[artinfo] Skopje's History on Fire
e-flux Architecture
architecture.mailer at e-flux.com
Wed May 10 21:21:54 CEST 2017
Skopje's History on Fire
<https://www.gta.arch.ethz.ch/>www.gta.arch.ethz.ch
The archive at the Institute for Town Planning
and Architecture Skopje, Republic of Macedonia,
which has been foreclosed since 2014, was
destroyed in a fire on April 21, 2017. It is not
yet known how the fire was started, or by whom.
In 1963, after the devastating earthquake of
Skopje, the Institute became the birthplace of
the new city. The natural disaster was followed
by one of the most comprehensive rebuilding
efforts in the modern history, where more than 60
countries took part. At the peak of the Cold War,
Skopje, then part of the Non-Aligned Yugoslavia,
was proclaimed the "city of solidarity." With
planners, architects and politicians from both
sides of the Iron Curtain, the city became a
hallmark of international cooperation. Many
countries donated equipment, prefabricated
buildings and planning expertise to the city. The
United Nations launched an urban planning
competition in order to rebuild the city and
brought an army of planners and architects to
Skopje from all over the world. The city became a
testing ground and prefiguration of a post Cold
War, globalized world, expressed through
architecture and urban planning. The United
Nations commissioned renowned planners and
architects like Kenzo Tange, Constantinos
Doxiadis, Van der Broek and Bakema, Luigi
Piccinato, and Adolf Ciborowski who, together
with the Yugoslav architects Edvard Ravnikar, R.
Miscevic and F. Wenzler, Aleksandar Djordjevic,
and Slavko Brezovski, worked on blueprints for
the new city. They were asked to deploy the most
progressive and advanced architectural and
scientific achievements to date. The Institute in
Skopje was the place where this project took
place between 1964 and 1967. In the following
years many public, cultural and infrastructural
buildings were built, such as the colossal train
station by Kenzo Tange, the Opera by Biro 77, the
University by Marko Muiã, the Student Dormitory
by Georgi Konstantinovski, and the iconic post
office-which was partially destroyed in a 2013
fire-by Janko Konstantinov. Skopje remains a
place where in a close proximity one can see
exemplary Brutalist and Metabolist architecture
standing as a reminder of the belief in openness
and progress achieved through international
cooperation.
Most of the valuable materials from the
rebuilding of Skopje-original drawings, plans,
models, photographs, records and
proceedings-disappeared in the fire. The neglect
of this knowledge is coupled with the rise of
ignorance, nationalism and populism that plague
the country. The knowledge, as well as the
Institute, were abandoned for many years. Neither
specialists nor the public of Skopje were
interested, as it became "obsolete." After the
collapse of Yugoslavia in the 1990s, the
buildings of the 1960s, 1970s and 1980s were
dismissed as "Communist architecture." The final
attempt to bury this history came in 2009 when
the government of Macedonia launched a grand
nationalistic project to violently rebuild the
city, called "Skopje 2014." It consisted of more
than twenty, mainly governmental buildings and
hundreds of monuments erected in the city center
in a pseudo-classical style. It aimed to connect
the Macedonian people to their mythical roots,
trying, at the same time, to make it look more
"European." Its styrofoam ornaments and grotesque
appearance are frightening and nightmarish. The
project is ongoing, while the costs are out of
control, with more than 500 million EUR already
spent in an opaque and corrupt process, taking
place in one of the poorest countries of Europe.
In Skopje, the world is losing the remnant of one
of the few utopias that became a reality in the
20th century. Parts of the world heritage are
being crushed before our eyes. Throughout the
years, researchers and academics at the Institute
for the History and Theory of Architecture of ETH
Zurich have worked with, lectured on, exhibited,
published, held workshops in Skopje, and beyond
on this archive. In light of such a loss, we
reaffirm our belief that it is our duty to make
this knowledge public and accessible.
-Damjan Kokalevski
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