[artinfo] WKV Stuttgart: Post-Peace
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Sun Feb 19 13:45:30 CET 2017
Württembergischer Kunstverein Stuttgart
Post-Peace
From February 24 to May 7, 2017, the
Württembergischer Kunstverein will be showing the
exhibition 'Post-Peace' curated by the
Amsterdam-based Russian curator Katia
Krupennikova. The exhibition, which includes
works from nearly twenty artists from different
cultural areas, traces the present-day
manifestations of and relationships between war
and peace. How much war is embedded within our
peace? This is the pivotal question.
On the Censoring and Cancellation of the Post-Peace Exhibition in Istanbul
'Post-Peace' was the winning exhibition of the
Akbank Sanat International Curator Competition
2015. Jury members were Paul O'Neil (director of
the graduate program at the Center for Curatorial
Studies, Bard College, New York), Bassam El
Baroni (curator and tutor at the Dutch Art
Institute, Arnheim), and Hans D. Christ and Iris
Dressler (directors of the Württembergischer
Kunstverein). The prize was meant to finance the
exhibition to be hosted at the venue Akbank Sanat
in the heart of Istanbul. However, it was
censored and cancelled by the bank four days
before the opening in March 2016.
Open and subtle censorship in the art world is on
the rise, even in democratic societies- often
these acts of censorship are kept secret and pass
off discretely behind the scenes. However, if a
case is made public, it often turns out that
those who had been censored are accused of being
the aggressors themselves, as they supposedly
were only interested in producing a scandal. At
the same time, quite a few protagonists in the
art world appear to have internalized censorship
as a sometimes unavoidable means to an end.
The directors of the Württembergischer
Kunstverein, Hans D. Christ and Iris Dressler,
together with their colleagues Valentín Roma and
Paul B. Preciado, also experienced a case of
censorship, in 2015, at MACBA in the context of
the exhibition The Beast and the Sovereign. Only
due to public pressure was the cancellation of
the exhibition finally undone. MACBA has still
never publicly addressed this scandal. As in the
case of The Beast and the Sovereign, the
exhibition 'Post-Peace' can no longer be
negotiated without the topic of censorship, which
now appears to count among the main symptoms of
'the time after peace.'
The presentation of 'Post-Peace' at the
Württembergischer Kunstverein in Stuttgart aims
not only to lend strong public visibility to a
brilliant exhibition on peace and war, but also
to continue the highly tabooed debate on open and
subtle forms of censorship that are increasingly
restricting the liberty of art in the minds of
many artists and curators.
Artists:
Lawrence Abu Hamdan, A.S.I. group (Ehsan
Fardjadniya), Sven Augustijnen, Ella de Búrca,
Anna Dasoviç, Kken Ergun, Johan Grimonprez,
Alevtina Kakhidze, Yazan Khalili, Jaha Koo,
Lyubov Matyunina, Adrian Melis, Pinar Ögrenci,
Dorian de Rijk, belit sag, Aleksei Taruts, Anika
Schwarzlose, Radek Szlaga, Anastasiya Yarovenko
Curator:
Katia Krupennikova (Amsterdam)
Conference:
'How I learned to Start Worrying: Symptoms of Post-Peace'
February 25 - 26, 2017
On the opening weekend of Post-Peace, a two-day
conference will be hosted for international
artists and theorists. Titled How I Learned to
Start Worrying: Symptoms of 'Post-Peace', it will
first contextualize and reflect on 'Post-Peace'
as a concept. Moreover, the conference will
embark on a detailed analysis of the phenomena of
censorship, self-censorship, precarious working
conditions, neoliberal structures, and lack of
transparency in the art world- along with the
pertinent forms of resistance. In addition to the
case of the 'Post-Peace' exhibition in Istanbul,
as well as the special situation in Turkey, other
examples of censorship will be discussed, along
with basic censorship mechanisms.
www.wkv-stuttgart.de
<mailto:zentrale at wkv-stuttgart.de>zentrale at wkv-stuttgart.de
Württembergischer Kunstverein
Schlossplatz 2
70173 Stuttgart
Germany
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