[artinfo] [transform] CASAzine #4 - Call for Papers --- Deadline
Approaching
Art News at Shintai | Zweck
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Sat Jan 6 02:23:04 CET 2007
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** CASAzine #4: Drawing the Line **
Following the activity of the 2006 Cultural
Analysis Summer Academy (CASA) international
meeting in Amsterdam (June 23 – 25), the fourth
CASAzine will explore the subject of art and
direct action. In particular, the issue seeks to
investigate the tension between hegemonic forms
of knowledge concerning what constitutes art as
it is embodied by the academy versus alternative
forms of creative action and knowledge
production. It is an enquiry into distinctions,
limits and possibilities, and into the positions
our actions occupy in relation to academic
knowledge sets, institutions, and ultimately to other people.
"Drawing the Line" aims to examine the
implications and potential of our actions. How do
aesthetic concerns affect our politics and vice
versa? Do actions utilizing mass media heighten
awareness, or do they merely contribute
additional imagery to the spectacle? More
basically, to what extent is art as creative
activism a productive way to work for social
change? Can ‘radical aesthetics’ productively
challenge distinctions drawn between art and
activism in traditional academic knowledge systems?
"Drawing the Line" applies to our negotiation
with institutionalization. What happens to
creative forms of direct action when they are
defined as art by public bodies or art markets?
How can creative practices push agendas for
political change in relation to, or even within,
those contexts? How can we take critical action
that is aware of its own position in a cultural
climate of fashion, celebrity, and shopping? How
do aspects of cultural life as it is currently
conceived (i.e. the figure of a charismatic
creator a.k.a. "the artist as genius") affect our
goal for leaderless, equal, collaborative forms of art and action?
"Drawing the Line" is pertinent to how we relate
to others. In all our forms of activism including
research, art, and direct action, the nature of
our engagement with others is crucial, be they
involved, hostile, critical, or indifferent. How
do our activities relate to those outside the
group of people specifically engaged in this
alternative practice? How do the microcosms of
dissent created in our daily lives relate to wider social frameworks?
These questions are not new, but they are
critical to framing the daily distinctions and
decision making necessary to create awareness and
change. As we move on to review, discuss, and
share responses to these questions, we hope to
arrive at better questions to ask, which will in
turn create new answers in the struggle for
social and political equity and environmental protection.
** Formats **
We are seeking contributions in both text and
image form. Contributions may be a reflection on
the subject of art and direct action as it was
addressed during the meeting, or it can present
an entirely perspective. Contributions may be
offered by anyone, including those who have not
attended CASA meetings in the past.
** Guidelines **
- 500-3000 words.
- Language: English preferred; German, French, and Spanish understood.
** Send **
- Email is preferred: casazine2006 at gmail.com.
Please attach text in .doc or .rtf; and attach
image samples in low resolution .jpg.
- Surface mail: Monika Vykoukal, Peacock Visual
Arts, 21 Castle Street, AB11 5BQ, Aberdeen,
Scotland. If you would like your materials
returned, please include a stamped return envelope.
** Deadline **
- 1 February 2007
We, Milena Placentile and Monika Vykoukal, the
editors of this year's zine, met at CASA Meeting
2006. We live in Canada and Scotland
respectively, and we are both curators of contemporary art.
The Cultural Analysis Summer Academy (CASA) came
into existence in 2003 as an international forum
that seeks to discuss the shifting functions of
academia and the scholar in a globalized society.
CASA offers a platform for people to combine
efforts and information with a view towards social transformation.
To date, CASA has organized three meetings to
provide a platform for these discussions. For
more information about CASA 2004 "Acting and
Spectating", CASA 2005 "Borders, Markets,
Movements", and CASA 2006 "Constructing Social
Change: Art, Direct Action, Knowledge, Utopia,
and Desires", please visit:
<http://www.casa.manifestor.org/>http://www.casa.manifestor.org.
Milena Placentile
<http://www.shintai-z.com>http://www.shintai-z.com
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