[artinfo] Education as a Design Process
Janos Sugar
sj at c3.hu
Tue Oct 25 14:26:42 CEST 2005
>Education as a Design Process
>The Influence of Pop and Consumer Culture on Knowledge
>Transfer and the Marketing of Education
>
>Installation in the framework of Product and Vision
>Interfaces and boundaries in art and economy
>
>Kunstfabrik am
>Flutgraben
>Am Flutgraben 3
>12435 Berlin
>
>9th September - 9th October 2005
>Opening: 8th September 2005, 7 pm
>Performance "I'm an archive", Barbara Steveni
>(Organisation + Imagination, London)
>
>Opening hours: Wed/Thur 2 - 8 pm, Fr 2 - 10 pm, Sa/So noon - 8 pm
>
>What happens if a corporation - in this case,
>the Berlin-based publishing house Cornelsen -
>opens its doors to a group of artists? Can
>artists or arts and Cornelsen or the corporate
>sector in general learn something from each
>other, or will their autonomy be questioned? The
>participants of Product & Vision have studied,
>amongst others, the finance structure, the
>identification of the employees with the
>company, the products (schoolbooks), the
>production process, the image of the company,
>and the organisational structure. This
>exhibition presents the results of this artistic
>process in installations, videos, pictures and
>performances, together with other works from the
>field of art and business.
>
>Product & Vision is initiated by artists Mari
>Brellochs and Henrik Schrat in cooperation with
>the Berlin-based art venue Kunstfabrik am
>Flutgraben. Product & Vision focuses on
>businesses/enterprises as a dominating form of
>social organisation. Interfaces and boundaries
>between art and economy are one of the central
>issues. How do companies learn, how do artists
>learn? What does social responsibility mean for
>artists, and for companies? On the other side
>the enterprise becomes a model, a source of
>inspiration for artistic and academic work. To
>provide a real-life example, the publishing
>house Cornelsen has been incorporated into the
>project as a case study, producing exciting
>interactions for both sides. The company gave
>the participants of the project insight into
>their organization and into the working
>processes, to develop ideas, comments and
>criticism about them.
>
>As part of the project, a Reader "Sophisticated
>survival techniques. Strategies in Art and
>Economy" is published. A catalogue will be
>published after the exhibition.
>
>Participants of the exhibition:
>Acces Local (Paris), Mari Brellochs (Berlin),
>Cornelsen Verlag (Berlin), Neil Cummings/Marysia
>Lewandowska (London), Katja Diallo
>(Dordrecht/Berlin), etoy.CORPORATION
>(Zürich/international), Rainer Goerss (Berlin),
>Kent Hansen (Kopenhagen), Imagination Lab
>(Lausanne), Lucy Kimbell (London), Learning Lab
>Dänemark (Kopenhagen), Orgacom (Amsterdam),
>osb-i systemische Organisationsberatung
>(Tübingen, Wien), REINIGUNGSGESELLSCHAFT
>(Dresden), Institut für Ressourcenschonung
>Innovation und Sustainability (Berlin), Henrik
>Schrat (Berlin), Enno Schmidt (Frankfurt a.M.),
>Barbara Steveni (London), Joël Verwimp (Berlin)
>
>For more information and a detailed schedule see www.produktundvision.com
>
>special thanks by RG to Barnaby Drabble, Jutta
>Breuer und NARVA Lichtquellen GmbH + Co. KG
>
>***********************************************
>www.reinigungsgesellschaft.de
>
>0049 172 7851872 (Henrik Mayer)
>0049 179 5262785 (Martin Keil)
>
>REINIGUNGSGESELLSCHAFT
>c/o Henrik Mayer
>Zittauer Str. 4
>D 01099 Dresden
>Germany
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