljubljana
Minna Henriksson, Helsinki
Moderated by Sezgin Boynik, Prizren
Altered Identities – workshop on Contemporary Art and
Nationalism brings together 15 artists and writers
mainly from the Balkan region and from the Nordic
countries to discuss relation between nationalism and
visual art; how contemporary artists deal with
populist nationalist movements, how they formulate
their national heritage and interpret influence of
nationalism in their work.
Aim of the workshop is also to open a debate on
nationalism in the contemporary art scene in third
world countries like Kosova, where state and national
identity are still under construction.
Also, the globalistic protectorate system of the
political structure in Kosova with NATO and UNMIK make
this state visually and theoretically
even more interesting.
The three days of the workshop are structured around
presentations and panel discussions, which are
moderated by Kosovar sociologist Sezgin Boynik.
Workshop will be held in the Kosova Art Gallery, with
the opening session on June 8th, 11.00 hrs, and is
open to public.
Altered Identities is organized by Stacion Center for
Contemporary Art, Prishtina and is part of the
Nordic Council of Ministers’ Norden Balkan Culture
Switch programme.
For more details please write to Minna Henriksson at
info at stacion.org or go to www.stacion.org
Supported by Nordic Council of Ministers, Exit - Peje,
Office for Contemporary Art Norway and Kosova Art
Gallery, Prishtine.
------------------------------
Message: 2
Date: Mon, 5 Jun 2006 17:32:34 +0200
From: Artpool Art Research Center
Subject: [artinfo] Fwd: Contest for the illustration of a calendar
To: artinfo
Message-ID:
Content-Type: text/plain; charset=UTF-8; delsp=yes; format=flowed
Begin forwarded message:
> From: "aaa-edizioni.it"
> Date: June 4, 2006 6:40:52 AM GMT+02:00
> To: 27ENG
> Subject: Contest for the illustration of a calendar
>
> IMAGINE THE TIME
> Contest for the illustration of a calendar
>
>
> Tasting the nectar of the gods
>
>
>
> * Introduction: The town of Trivignano Udinese, Councillorship for
> Culture,
> with the support of the Province of Udine and of the Region Friuli
> Venezia
> Giulia, announces the second edition of a contest for the
> illustration of a
> calendar, open to young artists of no more than 35 years of age.
> The contest
> will be followed by an exhibition and the publication of the 12
> selected
> images.
>
> * Finalities: Object of the contest is the illustration of the
> pages of a
> calendar. The contest intends to stimulate and help young artists that
> distinguished themselves for their innovative research work and for
> the
> experimentation in various languages and in various techniques of
> image
> creation.
>
> * Theme: Tasting the nectar of the gods.
> Shapes and colors that re-create the sensations experienced while
> sipping a
> glass of good wine. The memory of dainty dishes matched with the
> perfume and
> taste of the most proper wine. The pleasures of food-and-wine
> connoisseurship expertly transformed into images that transmit
> pleasant
> emotions throughout the year.
>
> * Participation: The participation to the contest is free of
> charge. Artists
> of all nationalities born after December 31st 1971 and over 18
> years of age
> are eligible to participate. Participation to the contest
> contemplates the
> acceptance of these regulations and the free surrender of the
> rights for
> reproduction and publication of the works submitted.
>
> * Prize: 12 images will be selected for the illustration of the
> calendar. In
> addiction to the gratification of seeing their works published, the
> authors
> of the 12 selected images will receive a certificate and copies of the
> calendar, they will also receive free hospitality during the final
> party and
> prize-giving ceremony. A popular jury will select the best among
> the 12
> images, and the author will be awarded a prize of 1.200,00 Euro.
>
> * Techniques: All the different techniques are accepted (graphic
> and/or
> photographic illustration, painting, drawing, collage, computer
> graphics,
> etc.) and each author may participate with a maximum number of 3
> works.
>
> * Size and medium: All the works should be cm 43 x 43 in size and
> should be
> submitted in digital format on CD-rom, each file should be in the Tiff
> format at 300 dpi, CMYK colour.
> The original works should not be mailed but may be requested by the
> jury for
> exhibition and/or reproduction purposes. For each work a reference
> print on
> A4 size paper sheet should be included. Each work should be marked
> by a
> title, without indication of the author’s name.
>
> * Copyright: The copyright of the works will remain property of the
> authors,
> but the town of Trivignano retains the right to reproduce and
> publish free
> of charge on every kind of support and media the 12 winning images,
> for
> educative, didactic, promotional and advertising purposes.
>
> * Exhibition: The 12 winning works will be exhibited in Clauiano from
> Saturday September 23rd. Among the works submitted to the contest, a
> substantial number of images will be also selected for projection
> during the
> exhibition.
>
> * Deadline: Before August 19th 2006 the works should arrive in a
> closed
> envelope at the following address: Comune di Trivignano Udinese,
> Piazza
> Municipio n. 5, 33050 Trivigliano Udinese, Italy. The envelope must
> contain
> a CD-rom with all the works, a reference print of each work, the
> filled and
> signed participation form and a short curriculum vitae.
>
> * Jury: President: Ferruccio Giromini (art critic and magazine
> director);
> Francesca Agostinelli (art critic and teacher); Walter Bortolossi
> (artist
> and teacher); Piermario Ciani (artist and publisher); Alessio Curto
> (vice-director of Juliet art magazine); Dorino Minigutti (film
> director);
> Flavia Modotto (oenologist and sommelier); Secretary: Annamaria
> Zuccolo
> (representative of the town of Trivignano).
> The jury will meet on Saturday 26th August. The unappealable
> verdict of the
> jury will select the 12 images to be reproduced in the 2007
> calendar and
> will choose the images that will be projected.
>
> * Prize-giving ceremony: The prizes will be presented to the
> winners on
> Sunday September 24th, on the occasion of the Autumn Equinox, at the
> conclusion of a party that will involve the whole town of Clauiano.
>
>
>
>
> For Information and Contest regulations:
>
> Biblioteca comunale di Trivignano Udinese
> fax 0432.999559
> bibliotecatrivignano at libero.it
> http://www.comune.trivignano-udinese.ud.it
>
>
>
>

------------------------------
Message: 3
Date: Tue, 6 Jun 2006 13:10:46 +0200
From: "kisspal"
Subject: [artinfo] Fw: manifesta 6 out of cyprus
To:
Message-ID: <00d601c68959$dd15dcd0$1108a8c0 at home>
Content-Type: text/plain; charset="iso-8859-1"
>
> June 4, 2006
>
>
>
> CURATORS REPLY TO THE ANNOUNCEMENT BY NFA
>
> (NFA - bold, Curators - Italics)
>
>
>
>
>
> ANNOUNCEMENT BY NFA
>
>
>
> The President and the Board of Nicosia for Art Ltd.
> wish to make the
>
> following public announcement:
>
>
>
> 1. The Nicosia Municipality through Nicosia for Art
> (NFA) undertook the
>
> organization of Manifesta 6, the European Biennial of
> Contemporary Art in
>
> Nicosia. To this end the Municipality signed
> respective agreements with the
>
> International Foundation Manifesta (IFM) and a team of
> 3 Curators (Mr.
>
> Florian Waldvogel, Mr. Anton Vidokle and Mrs. Mai, Abu
> ElDahab).
>
>
>
> Indeed.
>
>
>
> 2. During the implementation of the organization,
> which was initiated in
>
> 2004 a number of problematic issues had arisen for the
> resolution of which
>
> NFA and its Board have spared no effort.
>
>
>
> NFA made no effort to find resolutions, propose
> compromises and showed no willingness to cooperate in
> any way.
>
>
>
> 3. Recently and contrary to the original concept of
> the Manifesta 6 program
>
> the Curatorial team insisted in the establishment and
> operation of an
>
> essential part of the Manifesta 6 school in the
> occupied part of Nicosia.
>
>
>
> Not true: since the beginning of the project we
> consistently maintained that Manifesta 6 School will
> be located in various venues in the entire city of
> Nicosia. Every part and venue of Manifesta 6 school is
> essential.
>
>
>
> 4. Through relevant correspondence, NFA and its Board,
> have made clear from
>
> the outset that the establishment and operation on a
> permanent basis of an
>
> essential part of the school in the occupied part of
> Nicosia apart from
>
> being in conflict with certain aspects of Cyprus and
> International Law, was
>
> also outside the ambit of the terms of the respective
> agreements and in
>
> breach of NFA's contractual right to have autonomy in
> making decisions of
>
> this kind. The above was a major obstacle in the
> continuation and the
>
> realization of Manifesta 6.
>
>
>
> Not true: since the beginning of the project Mr.
> Toumazis, Mr. Zambelas and Ms. Michaelidou
> consistently maintained that operation of venues in
> the North is fully possible and desirable. To
> emphasize this further, at a meeting with
> representatives of IFM board in Nicosia, Mr. Zambelas
> showed all of us his photo with Mr. Kutlay Erk (cover
> of a UN publication) and said that they are good
> personal friends and unofficial collaboration is fully
> possible. In May 2005 Yiannis Toumazis took Anton
> Vidokle and Florian Waldvogel for a meeting with Mr.
> Kutlay Erk at his office in the north to specifically
> discuss possibility of having Manifesta 6 venues on
> that side of the city. Starting late summer 2005 Mr.
> Toumazis authorised Constantinos Filiotis to conduct a
> research of various vacant buildings/spaces in the
> north and compile a map (see attached photo) and
> archive documentation on these possible venues. In
> early November a 4 story building belonging to Onar
> family was visited and discussed, a price was quoted.
> >From December onwards a house belonging to Zincir
> family was under discussion, blue prints were
> obtained, property deed presented and price quoted.
>
>
>
> No specific Cyprus or International law was ever cited
> to the curatorial team that could directly or
> indirectly prohibit renting any of these buildings for
> Dept. 2.
>
>
>
> The past precedents of five Manifest editions and our
> current curatorial contract clearly assigns to the
> Curators the task of selection of venues, not the Host
> (NFA). (see Curatorial contract paragraph 1.3).
>
>
>
> 5. NFA made repeated efforts to lift the above
> deadlock calling upon IFM
>
> for a discussion of the issues involved. NFA also
> called upon the
>
> Curatorial team to engage in mediation in accordance
> with the terms of the
>
> Curators' contracts.
>
>
>
> Not true: All efforts to produce a compromise or a
> solution were initiated by Curators and NFA. As the
> process bogged down after the Coffee Break Conference,
> on 16 of February, 2006, Florian Walvogel travelled to
> Tallin to a meet with the board of IFM and Yiannis
> Toumazis to discuss the problems, Toumazis claimed a
> gym accident and failed to attend the meeting. On
> March 11, Martin Fritz - a board member of IFM, on the
> request of Curators travelled to Nicosia to meet with
> Toumazis and Curators in attempt to mediate the
> serious disagreements. On March 25 IFM organized a
> meeting with Toumazis, Curators and IFM board Members
> in Berlin in yet another attempt to resolve the
> problems. On May 12 Hedwig Fijen came on an emergency
> visit to Nicosia to attempt to find a compromise
> solution with Mr Zambelas, Finally on May 26 Florian
> Waldvogel and Nicolas Efstahiou met for an official
> mediation meeting in Nicosia as provisioned in the
> contract. All the meetings were initiated by Curators
> or IFM and none produced any solutions or a compromise
> as the position of the Host was categorically
> intransigent.
>
>
>
>
>
> 6. IFM declined to engage in immediate talks with the
> purpose of lifting
>
> the existing deadlock; the Curators also rejected any
> form of mediation.
>
> The above facts together with IFM's decision in
> disputing NFA's contractual
>
> right to have full autonomy in the decision with
> regards to the place of
>
> establishing and operating the school and of the
> Manifesta 6 program in
>
> general, led to an essential deadlock.
>
>
>
> See reply to point 5. NFA has no contractual autonomy
> as the selection of venues is up to the Curators.
> Under our contract NFA's responsibility is to
> facilitate rental and maintenance of such venues. (see
> contract paragraph 1.3)
>
>
>
> 7. At the same time the Curators by way of statements
> to the Press and with
>
> written comments in the forum of the official website
> of Manifesta 6, made
>
> every effort in creating a political issue out of a
> purely legal matter. In
>
> addition to this, IFM's official statement that it
> would unilaterally make
>
> the necessary arrangements for the operation of the
> Manifesta 6 school in
>
> the occupied part of Nicosia gave the Curators the
> "necessary" support in
>
> disputing NFA's contractual rights and to continue in
> their effort to
>
> create a political issue out of a purely cultural
> event.
>
>
>
> The Curatorial contract does not include a
> confidentiality clause or any expressed prohibition
> about speaking to press. We have done so in numerous
> interviews, presentations and conferences for the
> duration of the project.
>
>
>
> The issue was politicized exclusively by the NFA
> insofar as they insist on prohibiting venues in the
> north on political grounds: refusal of some of the
> Greek Cypriots to cross a check point, produce a
> passport in Nicosia, have a visa paper stamped. We
> deeply respect individual political views held by all
> Cypriots, but maintain that these are individual
> decisions that prevent them from crossing, not laws of
> Cyprus or International Laws. The curators recognize
> that this is an issue and planned to find creative
> ways of addressing it in the project.
>
>
>
> 8. NFA considers the above actions of the Curators and
> of IFM as unilateral
>
> breaches of fundamental terms of their respective
> agreements with NFA. In
>
> addition NFA considers as unacceptable the effort of
> assigning political
>
> dimensions to a cultural event, which had as one of
> its primary aims the
>
> creation of a platform of cooperation between the two
> communities in
>
> Cyprus, within a spirit of solidarity and common
> understanding.
>
>
>
> The breach of conrtact is clearly an action taken by
> NFA as it unilaterally and arbitrarily fired the
> Curatorial team on June 1st, and cancelled Manifesta 6
> on June 2, thus breaching its obligations under its
> contract with IFM.
>
>
>
> Regarding political dimensions, please see reply to
> point 7.
>
>
>
> 9. As a result, having exhausted all the possibilities
> to lift the ensuing
>
> deadlock, NFA with a view of protecting its
> contractual rights and in an
>
> effort to avoid organizing Manifesta 6 in
> contravention of the prevailing
>
> legal framework and the provisions of the respective
> agreements, terminated
>
> its agreements with IFM and the Curators Mr. Florian
> Waldvogel, Mr. Anton
>
> Vidokle and Mrs. Mai Abu ElDahab.
>
>
>
> This is completely wrong as per all the replies to the
> above points.
>
>
>
> 10. In order to safeguard its legal rights NFA has
> instructed its lawyers
>
> in Cyprus and in The Netherlands Zomenis & Leontiou
> and Houthoff Buruma
>
> N.V. to take all necessary steps to claim damages
> against both IFM and the
>
> team of Curators.
>
>
>
>
>
> no comment.
/[Nettime-ro]/
------------------------------
Message: 4
Date: Mon, 05 Jun 2006 18:37:06 +0200
From: Benjamin Fischer (by way of Adele
Eisenstein )
Subject: [artinfo] Call for Images: Everyday Information Architecture
To: artinfo at c3.hu
Message-ID: <7.0.1.0.2.20060605183651.038631d8 at c3.hu>
Content-Type: text/plain; charset="iso-8859-1"; format=flowed
-
CALL FOR IMAGES: EVERYDAY INFORMATION ARCHITECTURE
Deadline: 2006-06-10
-
For a publication (part of my thesis in communication design) on how
we find, collect, evaluate and share information I am searching for
images of „Everyday Information Architectures“. The kind of images I
am researching are those of personal design solutions for organizing
and structuring everyday life and environment:
bookshelves, movie- collections, mind-maps,
mix-tapes, workplaces, toolboxes, garages,
photoboxes, filing cabinets etc.
If you would like to contribute an image send it to
submissions at typedown.com or point me to an URL for download. If you
are a Flickr user you can add your image to this
group http:// www.flickr.com/groups/everyday-information-architecture
Thank you for your efforts,
-
Gruss / Best regards,
Benjamin Fischer
--
Benjamin Fischer | http://www.typedown.com
------------------------------
Message: 5
Date: Mon, 5 Jun 2006 21:43:46 +0200 (CEST)
From: Seres Szilvia
Subject: [artinfo] Dokufilmek a hajlektalansagrol
To: artinfo at c3.hu
Message-ID: <20060605214332.V10862 at tenex.c3.hu>
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Az Utca Embere bemutatja:
Dokumentumfilmek a hajléktalanságról
Kéthetente kedd este 7 órakor a Tûzraktérben
IX. Tûzoltó u. 54-56. (a Klinikák metrómegállónál)
A belépés díjtalan!
www.azutcaembere.net
Június 6. 19h
Villanegyed
(Füredi Zoltán, 1997, 56 perc)
Budapest egyik villanegyedében élõ hajléktalan közösség
életének,
életmódjának és társadalmi kapcsolatainak antropológiai
szemléletû
feldolgozása.
Meghívott vendég: *Füredi Zoltán*, kultúrantropológus,
*Gurály Zoltán*, a Menhely Alapítvány módszertani vezetõje
Június 20. 19h
Utcaképes
(Elbert Márta, 2002, 93 perc)
A film készítõi közel száz hajléktalan gyermek és felnõtt
vándorlását
követték másfél éven át. Hogyan élnek a hajléktalan családok
Budapesten?
Meghívott vendég: *Elbert Márta*, filmrendezõ és *Iványi
Gábor*, lelkész, az Oltalom Karitatív Egyesület vezetõje
Július 4. 19h
Otthonom, Tarnabod
(Hajdú Eszter, 2005, 55 perc)
2004 õszén a "befogadó falu" program keretében budapesti
hajléktalan
családok kapnak házat, kertet és állatokat Tarnabodon, egy
Heves megyei kis faluban. Mûködik-e a kísérleti program?
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