[artinfo] Art and its Institutions. New publication by Black Dog
Publishing/NIFCA
e-Flux
info at mailer.e-flux.com
Thu Jun 1 18:07:00 CEST 2006
Art and its Institutions: Current Conflicts, Critique and Collaborations
Editor: Nina Möntmann
Publisher: Black Dog Publishing, London
Produced by NIFCA,
Nordic Institute for Contemporary Art
Paperback, 192 pgs, 60 colour & b/w ills., 16 x 22 cm.
ISBN 1 904772 50 1
To order please see:<
http://www.bdpworld.com/offers>
http://www.bdpworld.com/offers
or email: offers at bdp.demon.co.uk
<
http://www.nifca.org>
Art and its Institutions is a comprehensive
reader on current institutional conditions and
the role of institutions within artistic
processes, offering a powerful insight into the
diversity of art institutions and their practice
today.
The book examines the interests of the various
institutions involved in the production and
mediation of art, and explores the impact these
institutions have on the contemporary art world.
It covers topics, including the decline of the
welfare state; the advanced corporatisation of
institutions; the art space and notions of
democracy; curating with institutional visions;
the role of art academies and education; new
collectives and self-organisation; the need for
transgressive institutions; a re-evaluation of
institutional critique of the 1970s and 90s; and
the introduction of new models of critique in
artistic and institutional practice. Two NIFCA
exhibition projects, Spaces of Conflict and
Opacity, are also discussed in terms of their
relationship to the controversies and desires
provoked by institutions.
With essays by prolific authors and academics,
including 16Beaver Group, Beatrice von Bismarck,
Mike Bode and Staffan Schmidt, Roger M. Buergel,
Anthony Davies, Stephan Dillemuth, Anselm Franke,
Andrea Fraser, Tone Hansen, Trude Iversen, Jakob
Jakobsen, Nanna Kildal, Maria Lind, Marita
Muukkonen and Chris Evans, Nina Möntmann, Simon
Sheikh, Jan Verwoert, Sven-Olov Wallenstein.
A challenging and rigorously analytical book, Art
and its Institutions gives powerful insight into
the diversity of art institutions today, and
their relation to artistic practice.
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