[artinfo] NIFCA presents Opacity: Current Considerations on Art
Institutions and the Economy of Desire
info at e-flux.com
Wed Apr 13 12:54:05 CEST 2005
Current Considerations on Art Institutions and the Economy of Desire
Participating artists: Kajsa Dahlberg, Danger Museum (Oyvind Renberg
& Miho Shimizo), Markus Degerman, Stephan Dillemuth, Gardar Eide
Einarsson, Sofie Thorsen
15 April-15 June 2005 at UKS,
Unge Kunsternes Samfund, Lakkegata 55 D, 0187 Oslo
Opening 15 April, 8 pm
Preopening and launching of the Opacity-fanzine April 14, 8 pm
Curated by Nina Montmann and Trude Iversen.
Opacity is initiated by Nina Montmann, NIFCA, produced by NIFCA and
presented by UKS.
This exhibition explores in what way today's art institutions are
used and challenged within artistic processes. The starting point is
the observation that institutions have changed after the
'institutional critique' in the 70s, as well as, in the 90s. What
could be the future impact of current critical tendencies? Today a
critique is no more put against the institution in order to
deconstruct it. Instead, a certain opacity, which has been criticized
in the work of powerful institutions, can on the other hand be useful
for smaller institutions, in order to try out new forms of
collaboration between different positions in the art field (artists,
curators, academics or activists), creating an alternative agenda for
The project is developed in a close collaboration between the
curators and the artists. Therefore several workshops have been
scheduled. The terms autonomy, freedom, internal process, uncertainty
were discussed in relation to opacity. As well as the history of
critical and affirmative work respectively within institutions: What
happened in the 80s and 90s to institutional models in relation to
notions of democracy? Only now the new forms of institutions of the
90s are at a point, where you can evaluate them.
The exhibition is not seen as the culmination point of these
discussions, rather as an integral part of an ongoing process.
Considering the internal perspective of the artist as an involved
team mate in cultural production, the question arises, how can an art
institution be used from within - as an arena or a tool for
re-politicization. Where lie the possibilities, and what do the
presumable failures tell us about the societal role and
reaching area of the diverse art institutions?
The exhibition proposes and discusses a collaborative and productive
model, which researches current conditions of institutional work and
develops alternative strategies - be they activist, appropriated,
mocking, actual or purely utopian.
By the end of 2005 a comprehensive reader on current institutional
conditions and the role of institutions within artistic processes
will be published by NIFCA, edited by Nina Montmann, which will also
contain a documentation of the project "Opacity".
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