[artinfo] the calls and opps list -- a digest of calls for work

Adele Eisenstein adele@c3.hu
Wed, 06 Feb 2002 16:17:51 +0100


--=====================_20117342==_.ALT
Content-Type: text/plain; charset="iso-8859-1"; format=flowed
Content-Transfer-Encoding: quoted-printable

---------- Forwarded message ----------
Date: Sat, 2 Feb 2002 15:48:59 -0800
From: Michael Mandiberg <Michael@Mandiberg.com>

i maintain a list of calls for work and other opportunities, which is sent=
=20
out weekly. there are usually 10 - 20 calls per week, though this week=20
there are 25...

the calls are filtered from a variety of listservs, web sources, and from=20
calls received directly from curators.

To join the list or view the archive, go to http://theredproject.com/calls

michael



here is a sample of the most recent email, which includes 6 out of the 25=20
calls this week:

+
The Museum of Contemporary Art of Georgia
MOCA GA is seeking information on national artists who deal with issues
of race as a major thematic focus in their work. We are interested in
works in all media. This research is being done in preparation for an
exhibition organized by guest curators Ed Spriggs, Executive Director of
Hammond House Galleries, Alanta and Dan Talley, Gallery Director at
Kutstown University. Opening at MOCA in the fall of 2002
Please forward contact information, slides, catalogs or other relevant
information to:
Professor Dan R Talley
c/o Kuntstown University, Fine Arts Department
PO Box 730
Kutztown, PA 19530-0730
For more info, contact:
talley@kutstown.edu
+


+
SIGGRAPH is an annual conference for technology and art.
The Studio Program is now accepting proposals from artists, educators and=20
technologists.
Due February 6th.
http://www.siggraph.org/s2002/cfp/studio/index.html
contact dan collins if you have questions:
dan.collins@asu.edu
+


+
MANHATTAN COMMUNITY ART FUND
The Lower Manhattan Cultural Council (LMCC) is pleased
to announce that applications for the Manhattan
Community Arts Fund (MCAF) will be available
mid-February, 2002.

Grants up to $2,000 for Manhattan-based Artists and
Arts Organizations are available in Dance, Theater,
Music, Visual Arts, Design, Crafts, Photography,
Media, Literature, Folk Arts, Humanities,
Multi-Discipline, and Computer Art.

Individual Artists are welcome to apply directly to
the program.

WORKSHOP SCHEDULE
For security purposes, PLEASE REGISTER by calling
212.219.9401, ext. 301. Each session is approximately
one and a half hours.

Wednesday, February 27
LMCC, 145 Hudson Street, Suite 801, New York, NY 10013
6:30 PM

Tuesday, March 5
Puerto Rican Workshop/Taller Boricua at the Julia de
Burgos Center
1680 Lexington Avenue, Bet. 105th and 106th Street,
New York, NY 10029
6:30 PM

Saturday, March 9
International Agency for Minority Artists Affairs
163 West 125th Street, New York, NY 10027
10:00 AM

Thursday, March 14
LMCC, 145 Hudson Street, Suite 801, New York, NY 10013
6:30 PM

Applications must be postmarked or received by March
25, 2002.

For more information, including a downloadable
application form and guidelines available
mid-February, see our website at www.lmcc.net. Or
call Narisara Vanichanan, Regrant Manager,
212.219.9401, ext 116.

LMCC provides support for individual artists and arts
organizations while fostering public participation in
the arts through free events in the performing,
visual, and new media arts in the financial district
and throughout the diverse neighborhoods and cultural
communities of Manhattan.

The Manhattan Community Arts Fund is part of the
Greater New York Arts Development Fund and is
administered by the Lower Manhattan Cultural Council.
It is made possible with public funds from the New
York City Department of Cultural Affairs (DCA), the
Office of the Manhattan Borough President, and the
Manhattan Delegation of the City Council.
+


+
FRANKLIN FURNACE OPEN CALL TO ALL ARTISTS DEADLINE: April 1st

http://www.franklinfurnace.org
THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART 2002-03
Supported by Jerome Foundation and the New York State Council on the Arts,=
=20
Franklin Furnace awards grants between $2,000 and $5,000 to performance=20
artists, allowing them to produce major works anywhere in the State of New=
=20
York. Artists from all areas of the world are invited to apply.

THE FUTURE OF THE PRESENT 2003
Franklin Furnace offers artists an honorarium (this year of $5,000) and a=20
residency facilitated by Franklin Furnace, for a 2-4 month duration at a=20
physical or online venue appropriate to your proposed work. For THE FUTURE=
=20
OF THE PRESENT 2003, we hope to continue to expand the technology available=
=20
to our artists through Parsons and beyond. The residencies may take place=20
in the Spring or Fall of 2003. Artists who are interested in developing new=
=20
artwork for the Internet are encouraged to apply.

See below for details on HOW TO APPLY.

Franklin Furnace has no curator; each year a new panel of artists reviews=20
all proposals. We believe that this peer panel system allows all kinds of=20
artists from all over the world an equal shot at presenting their work. All=
=20
applicants are automatically considered for both categories of awards.=20
Every year the panel changes, as the definition of "emerging artist," the=20
notion of =93live art on the Internet,=94 and the definition of "performance=
=20
art" itself changes, so if at first you don't succeed, try again.

Since its inception in 1985 THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART=20
has boosted the careers of such emerging artists as Papo Colo, Karen=20
Finley, John Fleck, Holly Hughes, Cathy Weis, Pamela Sneed, Murray Hill,=20
Tanya Barfield and Patty Chang.

This year's esteemed selection panel consisted of artists and curators=20
Patty Chang, Garland Farwell, Zhang Ga, Carmin Karasic, Christiane Paul and=
=20
Mark Tribe. This year's Fundwinners are Tish Benson, Christine Carson,=20
George Ferrandi, Stanya Kahn, Cary Peppermint and Tadej Pogacar. THE FUTURE=
=20
OF THE PRESENT 2002 artists are Kathleen Brandt and Brian Lonsway, Jeff=20
Gompertz, and G.H. Hovagimyan. The full schedule and project descriptions=20
are available on our website).

HOW TO APPLY

Required
1. Write a 50-word summary of your proposed work. Make your summary as=20
clear and complete as possible. You may also send a more detailed=20
description of your proposed work.
2. All proposals to THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART must have=
=20
a =BD inch videotape (VHS - NTSC American format only), cued for five=20
minutes, of your proposed work or past work. You may also include other=20
visual support materials.
To apply to THE FUTURE OF THE PRESENT series you may send a =BD inch=20
videotape, audio cassette, slides, photos, CD-ROMS, Jaz, Zip, floppy disks=
=20
or URL (either MAC or PC format). If you do not specify which fund you are=
=20
applying for, you will automatically be evaluated for both funds.
3. You MUST include a self-addressed, stamped envelope for return of=20
materials, or indicate that you will pick up your packet at our office.
4. Contact Info: Name, Mailing Address, Phone number/Fax number, Email/WWW.
Optional
5. You may include a budget (i.e. space rental, equipment, tech personnel).=
=20
If you have other funding sources for your project please indicate this in=
=20
your budget.
6. You may also submit your resume, reviews of previous work, and any other=
=20
support materials.

Send it to:

2003 Proposals
Franklin Furnace Archive, Inc.
45 John Street, Room #611
New York, NY 10038-3706

Questions? Contact us: info@franklinfurnace.org=
 http://www.franklinfurnace.org
or call us at 212.766.2606 or fax at 212.766.2740
+


+
P.S. 122 seeks proposals for new performance series, no deadline.

Performance Space 122 seeks proposals from dancers, actors, writers,=20
performers, directors for its newest performance series, HOMEROOM. Homeroom=
=20
is a low/no-tech performance lab held once a month, usually on a Monday,=20
with performances, readings, parties, lectures and showings. Show your work=
=20
in a friendly setting and get some important feedback. Become part of the=20
P.S. 122 community. Send materials to:

PS 122
Sasha Cuccimello
150 First Avenue
NY NY 10009
or
sasha@ps122.org
+


+
Deadline February 15, 2002
innovative, experimental public projects by emerging artists living and/or=
=20
working in New York State
Public Art Fund: IN THE PUBLIC REALM

Public Art Fund presents

In the Public Realm

An opportunity for emerging artists to develop and site experimental public=
=20
art in New York City.

In the Public Realm is an opportunity for emerging New York artists to=20
undertake the challenge of creating a temporary work in a public space. Up=
=20
to seven emerging artists will be selected by a distinguished panel of=20
artists, critics, and arts professionals and commissioned by the Public Art=
=20
Fund to develop formal proposals for public art projects. From these=20
proposals, the Public Art Fund will select three artists to realize their=20
work in the coming year.

Public Art Fund Inc. is a non-profit arts organization that presents the=20
work of contemporary artists in New York's public spaces, providing=20
alternative venues in which to create and view art. The Public Art Fund,=20
over the past twenty years, has acted as a facilitator and advocate for=20
artists and their work. By bringing new artworks into the public realm, the=
=20
Public Art Fund provides a unique forum and support structure for artists=20
to realize their artistic vision, while simultaneously increasing public=20
access to contemporary art.

What it is

In the Public Realm is a program of the Public Art Fund designed to=20
encourage innovative, experimental public projects by emerging artists=20
living and/or working in New York State. Artists selected through the=20
program will make proposals, develop their work in relation to urban=20
conditions, and ultimately present their work in the complex arena of=20
public life in New York City.

Artists are encouraged to investigate the physical, social, and=20
psychological nature of the urban environment throughout the diverse=20
neighborhoods of New York City. Previous experience of working in public=20
spaces is not essential for selection in this program.

How it happens

PHASE ONE February 2002
Commission Proposals

In February 2002, an Advisory Committee of artists, critics, curators, and=
=20
experts in contemporary art will select up to nine artists to develop=20
formal proposals for a public art project. Artists will be selected on the=
=20
basis of materials submitted (see What to Submit). The selected artists=20
will each receive $1,000 to create a formal proposal. Investigating=20
potential sites and communities in New York City for their proposed=20
project, artists will develop working drawings, prepare a maquette, and=20
present an accurate budget.

PHASE TWO Summer 2002
Commission Projects

In the summer of 2002, the selected artists will present their proposals to=
=20
the Public Art Fund. The Public Art Fund will choose up to three projects=20
for realization. Those artists selected to create projects will receive=20
$7,500 towards fabrication and installation, based on the finalized project=
=20
budget and an artist fee of $2,500.

PHASE THREE Spring and Fall 2003
In the Public Realm exhibition

The selected projects will be exhibited the following year, opening in the=
=20
spring and fall of 2003. Projects may be exhibited for up to one year.

What to Submit

Artists interested in this program are invited to submit the following=20
materials

Up to ten 35mm slides of recent and/or current work in a clear plastic=20
slide sheet. Each slide must be clearly labeled with your name(s), title,=20
date, media, dimensions, and the TOP indicated. Please include a slide=20
description sheet with corresponding numbers. Larger format transparencies,=
=20
photographs, and drawings will not be considered. Do not submit original=
 work.

Current resume, including name, address, telephone number, and email=
 address.

A brief statement of interest (no more than 300 typewritten words). This=20
should be a brief statement about your work that the panel may refer to=20
when viewing slides, or issues and concepts that surround your work. This=20
statement will be considered by the Advisory Committee as an indication of=
=20
the direction your work might take should you be selected. Please do not=20
submit a formal proposal.

A self-addressed stamped envelope large enough to return submitted=20
materials containing the correct amount of postage (stamps only, no postage=
=20
meter strips). Submissions without S.A.S.E. will not be returned and=20
pick-ups are not permitted.

Optional materials may include one -" VHS videotape. The Advisory Committee=
=20
will review up to three minutes of your tape. Clearly mark the outside of=20
the tape with your name and title(s) of the work(s), and cue the tape to=20
the segment you want the Committee to review.

When to submit

Materials must be received at the Public Art Fund's office by 500 p.m. on=20
Friday, February 15, 2002 (postmarks are not acceptable). Hand deliveries=20
will be accepted.

Artists will be notified by letter no later than March 8, 2002. Please do=20
not call before this date.

Please mail application materials to:

Public Art Fund Inc.
Attn In the Public Realm
One East 53rd Street, 11th Floor
New York, New York 10022

If you have any questions please call the Public Art Fund at (212) 980-3942.

Miki Garca
Project Coordinator
Public Art Fund
One East 53rd Street
New York, NY 10022
Phone 212.980.4575
Fax 212.980.3610
+
--=====================_20117342==_.ALT
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
---------- Forwarded message ---------- <br>
Date: Sat, 2 Feb 2002 15:48:59 -0800 <br>
From: Michael Mandiberg &lt;Michael@Mandiberg.com&gt; <br><br>
i maintain a list of calls for work and other opportunities, which is
sent out weekly. there are usually 10 - 20 calls per week, though this
week there are 25...<br><br>
the calls are filtered from a variety of listservs, web sources, and from
calls received directly from curators.<br><br>
To join the list or view the archive, go to
<a href=3D"http://theredproject.com/calls" eudora=3D"autourl"><font=
 color=3D"#0000FF"><u>http://theredproject.com/calls<br><br>
</a></u></font>michael<br><br>
<br><br>
here is a sample of the most recent email, which includes 6 out of the 25
calls this week:<br><br>
+<br>
The Museum of Contemporary Art of Georgia <br>
MOCA GA is seeking information on national artists who deal with issues
<br>
of race as a major thematic focus in their work. We are interested in
<br>
works in all media. This research is being done in preparation for an
<br>
exhibition organized by guest curators Ed Spriggs, Executive Director of
<br>
Hammond House Galleries, Alanta and Dan Talley, Gallery Director at=20
<br>
Kutstown University. Opening at MOCA in the fall of 2002 <br>
Please forward contact information, slides, catalogs or other relevant
<br>
information to: <br>
Professor Dan R Talley <br>
c/o Kuntstown University, Fine Arts Department <br>
PO Box 730 <br>
Kutztown, PA 19530-0730 <br>
For more info, contact: <br>
talley@kutstown.edu<br>
+<br><br>
<br>
+<br>
SIGGRAPH is an annual conference for technology and art. <br>
The Studio Program is now accepting proposals from artists, educators and
technologists. <br>
Due February 6th. <br>
<font color=3D"#0000FF"><u><a=
 href=3D"http://www.siggraph.org/s2002/cfp/studio/index.html" eudora=3D"auto=
url">http://www.siggraph.org/s2002/cfp/studio/index.html</a></u></font>
<br>
contact dan collins if you have questions: <br>
dan.collins@asu.edu<br>
+<br><br>
<br>
+<br>
MANHATTAN COMMUNITY ART FUND <br>
The Lower Manhattan Cultural Council (LMCC) is pleased <br>
to announce that applications for the Manhattan <br>
Community Arts Fund (MCAF) will be available <br>
mid-February, 2002.<br><br>
Grants up to $2,000 for Manhattan-based Artists and <br>
Arts Organizations are available in Dance, Theater, <br>
Music, Visual Arts, Design, Crafts, Photography, <br>
Media, Literature, Folk Arts, Humanities, <br>
Multi-Discipline, and Computer Art.<br><br>
Individual Artists are welcome to apply directly to <br>
the program.<br><br>
WORKSHOP SCHEDULE <br>
For security purposes, PLEASE REGISTER by calling <br>
212.219.9401, ext. 301. Each session is approximately <br>
one and a half hours.<br><br>
Wednesday, February 27 <br>
LMCC, 145 Hudson Street, Suite 801, New York, NY 10013 <br>
6:30 PM<br><br>
Tuesday, March 5 <br>
Puerto Rican Workshop/Taller Boricua at the Julia de <br>
Burgos Center <br>
1680 Lexington Avenue, Bet. 105th and 106th Street, <br>
New York, NY 10029 <br>
6:30 PM<br><br>
Saturday, March 9 <br>
International Agency for Minority Artists Affairs <br>
163 West 125th Street, New York, NY 10027 <br>
10:00 AM<br><br>
Thursday, March 14 <br>
LMCC, 145 Hudson Street, Suite 801, New York, NY 10013<br>
6:30 PM<br><br>
Applications must be postmarked or received by March <br>
25, 2002.<br><br>
For more information, including a downloadable <br>
application form and guidelines available <br>
mid-February, see our website at <a href=3D"http://www.lmcc.net/"=
 eudora=3D"autourl"><font color=3D"#0000FF"><u>www.lmcc.net</a></u></font>.=
 Or <br>
call Narisara Vanichanan, Regrant Manager, <br>
212.219.9401, ext 116. <br><br>
LMCC provides support for individual artists and arts <br>
organizations while fostering public participation in <br>
the arts through free events in the performing, <br>
visual, and new media arts in the financial district <br>
and throughout the diverse neighborhoods and cultural <br>
communities of Manhattan. <br><br>
The Manhattan Community Arts Fund is part of the <br>
Greater New York Arts Development Fund and is <br>
administered by the Lower Manhattan Cultural Council. <br>
It is made possible with public funds from the New <br>
York City Department of Cultural Affairs (DCA), the <br>
Office of the Manhattan Borough President, and the <br>
Manhattan Delegation of the City Council.<br>
+<br><br>
<br>
+<br>
FRANKLIN FURNACE OPEN CALL TO ALL ARTISTS DEADLINE: April 1st<br><br>
<font color=3D"#0000FF"><u><a href=3D"http://www.franklinfurnace.org/"=
 eudora=3D"autourl">http://www.franklinfurnace.org</a></u></font> <br>
THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART 2002-03 <br>
Supported by Jerome Foundation and the New York State Council on the Arts,=
 Franklin Furnace awards grants between $2,000 and $5,000 to performance=
 artists, allowing them to produce major works anywhere in the State of New=
 York. Artists from all areas of the world are invited to apply.<br><br>
THE FUTURE OF THE PRESENT 2003 <br>
Franklin Furnace offers artists an honorarium (this year of $5,000) and a=
 residency facilitated by Franklin Furnace, for a 2-4 month duration at a=
 physical or online venue appropriate to your proposed work. For THE FUTURE=
 OF THE PRESENT 2003, we hope to continue to expand the technology available=
 to our artists through Parsons and beyond. The residencies may take place=
 in the Spring or Fall of 2003. Artists who are interested in developing new=
 artwork for the Internet are encouraged to apply.<br><br>
See below for details on HOW TO APPLY.<br><br>
Franklin Furnace has no curator; each year a new panel of artists reviews=
 all proposals. We believe that this peer panel system allows all kinds of=
 artists from all over the world an equal shot at presenting their work. All=
 applicants are automatically considered for both categories of awards.=
 Every year the panel changes, as the definition of &quot;emerging=
 artist,&quot; the notion of =93live art on the Internet,=94 and the=
 definition of &quot;performance art&quot; itself changes, so if at first=
 you don't succeed, try again.<br><br>
Since its inception in 1985 THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART=
 has boosted the careers of such emerging artists as Papo Colo, Karen=
 Finley, John Fleck, Holly Hughes, Cathy Weis, Pamela Sneed, Murray Hill,=
 Tanya Barfield and Patty Chang.<br><br>
This year's esteemed selection panel consisted of artists and curators Patty=
 Chang, Garland Farwell, Zhang Ga, Carmin Karasic, Christiane Paul and Mark=
 Tribe. This year's Fundwinners are Tish Benson, Christine Carson, George=
 Ferrandi, Stanya Kahn, Cary Peppermint and Tadej Pogacar. THE FUTURE OF THE=
 PRESENT 2002 artists are Kathleen Brandt and Brian Lonsway, Jeff Gompertz,=
 and G.H. Hovagimyan. The full schedule and project descriptions are=
 available on our website).<br><br>
HOW TO APPLY <br><br>
Required <br>
1. Write a 50-word summary of your proposed work. Make your summary as clear=
 and complete as possible. You may also send a more detailed description of=
 your proposed work. <br>
2. All proposals to THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART must have=
 a =BD inch videotape (VHS - NTSC American format only), cued for five=
 minutes, of your proposed work or past work. You may also include other=
 visual support materials. <br>
To apply to THE FUTURE OF THE PRESENT series you may send a =BD inch=
 videotape, audio cassette, slides, photos, CD-ROMS, Jaz, Zip, floppy disks=
 or URL (either MAC or PC format). If you do not specify which fund you are=
 applying for, you will automatically be evaluated for both funds. <br>
3. You MUST include a self-addressed, stamped envelope for return of=
 materials, or indicate that you will pick up your packet at our office.=
 <br>
4. Contact Info: Name, Mailing Address, Phone number/Fax number,=
 Email/WWW.<br>
Optional <br>
5. You may include a budget (i.e. space rental, equipment, tech personnel).=
 If you have other funding sources for your project please indicate this in=
 your budget. <br>
6. You may also submit your resume, reviews of previous work, and any other=
 support materials.<br><br>
Send it to: <br><br>
2003 Proposals <br>
Franklin Furnace Archive, Inc. <br>
45 John Street, Room #611 <br>
New York, NY 10038-3706<br><br>
Questions? Contact us: info@franklinfurnace.org <a=
 href=3D"http://www.franklinfurnace.org/" eudora=3D"autourl"><font=
 color=3D"#0000FF"><u>http://www.franklinfurnace.org</a></u></font> <br>
or call us at 212.766.2606 or fax at 212.766.2740<br>
+<br><br>
<br>
+<br>
P.S. 122 seeks proposals for new performance series, no deadline.<br><br>
Performance Space 122 seeks proposals from dancers, actors, writers,=
 performers, directors for its newest performance series, HOMEROOM. Homeroom=
 is a low/no-tech performance lab held once a month, usually on a Monday,=
 with performances, readings, parties, lectures and showings. Show your work=
 in a friendly setting and get some important feedback. Become part of the=
 P.S. 122 community. Send materials to:<br><br>
PS 122 <br>
Sasha Cuccimello <br>
150 First Avenue <br>
NY NY 10009 <br>
or <br>
sasha@ps122.org<br>
+<br><br>
<br>
+<br>
Deadline February 15, 2002 <br>
innovative, experimental public projects by emerging artists living and/or=
 working in New York State <br>
Public Art Fund: IN THE PUBLIC REALM<br><br>
Public Art Fund presents<br><br>
In the Public Realm<br><br>
An opportunity for emerging artists to develop and site experimental public=
 art in New York City.<br><br>
In the Public Realm is an opportunity for emerging New York artists to=
 undertake the challenge of creating a temporary work in a public space. Up=
 to seven emerging artists will be selected by a distinguished panel of=
 artists, critics, and arts professionals and commissioned by the Public Art=
 Fund to develop formal proposals for public art projects. From these=
 proposals, the Public Art Fund will select three artists to realize their=
 work in the coming year.<br><br>
Public Art Fund Inc. is a non-profit arts organization that presents the=
 work of contemporary artists in New York's public spaces, providing=
 alternative venues in which to create and view art. The Public Art Fund,=
 over the past twenty years, has acted as a facilitator and advocate for=
 artists and their work. By bringing new artworks into the public realm, the=
 Public Art Fund provides a unique forum and support structure for artists=
 to realize their artistic vision, while simultaneously increasing public=
 access to contemporary art.<br><br>
What it is<br><br>
In the Public Realm is a program of the Public Art Fund designed to=
 encourage innovative, experimental public projects by emerging artists=
 living and/or working in New York State. Artists selected through the=
 program will make proposals, develop their work in relation to urban=
 conditions, and ultimately present their work in the complex arena of=
 public life in New York City.<br><br>
Artists are encouraged to investigate the physical, social, and=
 psychological nature of the urban environment throughout the diverse=
 neighborhoods of New York City. Previous experience of working in public=
 spaces is not essential for selection in this program.<br><br>
How it happens<br><br>
PHASE ONE February 2002 <br>
Commission Proposals<br><br>
In February 2002, an Advisory Committee of artists, critics, curators, and=
 experts in contemporary art will select up to nine artists to develop=
 formal proposals for a public art project. Artists will be selected on the=
 basis of materials submitted (see What to Submit). The selected artists=
 will each receive $1,000 to create a formal proposal. Investigating=
 potential sites and communities in New York City for their proposed=
 project, artists will develop working drawings, prepare a maquette, and=
 present an accurate budget.<br><br>
PHASE TWO Summer 2002 <br>
Commission Projects<br><br>
In the summer of 2002, the selected artists will present their proposals to=
 the Public Art Fund. The Public Art Fund will choose up to three projects=
 for realization. Those artists selected to create projects will receive=
 $7,500 towards fabrication and installation, based on the finalized project=
 budget and an artist fee of $2,500.<br><br>
PHASE THREE Spring and Fall 2003 <br>
In the Public Realm exhibition<br><br>
The selected projects will be exhibited the following year, opening in the=
 spring and fall of 2003. Projects may be exhibited for up to one=
 year.<br><br>
What to Submit<br><br>
Artists interested in this program are invited to submit the following=
 materials<br><br>
Up to ten 35mm slides of recent and/or current work in a clear plastic slide=
 sheet. Each slide must be clearly labeled with your name(s), title, date,=
 media, dimensions, and the TOP indicated. Please include a slide=
 description sheet with corresponding numbers. Larger format transparencies,=
 photographs, and drawings will not be considered. Do not submit original=
 work.<br><br>
Current resume, including name, address, telephone number, and email=
 address.<br><br>
A brief statement of interest (no more than 300 typewritten words). This=
 should be a brief statement about your work that the panel may refer to=
 when viewing slides, or issues and concepts that surround your work. This=
 statement will be considered by the Advisory Committee as an indication of=
 the direction your work might take should you be selected. Please do not=
 submit a formal proposal.<br><br>
A self-addressed stamped envelope large enough to return submitted materials=
 containing the correct amount of postage (stamps only, no postage meter=
 strips). Submissions without S.A.S.E. will not be returned and pick-ups are=
 not permitted.<br><br>
Optional materials may include one -&quot; VHS videotape. The Advisory=
 Committee will review up to three minutes of your tape. Clearly mark the=
 outside of the tape with your name and title(s) of the work(s), and cue the=
 tape to the segment you want the Committee to review.<br><br>
When to submit<br><br>
Materials must be received at the Public Art Fund's office by 500 p.m. on=
 Friday, February 15, 2002 (postmarks are not acceptable). Hand deliveries=
 will be accepted.<br><br>
Artists will be notified by letter no later than March 8, 2002. Please do=
 not call before this date.<br><br>
Please mail application materials to:<br><br>
Public Art Fund Inc. <br>
Attn In the Public Realm <br>
One East 53rd Street, 11th Floor <br>
New York, New York 10022 <br><br>
If you have any questions please call the Public Art Fund at (212)=
 980-3942.<br><br>
Miki Garca <br>
Project Coordinator <br>
Public Art Fund <br>
One East 53rd Street <br>
New York, NY 10022 <br>
Phone 212.980.4575 <br>
Fax 212.980.3610<br>
+</html>

--=====================_20117342==_.ALT--