[artinfo] Gyujtemeny_Kiallitasmegnyito_Trafo Galeria

[Trafo_Galeria]

A gyujtemeny
Trafo Galeria

2007. marcius 13 – aprilis 22.

Megnyito: 2007. marcius 13., 19 ora

Kiallito muveszek: Anetta Mona Chisa - Lucia Tkacova, Annika Eriksson, 
Ivan Moudov, Vladimir Peric Talent
Kurator: Eross Nikolett


A gyujtemeny egyike a muveszet kontextusaban legtobbszor felmerulo 
fogalmaknak, meg ha nem csupan mugyujtemenyekre gondolunk is. Gyujtemeny 
lehet sokminden mas, igy peldaul, a kepletet nemikepp megforditva, maga 
a mualkotas. A gyujtemeny az ertekkepzes szempontjai, a megertes utani 
vagy, vagy a kiterjesztett szemelyiseg lathatova tetelen tul, tukrozi az 
adott gazdasagi es tarsadalmi viszonyokat is, amelynek reven, megesik, 
hogy sokretubb szempontokat kinal a szandekoltaknal.

A kiallitas muveszek gyujtemenyeivel, illetve muveszek altal bemutatott 
gyujtemenyekkel foglalkozik, amelyek nem anyagi ertekuk vagy ritkasaguk 
miatt erdemesek a figyelemre, hanem mert lekepezik a muvesz 
munkamodszeret, erzekenyseget vagy meghatarozottsagait, valamint a 
kritika eszkozekent reagalnak a kozelmult es a jelen ertekvalsagara. Az 
eredeti kozeguket es funkciojukat vesztett targyak egy uj kontextusban 
elesebben rajzoljak ki a hianyokat es toreseket, az alkalmazkodas 
ellentmondasossagat, valamint a muveszeti piac visszassagait.


www.trafo.hu


* * *


The Collection
Trafo Gallery, Budapest
13 March – 22 April, 2007
Opening: 7 pm 13 March, 2007
Exhibiting artists: Anetta Mona Chisa - Lucia Tkacova, Annika Eriksson, 
Ivan Moudov, Vladimir Peric Talent
Curated by: Nikolett Eross

Collection is one of the most frequently used notions in the context of 
art, even if we do not only consider art-collections. It can mean a 
number of things, like, for example, if we reverse the formula, it can 
mean the work of art itself. Collections, above being a way of 
value-construction, the manifestation of the desire to understand, or 
the realization of an extended personality, also mirror the actual 
economic and social circumstances, which occasionally makes them more 
telling then originally intended.
Our exhibition deals with the collections of artists, or collections 
presented by artists, deserving our attention not because of their 
rarity or material value, but because they mirror the method of work, 
sensibility and determinations of the artist, and respond to the 
value-crises of the recent past and the present as critical tools. 
Objects detached from their original context and function have a greater 
power of illuminating the fractures and deficiencies, the conflicts of 
adaptation, and the contradictions of the art market.

www.trafo.hu