From adele@c3.hu Thu Aug 1 13:17:24 2002 From: adele@c3.hu (Adele Eisenstein) Date: Thu, 01 Aug 2002 14:17:24 +0200 Subject: [artinfo] Fwd: Out of Ground Zero Message-ID: <5.1.0.14.2.20020801141449.0236cec0@visio.c3.hu> --=====================_2454775==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed ---------- Forwarded message ---------- Date: Wed, 31 Jul 2002 10:28:52 -0500 From: bc Subject: [syndicate] Fwd: Out of Ground Zero From: John Young Subject: Out of Ground Zero http://out-of-ground-zero.org Out of Ground Zero An exhibition online and in physical space of ideas, designs, concepts and statements for reconstruction of the World Trade Center site and the surrounding area of Manhattan. Contributions are invited from anyone in the world without restriction. Contributing materials for exhibit Provide contact information and one paragraph biography in English. Materials should be digitized for Internet display and for printing in hardcopy for physical exhibit. Images should be in JPEG format, and to be legible online and in hardcopy in sizes from A1 to A4, or 8 1/2" x 11" to 48" x 36". Text submitted alone should be in HTML, plain text or Word .DOC. Combined images and text should be in JPEG format. Sponsors reserve the right to limit material exhibited. Creators of material grant permission to exhibit but retain ownership and copyright. Material is to be exhibited for educational purposes only. No commercial use of the material shall be made except by permission of the creator/owner. There are no payments or rewards to be made beyond exhibiting the material. Submitted material will not be returned. Send material by e-mail or on digital media by ground mail to one of the exhibition sponsors. Exhibition Sponsors Michael Sorkin Studio 145 Hudson Street, New York, NY 10014 Tel: 212-431-9120 Fax: 212-434-0561 E-mail: sorkin@thing.net Natsios Young Architects 251 West 89th Street, New York, NY 10024 Tel: 212-873-8700 Fax: 212-787-6102 E-mail: ny@natsios-young.com --=====================_2454775==_.ALT Content-Type: text/html; charset="us-ascii" ---------- Forwarded message ----------
Date: Wed, 31 Jul 2002 10:28:52 -0500
From: bc <human@electronetwork.org>
Subject: [syndicate] Fwd: Out of Ground Zero

From: John Young <jya@PIPELINE.COM>
Subject: Out of Ground Zero

http://out-of-ground-zero.org

Out of Ground Zero
An exhibition online and in physical space of ideas, designs,
concepts and statements for reconstruction of the World
Trade Center site and the surrounding area of Manhattan.

Contributions are invited from anyone in the world without
restriction.

Contributing materials for exhibit

Provide contact information and one paragraph biography in
English.

Materials should be digitized for Internet display and for printing
in hardcopy for physical exhibit. Images should be in JPEG format,
and to be legible online and in hardcopy in sizes from A1 to A4, or
8 1/2" x 11" to 48" x 36".

Text submitted alone should be in HTML, plain text or Word .DOC.
Combined images and text should be in JPEG format.

Sponsors reserve the right to limit material exhibited. Creators of
material grant permission to exhibit but retain ownership and
copyright. Material is to be exhibited for educational purposes
only. No commercial use of the material shall be made except
by permission of the creator/owner.

There are no payments or rewards to be made beyond exhibiting
the material. Submitted material will not be returned. Send
material by e-mail or on digital media by ground mail to one
of the exhibition sponsors.

Exhibition Sponsors

Michael Sorkin Studio
145 Hudson Street, New York, NY 10014
Tel: 212-431-9120
Fax: 212-434-0561
E-mail: sorkin@thing.net

Natsios Young Architects
251 West 89th Street, New York, NY 10024
Tel: 212-873-8700
Fax: 212-787-6102
E-mail: ny@natsios-young.com --=====================_2454775==_.ALT-- From orkesztika.alapitvany@chello.hu Thu Aug 1 15:14:50 2002 From: orkesztika.alapitvany@chello.hu (=?iso-8859-2?Q?Orkesztika_Alap=EDtv=E1ny?=) Date: Thu, 01 Aug 2002 16:14:50 +0200 Subject: [artinfo] augusztusi kurzusprogram Message-ID: <5.1.0.14.2.20020801161443.0236ece0@visio.c3.hu> Kedves Bar=E1taink! Szeretettel v=E1runk benneteket a Mozdulatm=FBv=E9szeti St=FAdi=F3= programjaira az Orkesztika Alap=EDtv=E1ny munkat=E1rsai nev=E9ben: Tariska Andrea A kurzusok l=E9tsz=E1ma korl=E1tozott az intenz=EDv =E9s hat=E9kony munka= =E9rdek=E9ben, ez=E9rt javasoljuk, hogy el=F5re jelentkezzetek! (b=F5vebb =E9s friss inform=E1ci=F3kat az alap=EDtv=E1ny web-oldal=E1n= tal=E1lhattok m=E9g a kurzusokr=F3l, a http://www.orkesztika.hu/studio/arc/kurz02-2.htm) M=E1t=F3l =FAj e-mail c=EDm=FCnk van orkesztika.alapitvany@chello.hu ------------------------------------------------------------------------- MOZDULATM=DBV=C9SZETI ST=DADI=D3 INTENZ=CDV NY=C1RI T=C1NCKURZUSOK 2002 AUGUSZTUS NAPT=C1R (lejebb r=E9szletes le=EDr=E1sokat tal=E1lhatsz a t=E1nckurzusokr= =F3l) Augusztus 12-16-ig Kort=E1rs T=E1nc, Perfalvi T=FCnde Hedvig (h=E9tf=F5t=F5l - p=E9ntekig) Augusztus 20. kedd 18-t=F3l St=FAdi=F3 Sz=FBlet=E9snap - 1 =E9ves Augusztus 21-30-ig Intenz=EDv Klasszikus =E9s Modernt=E1nc, (10 nap) Fenyves M=E1rk =E9s P=E1losi Istv=E1n Szeptember 6-8-ig. Kontakt t=E1nc, Kulcs=E1r Enik=F5 (p=E9ntekt=F5l - vas=E1rnapig) ------------------------------------------------------------------------- Kort=E1rs T=E1nc kurzus Perfalvi T=FCnde Hedvig vezet=E9s=E9vel Augusztus 12-16-ig (h=E9tf=F5t=F5l - p=E9ntekig) 18-20-ig Az =F3r=E1k a Graham =E9s Lim=F3n t=E1nctechnikai elemeket =F6tv=F6zik.= M=E1sf=E9l =F3r=E1s technikai tr=E9ning ut=E1n k=FCl=F6nb=F6z=F5 kombin=E1ci=F3k, kompoz=EDci=F3= k elsaj=E1t=EDt=E1s=E1ra ker=FCl sor. ------------------------------------------------------------------------- Intenz=EDv Klasszikus =E9s Modernt=E1nc Kurzus Fenyves M=E1rk =E9s P=E1losi= Istv=E1n vezet=E9s=E9vel Augusztus 21-30-ig Klasszikus Alapok Modern T=E1ncosoknak H=E9tk=F6znap 18-19.30-ig, h=E9tv=E9g=E9n 10-11.30-ig Az =F3r=E1kon els=F5sorban a klasszikus alapokkal foglalkozunk a term=E9szet= es emberi mozdulatlehet=F5s=E9gek figyelembev=E9tel=E9vel, szabadabb= =E9rtelmez=E9sben =E9s nem szigor=FA, k=F6t=F6tt szab=E1lyok szerint. Az =F3r=E1k minden= mozdulni =E9s t=E1ncolni v=E1gy=F3 embernek sz=F3lnak, akik m=E1s mozdulatrendszert =E9s t=E1nctechnik=E1t is szeretn=E9nek elsaj=E1t=EDtani. Tan=E1r: P=E1losi Istv=E1n Mozdulatm=FBv=E9szet, Tradicion=E1lis Modernt=E1nc H=E9tk=F6znap 19.30-21-ig, h=E9tv=E9g=E9n 11.30-13-ig Az orkesztika olyan, elm=E9letre =E9p=FCl=F5, nyitott rendszer, mely k=E9pes mag=E1ba foglalni m=E1s ink=E1bb gyakorlatra =E9s nem elm=E9letre= koncentr=E1l=F3 iskol=E1k gyakorlatait. Ebb=F5l k=F6vetkezik, hogy =F6nmag=E1ban st=EDlusa= nincs (st=EDlusmentes), =E1m alkot=F3 fant=E1zi=E1val b=E1rmely st=EDlusban= fejlesztheti m=FBvel=F5j=E9t. Az =E1ltalam tan=EDtott orkesztika =E9s mozdulatm=FBv=E9sze= t szigor=FAan a Dienes-mozdulatrendszer elm=E9let=E9re =E9p=FCl, a gyakorlatban =F6tv=F6z= =F6m a tradicion=E1lis orkesztikai technik=E1kat, a mozdulatm=FBv=E9szet m=E1s klasszikusait=F3l =E9s f=F5k=E9nt a Berczik S=E1r=E1t=F3l tanultakkal, =E9s= saj=E1t tapasztalataimmal. (F M) Tan=E1r: Fenyves M=E1rk, P=E1losi Istv=E1n ------------------------------------------------------------------------- Kontakt t=E1nc kurzus Kulcs=E1r Enik=F5 vezet=E9s=E9vel Szeptember 6-8-ig, P=E9ntek 20-22-ig, szombat, vas=E1rnap 10-12-ig A kurzus a kontakt t=E1nc alapjaival foglalkozik: a testek mozg=E1sa a t=E9rben, gravit=E1ci=F3, s=FAlyhaszn=E1lat, partnermunka. Az =F3r=E1imon= fontosnak tartom az intenz=EDv mozg=E1st =E9s a j=F3 hangulatot. Laza, k=E9nyelmes= =F6lt=F6z=E9k aj=E1nlott. Kezd=F5ket =E9s halad=F3kat egyar=E1nt szeretettel v=E1rok. = (KE) ------------------------------------------------------------------------- Tov=E1bbi Inform=E1ci=F3: Orkesztika Alap=EDtv=E1ny - 1124 Budapest Levendula u. 12.(lev=E9lc=EDm=FCnk= ) Mozdulatm=FBv=E9szeti St=FAdi=F3 - 1074 Budapest, Husz=E1r u. 8. M=E9g 1 Mozdulatsz=EDnh=E1z + Egyes=EDtett Mozdulatm=FBv=E9szeti Titk=E1rs= =E1g - 1078 Budapest, Hern=E1d u.11. tel.: 06-20-9916447 P=E1losi Istv=E1n =FCgyviv=F5 06-20-3617821 Tariska Andrea m=FBv=E9szeti titk=E1r tel.+ fax: 351-5154 e-mail: orkesztika.alapitvany@chello.hu honlap: http://www.orkesztika.hu ------------------------------------------------------------------------- T=E1mogat=F3k: Nemzeti Kultur=E1lis =D6r=F6ks=E9g Miniszt=E9riuma, Nemzeti= Kultur=E1lis Alapprogram - T=E1ncm=FBv=E9szeti Szakkoll=E9gium, F=F5v=E1rosi =D6nkorm=E1n= yzat Kultur=E1lis Bizotts=E1g Sz=EDnh=E1zi Alap, Soros Alap=EDtv=E1ny, Magyar Mozdulatkult=FAra Egyes=FClet, Magyar Szinh=E1zi Port=E1l (www.szinhaz.hu),= az SZJA 1%-=E1t felaj=E1nl=F3 mag=E1nszem=E9lyek =E9s mindazok, akik= munk=E1jukkal seg=EDtettek. K=F6sz=F6nj=FCk azoknak a mag=E1nszem=E9lyeknek a t=E1mogat=E1s=E1t, akik az Orkesztika Alap=EDtv=E1nynak aj=E1nlott=E1k fel =E9s aj=E1nlj=E1k fel ad=F3juk 1%-=E1t! Ad=F3sz=E1munk: 19701840-1-43 From adele@c3.hu Fri Aug 2 13:14:04 2002 From: adele@c3.hu (Adele Eisenstein) Date: Fri, 02 Aug 2002 14:14:04 +0200 Subject: [artinfo] Folyamat Galeria Message-ID: <5.1.0.14.2.20020802141327.0249b2e0@visio.c3.hu> A Folyamat Gal=E9ria szeretettel megh=EDvja =D6nt a k=F6vetkez=F5= ki=E1ll=EDt=E1sra: ________________________________________________________________ m=FBv=E9sz: Szil=E1gyi Ter=E9z ki=E1ll=EDt=F3hely: Folyamat Gal=E9ria a Dunai Vizm=E9rceh=E1zban Bp. I., Bem rkpt., a L=E1nchid budai hidf=F5je f=F6l=F6tt kb. 50 m=E9terrel megnyit=F3: h=E9tf=F5n, 2002. augusztus 5., 20:00 z=E1r=E1s: h=E9tf=F5n, 2002. augusztus 12. (amikor a k=F6vetkez=F5 megny=EDt= =F3 ker=FCl sorba)=20 From triceps@merz.hu Fri Aug 2 01:42:37 2002 From: triceps@merz.hu (Triceps) Date: Fri, 2 Aug 2002 02:42:37 +0200 Subject: [artinfo] =?iso-8859-2?B?VmFz4XJuYXAgZXN0ZSBhIFN6aWdldGVuOiBPcOFsIFN67W5o4Xo=?= Message-ID: <004401c239bd$ac4c9f20$4849c5d5@oemcomputer> This is a multi-part message in MIME format. ------=_NextPart_000_003B_01C239CE.43785140 Content-Type: multipart/alternative; boundary="----=_NextPart_001_003C_01C239CE.43817900" ------=_NextPart_001_003C_01C239CE.43817900 Content-Type: text/plain; charset="iso-8859-2" Content-Transfer-Encoding: quoted-printable MEGH=CDV=D3, BAR=C1TOKNAK -------------------------------------------------------------------------= ------- OP=C1L SZ=CDNH=C1Z: BALK=C1N EXPRESSZ PANN=D3NIAI HOLT K=D6LT=D5K DALAI=20 -------------------------------------------------------------------------= ------- RITU=C1LIS ZENEI PERFORMANSZ=20 + BESZ=C9LGET=C9S AZ UNDERGROUND M=DBV=C9SZETR=D5L=20 -------------------------------------------------------------------------= ------- SZIGET 2002. 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AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAA= ------=_NextPart_000_003B_01C239CE.43785140-- From rhassan@c3.hu Fri Aug 2 13:13:09 2002 From: rhassan@c3.hu (Roza El-Hassan) Date: Fri, 02 Aug 2002 14:13:09 +0200 Subject: [artinfo] MANAMANA- SZIGET- EXTRA-TERRITORIA Message-ID: <5.1.0.14.2.20020802141301.0249ad00@visio.c3.hu> --=====================_340534==_.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable Manamana a Szigeten V=E1rnagy T=EDbor =E9s Erhardt Mikl=F3s kerekasztalbesz=E9lgetese, t=E9m=E1k: m=FCv=E9szeti aktivizmus, "tactical media", f=FCggetlen= kiadv=E1nyok, l=E1sd faliujs=E1g, mely eg=E9sz h=E9ten kereszt=FCl l=E1that=F3 a= szigeten.... a Manamana meghivott a vend=E9ge: az Extra-Territoria- k=E9pviselet=E9ben El-Hassan R=F3za : "R. thinking= about=20 overpopulation": sz=E9lesk=F6r=FC pol=F3 =E9s szlogen v=E1s=E1r,= manifesztum-oszt=E1s,=20 programismertet=E9s helyszin: Sziget Fesztival, 39. s=E1tor, Civil utca, Z=F6ld Udvar id=F5pont: Aug. 4 vas=E1rnap, du. 16.00 =F3ra ----------------------------------------------------------------------- ----------------------------------------------------------------------- A Manamana V=E1rnagy T=EDbor, Erhardt Mikl=F3s =E9s m=E1sok projektje, a= Manamana-=20 Manaps=E1g legujabb, 4. kiadv=E1nya a Budapest Box c=EDm=FC ki=E1ll=EDt=E1s= keret=E9n bel=FCl=20 jelent meg. Budapest Box/ Rejtett Szc=E9na az 1990=E9s =E9vekb=F6l, 2002= j=FAlius 4-=20 szeptember 29. Ludwig M=FAzeum Budapest- Kort=E1rs M=FCv=E9szeti M=FAzeum,= kur=E1torok:=20 Hegyi D=F3ra =E9s T=EDm=E1r Katalin Az Extra-Territoria Milica Tomic =E9s El-Hassan R=F3za 1999-ben indult k=F6z= =F6s=20 projektje k=F6z=F6s platformot teremt, sz=E1mos m=FCv=E9szeti akci=F3,= kamp=E1ny =E9s=20 performanszok sz=E1m=E1ra. --=====================_340534==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Manamana a Szigeten
 
V=E1rnagy T=EDbor =E9s Erhardt Mikl=F3s kerekasztalbesz=E9lge= tese,
 t=E9m=E1k: m=FCv=E9szeti  aktivizmus, "tactical media", f=FCggetlen kiadv=E1nyok,
l=E1sd faliujs=E1g, mely eg=E9sz h=E9ten kereszt=FCl l=E1that=F3 a= szigeten....
 
a Manamana meghivott a vend=E9ge:
az Extra-Territoria- k=E9pviselet=E9ben  El-Hassan R=F3za : "R. thinking about overpopulation": sz=E9lesk=F6r=FC pol=F3 =E9s szlogen v=E1s=E1r, manifesztum-oszt=E1s, programismertet=E9s
 
helyszin: Sziget Fesztival,
39. s=E1tor, Civil utca, Z=F6ld Udvar
 
id=F5pont: Aug. 4 vas=E1rnap, du. 16.00 =F3ra
 
 
 
------------------------------------------------------------------= -----
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A Manamana V=E1rnagy T=EDbor, Erhardt  Mikl=F3s =E9s m= =E1sok projektje, a Manamana- Manaps=E1g legujabb, 4. kiadv=E1nya a Budapest Box c=EDm=FC ki=E1ll=EDt=E1s keret=E9n bel=FCl jelent meg. Budapest Box/ Rejtett= Szc=E9na az 1990=E9s =E9vekb=F6l, 2002 j=FAlius 4- szeptember 29. Ludwig M=FAzeum Budape= st- Kort=E1rs M=FCv=E9szeti M=FAzeum, kur=E1torok: Hegyi D=F3ra =E9s T=EDm=E1r= Katalin
 
Az Extra-Territoria Milica Tomic =E9s El-Hassan R=F3za 1999-b= en indult k=F6z=F6s projektje k=F6z=F6s platformot teremt, sz=E1mos m=FCv=E9sze= ti akci=F3, kamp=E1ny =E9s performanszok sz=E1m=E1ra.
 
--=====================_340534==_.ALT-- From SAIZ@azar.ms Fri Aug 2 13:15:28 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Fri, 02 Aug 2002 14:15:28 +0200 Subject: [artinfo] =?iso-8859-1?Q?[UNXposed]_Call_for_entries_:_Fluxus_=AD_?= InternationalFilm Festival a t Internet /Brazil Message-ID: <5.1.0.14.2.20020802141454.0249aec0@visio.c3.hu> from iberoamerica-act mailing list Call for entries : Fluxus =AD International Film Festival at Internet Registration for open competition in FLUXUS =AD International Film Festival= at Internet begins The pioneer on line film festival in Brazil opens for international films and web works in 2002 www.fluxusonline.com :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: A new name, a new idea. Brasil Digital =AD Brazilian Film Festival at= Internet (www.brasildigital.org), in its 3rd edition, is now FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET ( www.fluxusonline.com) . With a new name, the Festival brings new senses and will receive works from all over the world. And a new category (Interactiva) has been created: works made specifically for the web (web art, media art and interactive works). FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET is competitive, yearly, interactive and totally on-line, using internet as media dissemination and audiovisual media exhibition. The Festival will accept works presented originally in any format (35 mm, 16 mm, 8 mm, VHS, HI-8, DV, Flash) and mixed formats too. Its 4 categories are E-CINEMA (fiction and experimental), ANEMIC (animation), .DOC (documentaries) and INTERACTIVA (web-art, media-art). FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET is open to registrations for its competitive event from the first (01) of August until the 17th of September. The name FLUXUS is a clear homage to the esthetic movement Fluxus - in the 60=B4s, this movement incorporated all forms of art. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: WHO ARE ABLE TO SUBSCRIBE To be eligible for the competition at FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET, works must follow the conditions: > Duration: up to maximum 15 minutes of running time. > Works finished in 2000/2001/2002. > All categories accepted: documentary, fiction, experimental, animation, web works. > Works presented originally in any format ( 35 mm, 16 mm, 8 mm, VHS, HI-8, DV). Animations can also be done in the flash format and saved on a file with the extension ".swf". Web art and media or interactive works can present mixed media but must have its own URL at Internet. > Digital works ( in format files with extensions: ".avi"; ".mov"; ".rm" ) also will be accepted. > Institutional works and advertisement films will not be accepted. > Each entrant may submit a maximum of 3 ( three) works. > The entry fee is free Registration procedures are simple and online. The entry form and regulation are available in our site : www.fluxusonline.com :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: AWARDS AND JURY Awards will be given to 5 best films ( 1 selected and voted by the public=B4= s choice, 4 selected by the jury=B4s choice). Prize consists of a trophy. Another prizes could be created by of FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET=B4s organization. The Jury The Fluxus Online Jury - ( Professional Jury) - A group of professionals from all areas related to film, video, animation and new media, will be invited by Zeta Filmes to grant the best movie from each category. They will watch the movies exclusively at Internet. The Fluxus Popular Jury =AD The general public will vote in the Internet at the best work exhibited during the festival to grant the public prize. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: DEADLINES Opening of submissions: 08.01.02 Closing of submissions: 09.17.02 Festival and votes opening: 10.16.02 Closing of votes and announces of votes: 12.01.02 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: ADDITIONAL INFORMATIONS FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET International Coordination: Francesca Azzi ( franazzi@zetafilmes.com.br ) and Eduardo Cerqueira ( educerq@zetafilmes.com.br ). E-mail: info@fluxusonline.com E-mail for flash animations: anemic@fluxusonline.com Phone and Fax: 55 31 3296.8042 / 55 31 3293.1582 Website: www.fluxusonline.com :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :: This festival FLUXUS =AD INTERNATIONAL FILM FESTIVAL AT INTERNET is= organized by: ZETA FILMES (www.zetafilmes.com.br ) and SUPER IG ( www.superig.com.br ) Support of: INSTITUTO PENSARTE (www.pensarte.com.br) Please, post to the list info about calls for video festivals and= screenings. UNXposed Video Art Guide http://www.unxposed.com Post a message: unxposed@eGroups.com Unsubscribe, send a blank message to: unxposed-unsubscribe@eGroups.com Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/=20 From wissner@filmladen.de Mon Aug 5 14:45:59 2002 From: wissner@filmladen.de (Gerhard Wissner) Date: Mon, 05 Aug 2002 15:45:59 +0200 Subject: [artinfo] [UNXposed] reminder: deadline for entries ( ( ( o ) )()o ) Message-ID: <5.1.0.14.2.20020805154541.024fb0b0@visio.c3.hu> 19th Kasseler Dokumentarfilm- & Videofest November 13-17, 2002 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7= =B7 =B7 We are looking for: DOCUMENTARY VIDEOS AND FILMS EXPERIMENTAL + ARTISTIC VIDEOS MEDIA ART INSTALLATIONS + SCULPTURES =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7= =B7 =B7 Deadline for entries: August 15, 2002 Download entry form: http://www.filmladen.de/dokfest =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7 =B7= =B7 =B7 ---------------------------------------- 19. Kasseler Dokumentarfilm- & Videofest November 13 - 17, 2002 http://www.filmladen.de/dokfest phone: ++49-561-70764-21 fax: ++49-561-70764-41 mail: c/o Filmladen Kassel e.V. Goethestrasse 31, 34119 Kassel Germany ---------------------------------------- From onsomnolency2002@yahoo.com Tue Aug 6 12:53:50 2002 From: onsomnolency2002@yahoo.com (on somnolency) Date: Tue, 06 Aug 2002 13:53:50 +0200 Subject: [artinfo] Fwd: Internationales Seminar Message-ID: <5.1.0.14.2.20020806135148.024ba070@visio.c3.hu> --=====================_2481380==_ Content-Type: multipart/alternative; boundary="=====================_2481383==_.ALT" --=====================_2481383==_.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable Date: Thu, 18 Jul 2002 12:09:25 +0200 From: FORUM STADTPARK Organization: FORUM STADTPARK, A - 8010 Graz Stadtpark 1 Subject: Internationales Seminar Internationales Seminar ON SOMNOLENCY: Symptome und Tendenzen in zeitgen=F6ssischer Kunst und Kultur 13. September 2002, Forum Stadtpark Einladung zur Bewerbung (scroll down for english version) Im Rahmen des StipendiatInnenprogramm AiR_port des Forum Stadtpark und Graz= =20 2003 Kulturhauptstadt Europas organisieren die drei litauischen=20 Artists-in-Residence Jurgita Remeikyte, Alma Skersyt=F2 und Irma Stanaityte= =20 das Seminar ON SOMNOLENCY. Es besteht die M=F6glichkeit, sechs K=FCnstlerInnen, KuratorInnen,=20 KritikerInnen, PhilosophInnen (etc.) einzuladen, Reisekosten (keine=20 Flugkosten) und Unterbringung werden erstattet. Das Seminar wird in=20 englischer Sprache abgehalten, jeder Beitrag ist auf 45 Minuten beschr=E4nkt= .=20 Bewerbungsformular und genauere Beschreibung finden Sie im Anhang. Kontakt:=20 onsomnolency2002@yahoo.com Einsendeschlu=DF:= 13.=20 August. ---------- The International Seminar ON SOMNOLENCY: Symptoms and Tendencies in Contemporary Art and Culture 13th of September, 2002 The seminar "ON SOMNOLENCY: Symptoms and Tendencies in Contemporary Art and= =20 Culture" is going to be organized at Forum Stadtpark in Graz (Austria). It= =20 is a part of continuous art project of three artists-in-residence from=20 Lithuania. The subject of the seminar is to question one of contemporary=20 phenomenon that could be described as a SOMNOLENCY. It links to the aspects such as tiredness, boredom, somnambulism, lost feel= =20 of the real, etc. The intent of the seminar is to invite participants=20 (artists, critics, curators, philosophers, etc.) from Lithuania, Austria=20 and several countries near by, who would be interested in taking part with= =20 their lectures, visuals and personal comments on the proposed subject,=20 while situating it in the extended context of current theories and debates= =20 on contemporary art and culture. There is a possibility to invite 6 persons covering their travel expenses=20 (except air-plain) and accommodation. The lectures and the other types of=20 presentations supposed to be given in English, and time limit for each=20 performer would be 45 min. approximately. Contact by e-mail: onsomnolency2002@yahoo.com Sincerely, Jurgita Remeikyte, Alma Skersyt=F2, Irma Stanaityte --=20 FORUM STADTPARK Stadtpark 1 A - 8010 Graz Tel: +43/316/827734 Fax: +43/316/82773421 forum@mur.at http://forum.mur.at --=====================_2481383==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Date: Thu, 18 Jul 2002 12:09:25 +0200
From: FORUM STADTPARK <forum@mur.at>
Organization: FORUM STADTPARK, A - 8010 Graz Stadtpark 1
Subject: Internationales Seminar

 
Internationales Seminar
ON SOMNOLENCY: Symptome und Tendenzen in zeitgen=F6ssischer Kunst und Kultur
13. September 2002, Forum Stadtpark
Einladung zur Bewerbung (scroll down for english version)
 

Im Rahmen des StipendiatInnenprogramm AiR_port des Forum Stadtpark und Graz 2003 Kulturhauptstadt Europas organisieren die drei litauischen Artists-in-Residence Jurgita Remeikyte, Alma Skersyt=F2 und Irma Stanaityte das Seminar ON SOMNOLENCY.
Es besteht die M=F6glichkeit, sechs K=FCnstlerInnen, KuratorInnen, KritikerInnen, PhilosophInnen (etc.) einzuladen, Reisekosten (keine Flugkosten) und Unterbringung werden erstattet. Das Seminar wird in englischer Sprache abgehalten, jeder Beitrag ist auf 45 Minuten beschr=E4nkt. Bewerbungsformular und genauere Beschreibung finden Sie im Anhang.

Kontakt: onsomnolency2002@yahoo.com  Einsendeschlu=DF: 13. August.

The International Seminar
ON SOMNOLENCY: Symptoms and Tendencies in Contemporary Art and Culture
13th of September, 2002

The seminar "ON SOMNOLENCY: Symptoms and Tendencies in Contemporary Art and Culture" is going to be organized at Forum Stadtpark in Graz (Austria). It is a part of continuous art project of three artists-in-residence from Lithuania. The subject of the seminar is to question one of contemporary phenomenon that could be described as a SOMNOLENCY.
It links to the aspects such as tiredness, boredom, somnambulism, lost feel of the real, etc. The intent of the seminar is to invite participants (artists, critics, curators, philosophers, etc.) from Lithuania, Austria and several countries near by, who would be interested in taking part with their lectures, visuals and personal comments on the proposed subject, while situating it in the extended context of current theories and debates on contemporary art and culture.
There is a possibility to invite 6 persons covering their travel expenses (except air-plain) and accommodation. The lectures and the other types of presentations supposed to be given in English, and time limit for each performer would be 45 min. approximately.

Contact by e-mail: onsomnolency2002@yahoo.com

Sincerely,
Jurgita Remeikyte, Alma Skersyt=F2, Irma Stanaityte
 

--
FORUM STADTPARK
Stadtpark 1
A - 8010 Graz

Tel:  +43/316/827734
Fax: +43/316/82773421
forum@mur.at
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MDAxNDggMDAwMDEgZiANMDAwMDAwMDE0OSAwMDAwMiBmIA0wMDAwMDAwMTUwIDAwMDAxIGYgDTAw MDAwMDAxNTEgMDAwMDIgZiANMDAwMDAwMDE1MiAwMDAwMSBmIA0wMDAwMDAwMTUzIDAwMDAyIGYg DTAwMDAwMDAxNTUgMDAwMDEgZiANMDAwMDAwOTE0MSAwMDAwMSBuIA0wMDAwMDAwMTU3IDAwMDAx IGYgDTAwMDAwMDkyNzcgMDAwMDEgbiANMDAwMDAwMDAwMCAwMDAwMSBmIA10cmFpbGVyDTw8DS9T aXplIDE1OA0vSW5mbyAxIDAgUiANL1Jvb3QgMiAwIFIgDS9JRFs8NTYwYzRhZWVlZDExNTMyZjJl YjFiZjVhNTczNTMxZDQ+PDU2MGM0YWVlZWQxMTUzMmYyZWIxYmY1YTU3MzUzMWQ0Pl0NPj4Nc3Rh cnR4cmVmDTk0MTINJSVFT0YN --=====================_2481380==_-- From sarossi@goethe.hu Tue Aug 6 12:54:54 2002 From: sarossi@goethe.hu (Sarossi, Goethe Institut) Date: Tue, 06 Aug 2002 13:54:54 +0200 Subject: [artinfo] =?iso-8859-1?Q?budprog-lis:_Ausstellungser=F6ffnung_Anke_?= Cott =?iso-8859-1?Q?_&_Heike_Baranowsky=09Ki=E1ll=EDt=E1smegnyit=F3?= Message-ID: <5.1.0.14.2.20020806135436.052435d0@visio.c3.hu> --=====================_2407568==_.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable Einladung / Megh=EDv=F3 Ausstellung / Ki=E1ll=EDt=E1s augusztus 7-31. / 7.-31. August Goethe-Institut Inter Nationes Galerie / Gal=E9ria Megnyit=F3 /Er=F6ffnung: augusztus 6., kedd / Dienstag, den 6. August 18.00 Einf=FChrung /Bevezet=F6: M=E9lyi J=F3zsef Unterst=FCtzer / T=E1mogat=F3: DZ Bank AG Heike Baranowsky: AUTO SCOPE Anke Cott: Halbsieben/F=E9lh=E9t Beide K=FCnstlerinnen leben in Berlin und befassen sich innerhalb der=20 k=FCnstlerischen Fotografie vorwiegend mit digitalen Bearbeitungen eigener= =20 Bilder. Von Heike Baranowsky, Jahrgang 1966, stammt die Doppelvideoprojektion AUTO= =20 SCOPE. =DCber zwei Projektoren wird dasselbe Bild b=FCndig und synchron=20 projiziert, eines jeweils spiegelverkehrt zum anderen. Der Film zeigt eine= =20 Fahrt auf der Stadtautobahn von Paris, wobei die Kamera statisch auf das=20 Stadtzentrum gerichtet wurde. Die Spiegelung vermittelt den optischen=20 Eindruck, in das Bild und damit in die Stadt gezogen zu werden.In der=20 Ausstellung werden 21 gro=DFformatige Standbilder aus dem Film AUTO SCOPE=20 gezeigt. Anke Cott, Jahrgang 1963, gestaltet ihre Ausstellung "halbsieben" mit=20 gro=DFformatigen Bildarrangements in Farbe sowie Bildschirmprojektionen.=20 Fragmente, Details, Portr=E4ts - digital zusammengef=FCgt - bilden= b=FChnenhaft=20 inszenierte R=E4ume. Die K=FCnstlerin vergleicht diese Arbeit mit einer= Reise=20 durch die Bildwelten ihrer Fotografie und sieht sich dabei in einer=20 klassisch bildnerischen Tradition. Im Computer "malt" sie mit gebauten=20 Formen, Fotos und grafischen Elementen. Das DG BANK Kunststipendium z=E4hlt zu den h=F6chst dotierten Auszeichnungen= im=20 Bereich der k=FCnstlerischen Fotografie in Deutschland. Mit den seit 1993=20 ausgeschriebenen Stipendien vergibt die DG BANK Deutsche=20 Genossenschaftsbank, Frankfurt am Main, pro Jahr eine Preissumme in H=F6he= =20 von je 24.000 DM an zwei K=FCnstler/-innen. Die Verwendung ist an die=20 Realisierung einer Projektidee gebunden, die neue Entwicklungen in der=20 Gegenwartsfotografie aufzeigen mu=DF und f=FCr die mit der Bewerbung ein=20 Konzept einzureichen ist. Die Abschlu=DFausstellung sowie je eine=20 Katalogpublikation z=E4hlen dar=FCber hinaus zum Umfang der F=F6rderung.= =DCber die=20 Vergabe befindet eine Jury. F=FCr Heike Baranowsky und Anke Cott entschieden sich im vergangenen Jahr= die=20 Juroren Gabi Cz=F6ppan (Redaktion Focus, M=FCnchen), Professor G=FCnther= F=F6rg=20 (Freiburg), Professor Klaus Honnef (Rheinisches Landesmuseum, Bonn),=20 Professorin Katharina Sieverding (D=FCsseldorf) und Luminita Sabau (DG BANK,= =20 Frankfurt/M.). Heike Baranowsky, geboren in Augsburg, studierte in M=FCnchen, Hamburg und= =20 Berlin Bildhauerei un d Freie Kunst. Grenzerfahrungen zwischen dem Au=DFen= =20 und dem Innen, das Eigene und das Andere in einem Zustand des "Entre-deux"= =20 zu untersuchen, sind wesentliche Motive ihrer Arbeit. Den Film benutzt=20 Heike Baranowsky als Medium, um "bewegte" Bilder zu schaffen, die ihren=20 Ursprung in statischen Bildideen haben. Die Jury wertete dies als einen=20 experimentellen Umgang mit fotografischen Ausdrucksmitteln, der =FCber das= =20 Medium hinausweise. Anke Cott, bei Sta=DFfurt geboren, =FCbersiedelte 1986 nach West-Berlin, wo= sie=20 Freie Kunst studierte. Mit der Fotografie besch=E4ftigte sie sich seit 1990.= =20 Durch die Bearbeitung ihres Bildmaterials am Computer entsteht f=FCr die=20 K=FCnstlerin ein komplexes inhaltliches Gef=FCge, das zugleich Distanz und= =20 Reflexion erlaubt. Die Jury w=FCrdigte darin eine innovative und=20 handwerkliche souver=E4n umgesetzte Herangehensweise. =DCberzeugend zeige= die=20 Bildsprache den Versuch einer jungen Generation, sich mit den alten und=20 neuen Zust&aum l;nden - vor allem in Berlin - auseinanderzusetzen. Zu den Ausstellungen erscheint von beiden Preistr=E4gerinnen je ein=20 K=FCnstlerbuch, das als Katalog vorliegt. Heike Baranowsky (1966) AUTO SCOPE c=EDm=FC munk=E1ja k=E9t videokivet=EDt= =F6re=20 k=E9sz=FClt. A k=E9t kivet=EDt=F3 ugyanazt a filmfelv=E9telt =E9s annak= t=FCk=F6rk=E9p=E9t vet=EDti=20 egyszerre. A film egy utaz=E1st r=F6gz=EDt a p =E1rizsi aut=F3p=E1ly=E1n= =FAgy, hogy a=20 kamera v=E9gig a v=E1rosk=F6zpontra ir=E1nyul. A t=FCkr=F6z=E9s azt az= optikai =E9rzetet=20 kelti a n=E9z=F6ben, mintha =84beh=FAzn=E1k=93 a k=E9pbe, mintha mag=E1ba= sz=EDvn=E1 a v=E1ros. A=20 ki=E1ll=EDt=E1son 21 nagyform=E1tum=FA =E1ll=F3-f=E9nyk=E9p l=E1that=F3 az= AUTO SCOPE c. filmb=F6l. Anke Cott (1963) =84ha lbsieben=93 (=84f=E9lh=E9t=93) c=EDm=FC ki=E1ll=EDt= =E1sa nagym=E9ret=FC sz=EDnes=20 fot=F3kb=F3l =E9s vet=EDtett k=E9pekb=F6l =E1ll. A digit=E1lisan =F6sszef=FC= z=F6tt t=F6red=E9kek,=20 r=E9szletek, portr=E9k sz=EDnpadszer=FCen berendezett tereket produk=E1lnak.= A m=FCv=E9sz=20 ezt a munk=E1j=E1t a saj=E1t fot=F3i k=E9pi vil=E1g=E1ban tett utaz=E1s hoz= hasonl=EDtja,=20 ezzel a gesztussal egy klasszikus trad=EDci=F3ban helyezve el saj=E1t=20 munk=E1ss=E1g=E1t. A sz=E1m=EDt=F3g=E9pet arra haszn=E1lja, hogy =E9p=EDtett= form=E1kat, fot=F3kat=20 =E9s grafikai elemeket =84fessen=93. A DG BANK M=FCv=E9szeti =D6szt=F6nd=EDj a n=E9met m=FCv=E9szeti fotogr=E1fia= ter=FClet=E9n=20 l=E9trehozott legmagasabb =F6sszeg=FC t=E1mog at=E1si form=E1k egyike. A= frankfurti=20 sz=E9khely=FC bank 1993 =F3ta =E9vente =E9s fejenk=E9nt 24 000 DM =F6sszeget= juttat k=E9t=20 m=FCv=E9sznek. Az =F6szt=F6nd=EDjat egy projekt megval=F3s=EDt=E1s=E1ra kell= ford=EDtani, amely=20 t=FCkr=F6zi a kort=E1rs fotogr=E1fia leg=FAjabb t=F6rekv=E9seit, =E9s= amelynek koncepci=F3ja=20 az =F6szt=F6nd=EDjp=E1ly=E1zat ré ;sze. A t=E1mogat=E1s r=E9sze egy z=E1r=F3 ki=E1ll=EDt=E1s valamint egy= katal=F3gus. Az=20 =F6szt=F6nd=EDjasok kiv=E1laszt=E1s=E1t felk=E9rt zs=FCri v=E9gzi. Heike= Baranowskyra =E9s Anke=20 Cottra a k=F6vetkez=F6 zs=FCritagok szavaztak az elm=FAlt =E9vben: Gabi= Cz=F6ppan (a=20 Focus szerkeszt=F6s=E9ge, M=FCnchen), prof. G=FCnther F=F6rg (Freiburg),= prof. Klaus=20 Honnef (Rheinisches Lan desmuseum, Bonn), prof. Katharina Sieverding=20 (D=FCsseldorf) =E9s Luminita Sabau (DG BANK, Frankfurt) Heike Baranowsky Augsburgban sz=FCletett, M=FCnchenben, Hamburgban =E9s= Berlinben=20 folytatta szobr=E1szati =E9s szabadm=FCv=E9szeti tanulm=E1nyait. Munk=E1inak= l=E9nyeges=20 mot=EDvumai azok a tapasztalatok, amelyekre a k=FCls=F6 =E9s a bels=F6, a= saj=E1t =E9s az=20 idegen hat=E1rhelyzet=E9ben lehet szert tenni. A f ilm m=E9dium=E1t arra= haszn=E1lja,=20 hogy statikus k=E9pi =F6tletekb=F6l ered=F6 =84mozg=F3 k=E9peket=93= alkosson. A zs=FCri=20 =E9rt=E9kel=E9se szerint a fotogr=E1fia eszk=F6zeivel folytatott k=EDs=E9rle= tei=20 t=FAlmutatnak a fotogr=E1fi=E1n mint m=E9diumon. Anke Cott Stassfurt mellett sz=FCletett, 1986-ban Nyugat-Berlinbe telep=FClt= =20 =E1t, ahol szabadm=FCv=E9szetet tanult. 1990 =F3ta foglal kozik= fotogr=E1fi=E1val. A=20 k=E9pi anyag sz=E1m=EDt=F3g=E9pes feldolgoz=E1sa =E1ltal tartalmilag= =F6sszetett k=E9pz=F6dm=E9ny=20 j=F6n l=E9tre, amely egyszerre k=E9sztet t=E1vols=E1gtart=E1sra =E9s= reflexi=F3ra. A zs=FCri=20 =E9rt=E9kel=E9se szerint koncepcion=E1lis megk=F6zel=EDt=E9se innovat=EDv = =E9s biztos=20 mesters=E9gbeli tud=E1ssal p=E1rosul. K&ea cute;pi nyelve meggy=F6z=F6en =E1rulkodik egy =FAj gener=E1ci=F3nak a= r=E9givel =E9s az=20 =FAjjal val=F3 intenz=EDv foglalkoz=E1s=E1r=F3l, k=FCl=F6n=F6s tekintettel= Berlinre. A ki=E1ll=EDt=E1sokhoz mindk=E9t =F6szt=F6nd=EDjas m=FCv=E9szk=F6nyvet= k=E9sz=EDtett, amelyek=20 katal=F3gusk=E9nt is szolg=E1lnak. --=20 S=E1rossi Bog=E1ta Programmassi stentin sarossi@goethe.hu ----------------------------------------- GOETHE-INSTITUT INTER NATIONES (Budapest) H-1061 Budapest Andr=E1ssy =FAt 24. T +36-1-374-4074 F +36-1-374-4080 www.goethe.de/ms/bud --=====================_2407568==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Einladung / Megh=EDv=F3
Ausstellung / Ki=E1ll=EDt=E1s
augusztus 7-31. / 7.-31. August
Goethe-Institut Inter Nationes Galerie / Gal=E9ria
Megnyit=F3 /Er=F6ffnung: augusztus 6., kedd / Dienstag, den 6. August 18.00
Einf=FChrung /Bevezet=F6: M=E9lyi J=F3zsef
Unterst=FCtzer / T=E1mogat=F3: DZ Bank AG

Heike Baranowsky: AUTO SCOPE
Anke Cott: Halbsieben/F=E9lh=E9t

Beide K=FCnstlerinnen leben in Berlin und befassen sich innerhalb der k=FCnstlerischen Fotografie vorwiegend mit digitalen Bearbeitungen eigener Bilder.

Von Heike Baranowsky, Jahrgang 1966, stammt die Doppelvideoprojektion AUTO SCOPE. =DCber zwei Projektoren wird dasselbe Bild b=FCndig und synchron projiziert, eines jeweils spiegelverkehrt zum anderen. Der Film zeigt eine Fahrt auf der Stadtautobahn von Paris, wobei die Kamera statisch auf das Stadtzentrum gerichtet wurde. Die Spiegelung vermittelt den optischen Eindruck, in das Bild und damit in die Stadt gezogen zu werden.In der Ausstellung werden 21 gro=DFformatige Standbilder aus dem Film AUTO SCOPE gezeigt.

Anke Cott, Jahrgang 1963, gestaltet ihre Ausstellung "halbsieben" mit gro=DFformatigen Bildarrangements in Farbe sowie Bildschirmprojektionen. Fragmente, Details, Portr=E4ts - digital zusammengef=FCgt - bilden b=FChnenhaft inszenierte R=E4ume. Die K=FCnstlerin vergleicht diese Arbeit mit einer Reise durch die Bildwelten ihrer Fotografie und sieht sich dabei in einer klassisch bildnerischen Tradition. Im Computer "malt" sie mit gebauten Formen, Fotos und grafischen Elementen.

Das DG BANK Kunststipendium z=E4hlt zu den h=F6chst dotierten Auszeichnungen im Bereich der k=FCnstlerischen Fotografie in Deutschland. Mit den seit 1993 ausgeschriebenen Stipendien vergibt die DG BANK Deutsche Genossenschaftsbank, Frankfurt am Main, pro Jahr eine Preissumme in H=F6he von je 24.000 DM an zwei K=FCnstler/-innen. Die Verwendung ist an die Realisierung einer Projektidee gebunden, die neue Entwicklungen in der Gegenwartsfotografie aufzeigen mu=DF und f=FCr die mit der Bewerbung ein Konzept einzureichen ist. Die Abschlu=DFausstellung sowie je eine Katalogpublikation z=E4hlen dar=FCber hinaus zum Umfang der F=F6rderung. =DC= ber die Vergabe befindet eine Jury.

F=FCr Heike Baranowsky und Anke Cott entschieden sich im vergangenen Jahr die Juroren Gabi Cz=F6ppan (Redaktion Focus, M=FCnchen), Professor G=FCnther F=F6rg (Freiburg), Professor Klaus Honnef (Rheinisches Landesmuseum, Bonn), Professorin Katharina Sieverding (D=FCsseldorf) und Luminita Sabau (DG BANK, Frankfurt/M.).

Heike Baranowsky, geboren in Augsburg, studierte in M=FCnchen, Hamburg und Berlin Bildhauerei un d Freie Kunst. Grenzerfahrungen zwischen dem Au=DFen und dem Innen, das Eigene und das Andere in einem Zustand des "Entre-deux" zu untersuchen, sind wesentliche Motive ihrer Arbeit. Den Film benutzt Heike Baranowsky als Medium, um "bewegte" Bilder zu schaffen, die ihren Ursprung in statischen Bildideen haben. Die Jury wertete dies als einen experimentellen Umgang mit fotografischen Ausdrucksmitteln, der =FCber das Medium hinausweise.

Anke Cott, bei Sta=DFfurt geboren, =FCbersiedelte 1986 nach West-Berlin, wo sie Freie Kunst studierte. Mit der Fotografie besch=E4ftigte sie sich seit 1990. Durch die Bearbeitung ihres Bildmaterials am Computer entsteht f=FCr die K=FCnstlerin ein komplexes inhaltliches Gef=FCge, das zugleich Distanz und Reflexion erlaubt. Die Jury w=FCrdigte darin eine innovative und handwerkliche souver=E4n umgesetzte Herangehensweise. =DCberzeugend zeige di= e Bildsprache den Versuch einer jungen Generation, sich mit den alten und neuen Zust&aum
l;nden - vor allem in Berlin - auseinanderzusetzen.

Zu den Ausstellungen erscheint von beiden Preistr=E4gerinnen je ein K=FCnstlerbuch, das als Katalog vorliegt.
 

Heike Baranowsky (1966) AUTO SCOPE c=EDm=FC munk=E1ja k=E9t videokivet=EDt= =F6re k=E9sz=FClt. A k=E9t kivet=EDt=F3 ugyanazt a filmfelv=E9telt =E9s annak t=FC= k=F6rk=E9p=E9t vet=EDti egyszerre. A film egy utaz=E1st r=F6gz=EDt a p =E1rizsi aut=F3p=E1l= y=E1n =FAgy, hogy a kamera v=E9gig a v=E1rosk=F6zpontra ir=E1nyul. A t=FCkr=F6z=E9s azt= az optikai =E9rzetet kelti a n=E9z=F6ben, mintha =84beh=FAzn=E1k=93 a k=E9pbe, mintha= mag=E1ba sz=EDvn=E1 a v=E1ros. A ki=E1ll=EDt=E1son 21 nagyform=E1tum=FA =E1ll=F3-f=E9nyk=E9p= l=E1that=F3 az AUTO SCOPE c. filmb=F6l.

Anke Cott (1963) =84ha lbsieben=93 (=84f=E9lh=E9t=93) c=EDm=FC ki=E1ll=EDt= =E1sa nagym=E9ret=FC sz=EDnes fot=F3kb=F3l =E9s vet=EDtett k=E9pekb=F6l =E1ll. A digit=E1lisan = =F6sszef=FCz=F6tt t=F6red=E9kek, r=E9szletek, portr=E9k sz=EDnpadszer=FCen berendezett tereket produk=E1lnak. A m=FCv=E9sz ezt a munk=E1j=E1t a saj=E1t fot=F3i k=E9pi= vil=E1g=E1ban tett utaz=E1s hoz hasonl=EDtja, ezzel a gesztussal egy klasszikus trad=EDci=F3ban helyezve el saj=E1t munk=E1ss=E1g=E1t. A sz=E1m=EDt=F3g=E9pet arra= haszn=E1lja, hogy =E9p=EDtett form=E1kat, fot=F3kat =E9s grafikai elemeket =84fessen=93.=

A DG BANK M=FCv=E9szeti =D6szt=F6nd=EDj a n=E9met m=FCv=E9szeti fotogr=E1fia= ter=FClet=E9n l=E9trehozott legmagasabb =F6sszeg=FC t=E1mog at=E1si form=E1k egyike. A fra= nkfurti sz=E9khely=FC bank 1993 =F3ta =E9vente =E9s fejenk=E9nt 24 000 DM =F6sszeget= juttat k=E9t m=FCv=E9sznek. Az =F6szt=F6nd=EDjat egy projekt megval=F3s=EDt=E1s=E1ra kell= ford=EDtani, amely t=FCkr=F6zi a kort=E1rs fotogr=E1fia leg=FAjabb t=F6rekv=E9seit, =E9s = amelynek koncepci=F3ja az =F6szt=F6nd=EDjp=E1ly=E1zat r&eacute
;sze. A t=E1mogat=E1s r=E9sze egy z=E1r=F3 ki=E1ll=EDt=E1s valamint egy= katal=F3gus. Az =F6szt=F6nd=EDjasok kiv=E1laszt=E1s=E1t felk=E9rt zs=FCri v=E9gzi. Heike= Baranowskyra =E9s Anke Cottra a k=F6vetkez=F6 zs=FCritagok szavaztak az elm=FAlt =E9vben: Gabi Cz=F6ppan (a Focus szerkeszt=F6s=E9ge, M=FCnchen), prof. G=FCnther F=F6rg (F= reiburg), prof. Klaus Honnef (Rheinisches Lan desmuseum, Bonn), prof. Katharina Sieverding (D=FCsseldorf) =E9s Luminita Sabau (DG BANK, Frankfurt)

Heike Baranowsky Augsburgban sz=FCletett, M=FCnchenben, Hamburgban =E9s Berlinben folytatta szobr=E1szati =E9s szabadm=FCv=E9szeti tanulm=E1nyait. Munk=E1inak l=E9nyeges mot=EDvumai azok a tapasztalatok, amelyekre a k=FCls= =F6 =E9s a bels=F6, a saj=E1t =E9s az idegen hat=E1rhelyzet=E9ben lehet szert tenni. A= f ilm m=E9dium=E1t arra haszn=E1lja, hogy statikus k=E9pi =F6tletekb=F6l ered=F6 = =84mozg=F3 k=E9peket=93 alkosson. A zs=FCri =E9rt=E9kel=E9se szerint a fotogr=E1fia esz= k=F6zeivel folytatott k=EDs=E9rletei t=FAlmutatnak a fotogr=E1fi=E1n mint m=E9diumon.=
Anke Cott Stassfurt mellett sz=FCletett, 1986-ban Nyugat-Berlinbe telep=FClt =E1t, ahol szabadm=FCv=E9szetet tanult. 1990 =F3ta foglal kozik= fotogr=E1fi=E1val. A k=E9pi anyag sz=E1m=EDt=F3g=E9pes feldolgoz=E1sa =E1ltal tartalmilag =F6ssze= tett k=E9pz=F6dm=E9ny j=F6n l=E9tre, amely egyszerre k=E9sztet t=E1vols=E1gtart= =E1sra =E9s reflexi=F3ra. A zs=FCri =E9rt=E9kel=E9se szerint koncepcion=E1lis megk=F6zel= =EDt=E9se innovat=EDv =E9s biztos mesters=E9gbeli tud=E1ssal p=E1rosul. K&ea
cute;pi nyelve meggy=F6z=F6en =E1rulkodik egy =FAj gener=E1ci=F3nak a= r=E9givel =E9s az =FAjjal val=F3 intenz=EDv foglalkoz=E1s=E1r=F3l, k=FCl=F6n=F6s tekintettel B= erlinre.

A ki=E1ll=EDt=E1sokhoz mindk=E9t =F6szt=F6nd=EDjas m=FCv=E9szk=F6nyvet= k=E9sz=EDtett, amelyek katal=F3gusk=E9nt is szolg=E1lnak.

--
S=E1rossi Bog=E1ta
Programmassi stentin
sarossi@goethe.hu
-----------------------------------------
GOETHE-INSTITUT INTER NATIONES (Budapest)
H-1061 Budapest Andr=E1ssy =FAt 24.
T +36-1-374-4074
F +36-1-374-4080
www.goethe.de/ms/bud --=====================_2407568==_.ALT-- From adele@c3.hu Tue Aug 6 13:07:33 2002 From: adele@c3.hu (Adele Eisenstein) Date: Tue, 06 Aug 2002 14:07:33 +0200 Subject: [artinfo] [spectre] International Video Festival in Ramallah, Palestine Message-ID: <5.1.0.14.2.20020806140510.0524faa0@visio.c3.hu> --=====================_3782051==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed ---------- Forwarded message ---------- Date: Tue, 6 Aug 2002 00:14:02 EDT From: JSalloum@aol.com Subject: [spectre] International Video Festival in Ramallah, Palestine Date: Sat, 27 Jul 2002 10:32:58 -0400 From: EMILY JACIR Subject: International Video Festival in Ramallah, Palestine Dear friends, I am curating a video art festival of International artists to be held in Ramallah this Fall. There will be no official theater location. Rather, the festival will take place within the homes of the people in Ramallah. People will take the videos home and watch them and then when the curfew is lifted, will pass the video on to the next person,etc. In this way, everyone will have access to the videos and they will be able to be shown around the city. Unfortunately, we can not guarantee the safe return of your video. If your video is in a house, and Israeli soldiers enter the house, it will more than likely be destroyed. We welcome all subject matter EXCEPT anything about the Palestinian/ Israeli conflict. The video system there is PAL. Please contact me at: emilyvideo2002@yahoo.com if you would like to submit your video. Best, Emily ______________________________________________ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre --=====================_3782051==_.ALT Content-Type: text/html; charset="us-ascii" ---------- Forwarded message ----------
Date: Tue, 6 Aug 2002 00:14:02 EDT
From: JSalloum@aol.com
Subject: [spectre] International Video Festival in Ramallah, Palestine

Date: Sat, 27 Jul 2002 10:32:58 -0400
From: EMILY JACIR
Subject: International Video Festival in Ramallah, Palestine

Dear friends,

I am curating a video art festival of International artists to be held
in Ramallah this Fall.

There will be no official theater location. Rather, the festival will take
place within the homes of the people in Ramallah. People will take the
videos home and watch them and then when the curfew is lifted, will pass
the video on to the next person,etc. In this way, everyone will have
access to the videos and they will be able to be shown around the city.

Unfortunately, we can not guarantee the safe return of your video. If your
video is in a house, and Israeli soldiers enter the house, it will more
than likely be destroyed.

We welcome all subject matter EXCEPT anything about the Palestinian/
Israeli conflict. The video system there is PAL.

Please contact me at: emilyvideo2002@yahoo.com
if you would like to submit your video.

Best,
Emily
______________________________________________
SPECTRE list for media culture in Deep Europe
Info, archive and help:
http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre --=====================_3782051==_.ALT-- From adele@c3.hu Tue Aug 6 13:05:01 2002 From: adele@c3.hu (Adele Eisenstein) Date: Tue, 06 Aug 2002 14:05:01 +0200 Subject: [artinfo] =?iso-8859-1?Q?=E9motions_digitales_et_territoires_/_Rennes?= , France Message-ID: <5.1.0.14.2.20020806140331.0524dec0@visio.c3.hu> --=====================_3782044==_.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable ---------- Forwarded message ---------- Date: Mon, 5 Aug 2002 22:32:13 +0200 From: media@ezaic.de Subject: [syndicate] =E9motions digitales et territoires / Rennes, France http://www.e-motion2002.fr.st/ Rencontres e-motion 2002 "=E9motions digitales et territoires" le festival des =E9motions digitales cr=E9atives ! du 15 au 19 octobre 2002 Rennes -France for the competition =BBX EXPERIMENTAL=AB film and video works can be entered= =20 until September 20 entry forms and information at station@uhb.fr organizer: http://www.uhb.fr/culture/station/ --=====================_3782044==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ---------- Forwarded message ----------
Date: Mon, 5 Aug 2002 22:32:13 +0200
From: media@ezaic.de
Subject: [syndicate] =E9motions digitales et territoires / Rennes, France

http://www.e-motion2002.fr.st/

Rencontres e-motion 2002
"=E9motions digitales et territoires"
le festival des =E9motions digitales cr=E9atives !
du 15 au 19 octobre 2002
Rennes -France

for the competition =BBX EXPERIMENTAL=AB film and video works can be entered until September 20

entry forms and information at
station@uhb.fr

organizer: http://www.uhb.fr/culture/station/= --=====================_3782044==_.ALT-- From adele@c3.hu Tue Aug 6 13:18:41 2002 From: adele@c3.hu (Adele Eisenstein) Date: Tue, 06 Aug 2002 14:18:41 +0200 Subject: [artinfo] [syndicate] MelbourneDAC: call for papers Message-ID: <5.1.0.14.2.20020806140804.0524dec0@visio.c3.hu> --=====================_3810936==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed ---------- Forwarded message ---------- Date: Tue, 6 Aug 2002 18:57:37 +1000 From: Adrian Miles Subject: [syndicate] MelbourneDAC: call for papers Apologies for any cross posting that may occur. This announcement may be of interest to some list members. ---------- Digital Arts and Culture::2003::Streaming Wor(l)ds The 2003 iteration of the Digital Arts and Culture (DAC) international conference series is to be held on the city campus of RMIT University, Melbourne, Australia from May 19 to 23, 2003. keywords: Augmented Reality, Cyberculture, Electronic Fiction, Electronic Music, Electronic Nonfiction, Electronic Poetry, Electronic Spatiality, Electronic Temporality, Flash Fiction, Flash Nonfiction, Games Culture, Games Sociology, Games System Design, Games Theory , Hypertext Literature , Hypertext Theory , Interactive Architecture, Interactive Cinema and Video , Interactive Graphic Narrative, Interactive Performance, MOOs, MUDs, RPG, Networked Improvisation, Networked performance, Streaming Narrative, Time Based Interactive Media, Virtual Reality, Virtual Worlds, , ++proposals++ Artists, scholars, developers and practitioners working in these and cognate fields are invited to submit 500 word proposals for papers and panels by September 15, 2002. All proposals for papers and panels must be submitted via the submission page which will shortly be available from the conference web site: http://hypertext.rmit.edu.au/dac/ All contributions will be reviewed by the conference academic board and short listed nominations will be contacted by November 1, 2002. Short listing does not mean that your work has been accepted for the conference. Short listing means you will be invited to write a full paper, panel proposal, or forum description for review by the program committee. Only complete papers, panel submissions and forum descriptions will be considered for acceptance and this is subject to full peer review by the program committee. Paper and panel submissions must be completed and submitted by February 1, 2003 for final peer review and consideration. All accepted work will be published in a full conference proceedings. ++papers++ Papers are academic presentations that reflect any of the conference themes. Proposals for papers are limited to 500 words and should give the program committee an indication of your major argument or arguments, and your theoretical approach. It is expected that only abstracts that suggest an original contribution to the field will be short listed. ++panels++ Panels are themed discussions that concentrate on any of the conference themes. Panels are to consist of a position statement (that may or may not be collectively authored) that panel members respond and contribute to. Panel proposals ought to include a draft position statement (maximum of 500 words) and list the members of the panel. Panels are expected to make a constructive and original contribution to debate and ideas in the field. ++what is dac?++ DAC is an international conference focusing on new media theory and practice in critical contexts. It has nurtured a significant international community of young and innovative researchers, artists and scholars in the interdisciplinary field of new media, and has become the benchmark conference for research and collaborative endeavour in new media. DAC has always offered a specialised forum that has emphasised the importance of bringing together leading practitioners for the exchange of ideas and to develop international professional networks and knowledge economies. MelbourneDAC:Streaming Wor(l)ds recognises and intends to continue this role through the papers, panels, and forums it hosts, and the innovative series of collaborative workshops and events that will be undertaken by all conference participants. The mission of MelbourneDAC is to not only exchange ideas and promote new developments in digital arts and culture but to ensure that all participants develop relevant and sustainable professional communities. Adrian Miles Conference Chair adrian.miles@rmit.edu.au Antoanetta Ivanova Conference Producer antoanetta@novamediaarts.net _______________________________ end of announcement -- + lecturer in new media and cinema studies [http://hypertext.rmit.edu.au/vog/vlog] + interactive desktop video developer [http://hypertext.rmit.edu.au/vog/] + hypertext rmit [http://hypertext.rmit.edu.au] + InterMedia:UiB. university of bergen [http://www.intermedia.uib.no] --=====================_3810936==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ---------- Forwarded message ----------
Date: Tue, 6 Aug 2002 18:57:37 +1000
From: Adrian Miles <adrian.miles@uib.no>
Subject: [syndicate] MelbourneDAC: call for papers

Apologies for any cross posting that may occur.
This announcement may be of interest to some list members.

----------

Digital Arts and Culture::2003::Streaming Wor(l)ds
The 2003 iteration of the Digital Arts and Culture (DAC) international conference series is to be held on the city campus of RMIT University, Melbourne, Australia from May 19 to 23, 2003.

keywords: Augmented Reality, Cyberculture, Electronic Fiction, Electronic Music, Electronic Nonfiction, Electronic Poetry, Electronic Spatiality, Electronic Temporality, Flash Fiction, Flash Nonfiction, Games Culture, Games Sociology, Games System Design, Games Theory , Hypertext Literature , Hypertext Theory , Interactive Architecture, Interactive Cinema and Video , Interactive Graphic Narrative, Interactive Performance, MOOs, MUDs, RPG, Networked Improvisation, Networked performance, Streaming Narrative, Time Based Interactive Media, Virtual Reality, Virtual Worlds, ,

++proposals++
Artists, scholars, developers and practitioners working in these and cognate fields are invited to submit 500 word proposals for papers and panels by September 15, 2002. All proposals for papers and panels must be submitted via the submission page which will shortly be available from the conference web site:
http://hypertext.rmit.edu.au/dac/

All contributions will be reviewed by the conference academic board and short listed nominations will be contacted by November 1, 2002.

Short listing does not mean that your work has been accepted for the conference. Short listing means you will be invited to write a full paper, panel proposal, or forum description for review by the program committee. Only complete papers, panel submissions and forum descriptions will be considered for acceptance and this is subject to full peer review by the program committee.

Paper and panel submissions must be completed and submitted by February 1, 2003 for final peer review and consideration. All accepted work will be published in a full conference proceedings.

++papers++
Papers are academic presentations that reflect any of the conference themes. Proposals for papers are limited to 500 words and should give the program committee an indication of your major argument or arguments, and your theoretical approach. It is expected that only abstracts that suggest an original contribution to the field will be short listed.

++panels++
Panels are themed discussions that concentrate on any of the conference themes. Panels are to consist of a position statement (that may or may not be collectively authored) that panel members respond and contribute to. Panel proposals ought to include a draft position statement (maximum of 500 words) and list the members of the panel. Panels are expected to make a constructive and original contribution to debate and ideas in the field.

++what is dac?++
DAC is an international conference focusing on new media theory and practice in critical contexts. It has nurtured a significant international community of young and innovative researchers, artists and scholars in the interdisciplinary field of new media, and has become the benchmark conference for research and collaborative endeavour in new media. DAC has always offered a specialised forum that has emphasised the importance of bringing together leading practitioners for the exchange of ideas and to develop international professional networks and knowledge economies. MelbourneDAC:Streaming Wor(l)ds recognises and intends to continue this role through the papers, panels, and forums it hosts, and the innovative series of collaborative workshops and events that will be undertaken by all conference participants. The mission of MelbourneDAC is to not only exchange ideas and promote new developments in digital arts and culture but to ensure that all participants develop relevant and sustainable professional communities.

Adrian Miles Conference Chair
adrian.miles@rmit.edu.au

Antoanetta Ivanova Conference Producer
antoanetta@novamediaarts.net

_______________________________
end of announcement
--

+ lecturer in new media and cinema studies [http://hypertext.rmit.edu.au/vog/vlog]
+ interactive desktop video developer [http://hypertext.rmit.edu.au/vog/]
+ hypertext rmit [http://hypertext.rmit.edu.au]
+ InterMedia:UiB. university of bergen [http://www.intermedia.uib.no= ] --=====================_3810936==_.ALT-- From nogallery@hotmail.com Wed Aug 7 10:27:57 2002 From: nogallery@hotmail.com (no gallery) Date: Wed, 07 Aug 2002 09:27:57 +0000 Subject: [artinfo] riff Message-ID: riff NO gallery, 4th Floor, The Chocolate Factory, Western Road, London. N22 15th August – 1st September 2002 11–5pm Friday to Sunday and by appointment Private view 6–9pm Wednesday 14th August NO gallery would like to invite you to riff, collaborative new works by Alex Baker, Kit Poulson and Raine Smith. riff is a combination of works in sound, light and paint that explores the contradictions of repetition and progression. The artists have collaborated to create an environment in which paths and rhythms connect their work, forming an immersive experience which functions both as a whole and in terms of its individual elements. Raine Smith manipulates the mechanics of cameras and the principles of photography to produce images that lead the eye through pathways of focus and depth of field. Kit Poulson works with painting and live art, producing works that generate both a sense of place, loss and searching. Alex Baker explores the physical presence of sound, visual perception and memory. Manipulating simple components he creates displaced experiences of the world. For further information or make an appointment please contact 07968 034 281 or visit www.cityofimagination.com/riff We look forward to seeing you, NO gallery nogallery@cityofimagination.com _________________________________________________________________ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx From info@fwfwd.org Wed Aug 7 16:12:06 2002 From: info@fwfwd.org (FW:Fwd Online Films) Date: Wed, 7 Aug 2002 16:12:06 +0100 Subject: [artinfo] FW:Fwd an online exhibition of artists short films launches Message-ID: <002201c23e24$d53880f0$0300a8c0@KATH> FW:Fwd online exhibition of artists short films Now available online at http://www.fwfwd.org FW:Fwd is an online exhibition of short films by 8 international artists which explores new ways that the public can access work online. Using the highly effective techniques of viral marketing to disseminate and broadcast films, visitors to the site can join a mailing list to access the films via email or view the current collection online. The opening programme of films have been chosen for their diversity - of approach, content and technique and includes films by Jesse Ball, Victoria Bickell, Brian Doyle, Richard Fenwick, Selina Herbert, Liane Lang, Johanne Nissen and Jorn Staeger. The opening selection of films were selected by Red Leader Industries who specialise in working on new media projects with arts organisations and individuals. The FW:Fwd project will offer a rolling programme of films, selected by Red Leader and by external curators. For more information regarding FW:Fwd please contact Katherine Green. Email: mailto:info@fwfwd.org Web: http://www.fwfwd.org >>>>>>>>>>>>>>>>>>> FW:Fwd Exhibition of Online Films Sent and Recieved by Email www.fwfwd.org info@fwfwd.org --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/2002 From adele@c3.hu Thu Aug 8 13:42:43 2002 From: adele@c3.hu (Adele Eisenstein) Date: Thu, 08 Aug 2002 14:42:43 +0200 Subject: [artinfo] Folyamat Galeria Message-ID: <5.1.0.14.2.20020808144141.024f6350@visio.c3.hu> A Folyamat Gal=E9ria szeretettel megh=EDvja =D6nt a k=F6vetkez=F5= ki=E1ll=EDt=E1sra: ________________________________________________________________ m=FBv=E9sz: R=E9they Prikkel Tam=E1s ki=E1ll=EDt=F3hely: Folyamat Gal=E9ria a Dunai Vizm=E9rceh=E1zban Bp. I., Bem rkpt., a L=E1nchid budai hidf=F5je f=F6l=F6tt kb. 50 m=E9terrel megnyit=F3: h=E9tf=F5n, 2002. augusztus 12., 20:00 z=E1r=E1s: h=E9tf=F5n, 2002. augusztus 19. (amikor a k=F6vetkez=F5 megny=EDt= =F3 ker=FCl sorba)=20 From hello5x5@hotmail.com Wed Aug 7 23:05:00 2002 From: hello5x5@hotmail.com (5x5 group) Date: Wed, 07 Aug 2002 17:05:00 -0500 Subject: [artinfo] the geography project Message-ID: FOR IMMEDIATE RELEASE: 5x5 presents the geography project a performance installation inspired by Chris Marker’s 1962 film La Jetée, the psychology of loneliness, and the architecture of airports. created by Kelly Cooper sound by Brian Klein lighting by Jan Kordylewski production management and additional movement by Bridget Kies featuring: Cory Schiffern and Jeanne-Patrice Dohm produced by 5x5 on view at atc space Flat Iron Arts Building Suite 352, 2nd Floor 1579 N. Milwaukee in the heart of Wicker Park Friday, August 16 and Saturday, August 17, 2002 The performance installation is open for viewing on Friday between 7-10pm and on Saturday between 12-2pm. Suggested Donation: $5.00 5x5 is a multi-disciplinary arts group committed to exploring and engaging a continuum of media to create technically progressive, fundamentally experimental, visually and physically rigorous work housed in both site-specific and prepared spaces. Bridget Kies has worked with Kelly Cooper on several performances and installations. She has also stage managed several theatrical productions, including Blithe Spirit at Bowen Park Theater in Waukegan, Ionesco’s Jack, or the Submission/The Future Is In Eggs for the Hypocrites, and Samuel Beckett's Happy Days. The latter was at Lake Forest College, where she recently graduated with a self-designed major in Experimental Theater/Performance and where she directed several one-acts (most recently Cocteau's The Wedding on the Eiffel Tower) and written several pieces. Bridget has been a dancer for ten years and recently studied dance and movement at The Kitchen in New York this past summer, participating in workshops with Elizabeth Streb, Ralph Lemon, Ann Carlson, David Gordon, and Deborah Jowitt. She also held an internship in public relations at Theatre des Champs-Elysees in Paris and was the stage management intern on the new Mary Zimmerman/Philip Glass opera Galileo, Galilei at the Goodman Theatre in Chicago this past May. She is also a member of the multi-disciplinary arts group, 5x5. Jan Kordylewski was born in Krakow, Poland. His Lighting Design credits include most recently several productions at Lake Forest College including Who’s Afraid of Virginia Woolf, several productions for the Bowen Park Theater in Waukegan including Dangerous Liaisons, and The Melody Lingers On for Prologue Theater Company at the Theater Building in Chicago. He has also designed set and lights for The Comedy of Errors, and Chad Eric Bergman’s production of The Blue Room. In addition to his design work, Jan has several directing and playwrighting credits, as well as photography, performance art, and installation art projects in his artistic portfolio including most recently Imag-e Tim-e Escap-e an installation in the Sonnenschein Gallery at the Durand Art Institute. He is also a member of the multi-disciplinary arts group, 5x5. Kelly Cooper received her Master’s degree in Performance Studies from New York University and completed her undergraduate studies at Lake Forest College (Chicago, Illinois) where she majored in English (writing track - playwrighting) and Experimental Theatre and Performance (a self-designed Independent Scholarship Major). Her directing credits include Gertrude Stein’s What Happened, Sam Shepard’s Tongues, Marguerite Duras’ The Malady of Death, and Beckett’s Happy Days and Come and Go. Her performance installation credits include smile (NYU PS studio, NYC), union this ego lies here (SAIC Gallery 1926), anatomy/self (Durand Art Institute), and document (Lake Forest College). Recently, she created a performance installation based on Gertrude Stein’s mexico a play for the Blueprint Series at Richard Foreman’s Ontological-Hysteric Theatre in New York City. Dramaturgical work includes the upcoming prodution of Score (Ann Bogart and The Siti Company at Brooklyn Academy of Music – Brooklyn, NY), The Lady From the Sea (Ivan Talijancic and WaxFactory at XO projects – Brooklyn, NY), and Penthesilea (Joanna Settle at Bard College - NY). Kelly has worked as an assistant director to Joanna Settle of DIVISION 13 on several productions, including Beckett’s Play, Duras’ The War, and the award-winning Bloodline: The Oedipus/Antigone Story, and was most recently the dramaturg to Joy Gregory on Lookingglass Theatre’s Midwest premiere of Charles Mee Jr.’s Summertime. Kelly is an Artistic Associate of DIVISION 13 and is a member of the multi-disciplinary arts group, 5x5. Brian Klein is an electronic musician, sound designer, and sound engineer from Chicago, Illinois. Previously he has worked in the theatre as a sound op for Garrick Player’s production of Oscar Wilde’s Lady Windermere’s Fan and sound designer/performer for Edward Albee’s The Sandbox, directed by Jan Kordylewski. Brian’s remix of "sediert und zufrieden" by store, was featured on the cd store matrix available on Retinascan Records and his remix of "cake" by caiius is featured on the cd care 1. Some of his other work can be heard at http://www.zebox.com/ea/. Brian also has a forthcoming 3" cd ep on Retinascan Records. Cory Schiffern Bio unavailable at this time. Jeanne-Patrice Dohm Bio unavailable at this time. MEDIA CONTACT: Bridget Kies 847-477-8970 hello5x5@hotmail.com ### :::::5x5 is a multi-disciplinary arts group committed to exploring and engaging a continuum of media to create technically progressive, fundamentally experimental, visually and physically rigorous work housed in both site-specific and prepared spaces.::::: _________________________________________________________________ Join the world’s largest e-mail service with MSN Hotmail. http://www.hotmail.com From ksak Thu Aug 8 14:50:18 2002 From: ksak (ksak) Date: Thu, 8 Aug 2002 17:50:18 +0400 Subject: [artinfo] VideoMarathon2002, Chisinau, Moldova Message-ID: <9725239495.20020808175018@art.md> !CALL! !CALL! !CALL! !CALL! !CALL! !CALL! !CALL! !CALL! !CALL! !CALL! The Center for Contemporary Art, Chisinau, [KSA:K] Moldova, is proud to announce the 6th edition of its annual event: "THE VIDEOMARATHON 2002" You are invited to submit your videos to be screened during this visual fiesta taking three days in November when video meets grand public. If you're a videoartist, a curator or have something to do with videoexpression and are interested contributing to this event - send us a message. We are also looking for theoretical contributions and presentations. Interested? Contact us: marin@art.md Curator: Marin Turea *We remind you that "The Videomarathon" is not a festival or a contest, it is for the pleasure of our videophiles. All the best, Lilia Dragneva From katherine@redleaderindustries.com Thu Aug 8 19:01:18 2002 From: katherine@redleaderindustries.com (redleaderindustries) Date: Thu, 08 Aug 2002 20:01:18 +0200 Subject: [artinfo] [UNXposed] FW:Fwd online exhibition of artists short films Message-ID: <5.1.0.14.2.20020808200059.024e2280@visio.c3.hu> Now available at http://www.fwfwd.org FW:Fwd is an online exhibition of short films by 8 international artists which explores new ways that the public can access work online. Using the highly effective techniques of viral marketing to disseminate and broadcast films, visitors to the site can join a mailing list to access the films via email or view the current collection online. The opening programme of films have been chosen for their diversity - of approach, content and technique and includes films by Jesse Ball, Victoria Bickell, Brian Doyle, Richard Fenwick, Selina Herbert, Liane Lang, Johanne Nissen and Jorn Staeger. The FW:Fwd project will offer a rolling programme of films, selected by Red Leader who initiated the project and by external curators. For more information regarding FW:Fwd please contact Katherine Green. Email: mailto:info@fwfwd.org Web: http://www.fwfwd.org From ices@mongol.net Fri Aug 9 10:04:06 2002 From: ices@mongol.net (ICES) Date: Fri, 9 Aug 2002 10:04:06 +0100 Subject: [artinfo] International Festival in MOONGOLIA Message-ID: INVITATION Pop, rock and jazz singers of Mongolian songs are invited to perform at a festival in Mongolia! The Blue Mongolia 2002 festival will be held in the Mongolian capital Ulaanbaatar between October 1 and 7, 2002. The 19th Blue Mongolia festival will feature foreign singers of Mongolian songs. Each will perform 2 Mongolian songs with pre-recorded backing music. We invite singers of Mongolian songs from anywhere in the world to come to the party! Successful applicants will need to be in Ulaanbaatar by September 29. The Mongolian organizers will arrange and pay for- your accommodation, meals and transport while you are in Ulaanbaatar, though you will have to bear your own costs of getting to and from Mongolia. There is no entry fee for foreign performers! Applications should be addressed to: Blue Mongolia 2002 Organizing Committee, Mongolian Concert Center - General Director D. Ukhnaa. =46ax: 976 =96 11 =96 327899 Tel: 976 =96 11 =96 91191011 /mobile/ 976 =96 11 =96 326427 976 =96 11 =96 311274 email: ices@mongol.net From kspal@aramszu.net Sun Aug 11 17:47:04 2002 From: kspal@aramszu.net (=?iso-8859-2?q?Kiss-P=E1l=20Szabolcs?=) Date: Sun, 11 Aug 2002 17:47:04 +0100 (MET DST) Subject: [artinfo] palya1 Message-ID: Microwave International Media Art Festival open call for entries: video and CD Rom art works. Deadline 30 September 2001. Send previews with image files, CV, and art work synopsis to: Microwave International Media Art Festival, Unit 13, Blk PB 567, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong, Special Administrative Region. ------------------------------------------------------------------------- AiR_PORT 03 =88 Call for Applications Forum Stadtpark Artists-in-Residence-Program 2003 Working Grant : working grants for artists whose work takes an = interdisciplinary approach; term of one to three months with active integration in the = Tuesday Series (regularly scheduled talks/events), participation in workshops with local = artists, discussions with students, as well as a concluding presentation. Project Grant : focused on conceiving, organizing and carrying out ventures= of special interest and projects involving guests from Austria and abroad in = Forum Stadtpark. A total of eight grants will be awarded. The grants are in the amount of 872 Euros per month and include the use of= the technical infrastructure (audio studio and video editing equipment, etc.) = and facilities (seminar room/club/library/archive), the option of living in a Forum = Stadtpark guest apartment (or an alternative residential arrangement or receiving an = additional 218 Euros per month), as well as a project budget depending on the respective proposal and the institution=82s available financial means. The choice of = recipients is made by an independent jury; the decision regarding the project budget is = made by the Forum Stadtpark=82s management. Formats : DIN A4, max. 20 pages, bound; biography: DIN A4, max. 3 pages; = when submitting media (max. 1 medium): CD-ROM (Mac- or PC-compatible) or video (VHS), format clearly labeled, index on an accompanying sheet. Submit applications with a time budget and working plan as well as an = estimate of the project=82s cost by November 15, 2002 to: Forum Stadtpark, Stadtpark 1,= A-8010 Graz, Austria, or via mail to: forum@mur.at. ------------------------------------------------------------------------- deadlines extended to (at least) aug. 15. still looking for amazing female musicians, filmmakers, artists, writers, performers and cultural engineers of all kinds. also seeking donations and sponsors. actual event is november 8-11 at the palace theatre downtown. best just check out the website: http:// www.ladyfestlosangeles.org/ ------------------------------------------------------------------------- Deadline: August 16, 2002 Written contributions/art which relate to the media field at large, with a= focus on independent, documentary, grassroots, underground or experimental= media making the SQUEALER, Squeaky Wheel/Buffalo Media Resources' media arts journal Please consider contributing! Email with questions. The Squealer Squeaky Wheel/Buffalo Media Resources 175 Elmwood Ave Buffalo NY 14201 716-884-7172 ph 716-886-1619 fax office@squeaky.org http://www.squeaky.org ------------------------------------------------------------------------- Deadline: For exhibition Fall, 2002 Works in any media smaller than 8"x10" Gallery 304, Great Barrington MA Gallery 304 is seeking submissions for a Fall exhibit entitled "Anything = Goes". Works in any media smaller than 8"x10". No jury. Five dollar = handling fee. For detailed information send a self-addressed stamped = envelope to Gallery 304, 304 Main Street, Great Barrington MA or email = GalleryThree04@aol.com or you can telephone at 413 644-9009. ------------------------------------------------------------------------- 12th Annual CENTER AWARDS Call for Entries: Deadline Sept. 16, 2002 Juror: Weston Naef, Curator of Photographs, J. Paul= Getty Museum Top Artist Award: $10,000 Download prospectus at www.photography.org ------------------------------------------------------------------------- CALL FOR SHORT WORK ON VIDEO for I/O (#4): "San Francisco". Work on VHS tape (NTSC) must be submitted with a completed application form= (download this IO4_SanFrancisco.pdf document at = http://homepage.mac.com/iopublicvideo) and SAsSE (Self Addressed sufficiently Stamped Envelope). An extra copy on= MiniDV can be included for quality reasons. Artists from outside the US, = please add $5 for handling and return of the work. Submissions may be made= by mail or in person to: Quotidian Gallery c/o Michael Smit 760 Market Street #252 San Francisco CA 94102 ------------------------------------------------------------------------- Angers, France Datum dogodka: 17-26 January 2003 FESTIVAL D'ANGERS PREMIERS PLANS - The European first films festival Reveal new European filmmakers through a selection of about 60 first films= presented in four competitive sections: i.e. European first feature films,= European first short films, French first short films and European student= films. http://www.premiersplans.org/=20 More on the web site! Rok prijave: 31/10/02 =A0 Kontakt:=20 54 rue Beaubourg 75003=A0Paris France tel: 33 1 42 71 53 70 fax: 33 1 42 71 01 11 paris@premiersplans.org=20 Vir podatka:=A0 INSTITUT FRANCAIS CHARLES NODIER=20 ------------------------------------------------------------------------- Nantes, France E.R.B.A.N. Fine Arts School of Nantes MULTIPOINT, groupe de recherche There is a new situation in Nantes open to all persons who have a specific= interest and involvement in the field of contemporary art. Call for activists, arbitrators, architects, art historians, = choreographers, curators, collectors, composers, critics, designers, = economists, editors, film-makers,gallerists, graphic artists journalists, = philosophers, poets,photographers psychoanalysts, scenographers, = sociologists, sound artists, storytellers, stylists, translators, visual = artists, web-designers, writers..=20 The new programme: MultiPoint, groupe de recherche is the result of a = restructuring process of the former post dipl=F4me of the Ecole Regionale = des Beaux-Arts of Nantes.=20 MultiPoint is made of seven core-members and invited collaborators. The = group is assuming responsibility for organisation and decision making. The= team will function as a self-defining, self-managed working group with = active, responsible roles for each person involved, where the individual = practice and the group projects are mutually supportive.=20 The working group will directly engage with the school and the city of = Nantes, with an intention to examine the possibilities for reworking = interactions with an institution. The members of the Groupe de Recherche = will each benefit from a monthly bursary plus technical support from the = ERBAN. The Groupe de Recherche MultiPoint invites those people interested in this= working context to present their proposals/dossiers for the session 2003 = (working session June 2003-May 2004); The proposal must also be accompanied= by an administrative application form (obtainable from the ERBAN).=20 The contents of the proposal is for each applicant to interpret as they see= fits the particular context of MultiPoint.=20 MultiPoint 01 : (session 2002-2003) Dessislava Dimova, April Durham, Christine Laquet, Olive Martin, Michelle = Naismith, Douglas Park Rok prijave: 20/12/02 =A0 Kontakt:=20 Ecole R=E9gionale des Beaux-Arts Place Dulcie September 44000=A0Nantes France tel: +31 2 40 35 90 20 fax: +31 2.40.35.90.69 secretariat.erban@mairie.nantes.fr=20 Vir podatka:=A0 Institut za suvremenu umjetnost=20 ------------------------------------------------------------------------- ZETA FILMES, SUPER IG Fluxus - International Film Festival at Internet Call for entries www.fluxusonline.com=20 A new name, a new idea. Brasil Digital - Brazilian Film Festival at = Internet(www.brasildigital.org), in its 3rd edition, is now FLUXUS - = INTERNATIONAL FILM FESTIVAL AT INTERNET.=20 Kontakt:=20 Francesca Azzi tel: 55 31 3296.8042 fax: 55 31 3293.1582 franazzi@zetafilmes.com.br=20 Vir podatka:=A0 Artinfo=20 ------------------------------------------------------------------------- theredproject.com The Calls and Opps List A weekly digest of calls for artists Edited by Michael Mandiberg =20 Any reposting must keep the header and footer intact ------------------------------------------------------------------------- From kspal@aramszu.net Sun Aug 11 17:46:56 2002 From: kspal@aramszu.net (=?iso-8859-2?q?Kiss-P=E1l=20Szabolcs?=) Date: Sun, 11 Aug 2002 17:46:56 +0100 (MET DST) Subject: [artinfo] palya2 Message-ID: August 31, 2002 INTERNATIONAL JURIED EXHIBITION "Manifestations II: Form & Function", Exhibition Dec. 12 - Feb. 1, A call for mature, dynamic artists who create FUNCTIONAL & WEARABLE ART. Slide Deadline: Oct. 24. For prospectus, SASE to: "Manifestations", Denise Bibro Fine Art, 529 W 20th St Suite A, New York NY 10011 =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D September 30, 2002 Cucalorus Film Festival - Call For Entries, March 19-23, 2003. Early deadline: Dec 10, 2002. Final deadline: Jan 10, 2003. The 9th annual Cucalorus Film Festival seeks submissions from independent filmmakers. Cucalorus is a non-competitive showcase of independent features, shorts and documentaries from around the world. The festival is held in historic downtown Wilmington, NC, one of the leading film production cities in the US. Formats: 35mm, 16mm, various video formats. All entries on VHS(NTSC) must include entry form and fee, $20 early/$30 late. Please download an entry form from our website - www.cucalorus.org OR (910)-343-5995. Contact: Cucalorus, Box 2763, Wilmington NC 28402 OR info@cucalorus.org =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D January 31, 2003 International Juried Exhibitions at Period Gallery, Feb 2002-Feb 2003. Award winning works and other selected works from each exhibition in full printed catalog and also exhibited on our website for an extended period: "The Best Contemporary Art II Internet Exhibition", Oct. 2002-2003+, slides due now through Aug 30th. "Landscape II" and Contemporary IV", Mar 6-27, slides due Feb 15; "Photographic Processes IV"; "Digital/Experimental II" and "Photographs of Faces I", Apr 3-24, slides due Mar 8; "2-3-4-dimensional IV" and "Beautiful II", May 8-29, slides due Apr 8; "Mixed Media IV" and "Celebration of Life I", June 5-26, slides due May 8; "Realism IV", July 3-24, slides due June 8; "Abstraction V", Aug 7-28, slides due July 8; "Drawing III" and "Septemberfest V", Sept 4-25, slides due Aug 8; "Miniature IV" and "Faces IV", Oct 2-23, slides due Sept 8; "WaterMedia III" and "Winterfest V", Nov 6-27, slides due Oct 8; "Spiritual Art V", (Judeo-Christian Theme), Dec 4-26, slides due Nov. 8; "Painting III" and "Faces V", Jan 3-24-03, slides due Dec 8; "All Media V", Feb 7-28 '03, slides due Jan 8 '03; $30/3 slides, $5 ea. add'l. AWARDS: SOLO EXHIBITION, 3-4 Cash Awards of Excellence, Merit Awards, Purchase Awards. SASE: Period Gallery, 5174 Leavenworth, Omaha NE 68106; 402-556-3218; download at www.periodgallery.com/exhibitions. email: shows@periodgallery.com (please include postal address in your email). =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Aug 15, 2002 CINEMARENO A year-round festival of films. Screenings showcase new independent films & videos. Focusing on new, undistributed works. Various formats, preview on VHS. Entry fee. For more information, please contact: Cinemareno, Box 5372, Reno NV 89513 OR http://www.cinemareno.org OR cinemareno@excite.com =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Aug 31, 2002 RESEARCHER IN RESIDENCE Reviewing proposals for program of grants for researcher in residence. Hope to foster critical thinking about how technologies affect people and their natural and cultural environments. Open to historians, curators, critics, independent researchers, artists and scientists. For more information contact: Jacques Perron, Daniel Langlois Foundation, 514-987-7717 OR 514-987-7492(FAX) OR http://www.fondation-langlois.org =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Sep 13, 2002 SHIKISHI Nov 17, 2002-Jan 12, 2003. Gifts of art for the New Year. Open to all artists. Shikishi is an ancient Japanese tradition of images and/or works on traditional paper-laminated boards, as gifts to mark special occasions (such as the New Year) for honored friends. Entry fee. 40% commission, insurance. For more information and prospectus please SASE to: Shikishi, Bedford Gallery, Dean Lesher Regional Center for the Arts, 1601 Civic Dr, Walnut Creek CA 94596 =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Oct 15, 2002 COLLEGE SCHOLARSHIP Apply a theory or set of theories from your particular discipline/area of study to answer the question of why & under what circumstances people are more likely to buy brand names than generics. 1500-2500 words. Prizes $3000, $1500, $500. Apply online only at: dblumenthal@instituteforbrandleadership.org =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D artdeadlineslist =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D =20 From info@c3.hu Mon Aug 12 13:02:53 2002 From: info@c3.hu (C3 Information) Date: Mon, 12 Aug 2002 14:02:53 +0200 Subject: [artinfo] Julius Gyula kiallitasa Message-ID: A Hagymah=E1z =E9s a Mak=F3i Grafikai Alkot=F3telep tisztelettel megh=EDva = =D6nt J=FAlius Gyula: Szak=EDt=F3lev=E9l c=EDm=FB ki=E1ll=EDt=E1s=E1ra A ki=E1ll=EDt=E1st Rosk=F3 G=E1bor k=E9pz=F5m=FBv=E9sz nyitotta meg, 2002 a= ugusztus 9.-=E9n, megtekinthet=F5 augusztus 30.-ig munkanapokon 9-20, szombaton 9-12h-ig. C=EDm:6900 Mak=F3, Posta u.4 tel: 62 212044 From adele@c3.hu Mon Aug 12 18:30:18 2002 From: adele@c3.hu (Adele Eisenstein) Date: Mon, 12 Aug 2002 19:30:18 +0200 Subject: [artinfo] Email Art at The Centre of Attention Message-ID: <5.1.0.14.2.20020812192756.02510740@visio.c3.hu> --=====================_1199566==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Email Art, beginning August 12, 2002. The Centre of Attention brings together Jenny Holzer, Sylvie Fleury, Simon Poulter, Simon Faithfull and Ken Friedman in 'EMail Art', an exhibition which looks at how the medium works as art or to communicate art. Every Monday for 6 weeks starting 12 August, subscribers will receive an email from a different artist. The 6th artist will be selected from contributions received from amongst the exhibition subscribers.To register, take part or just receive the 6 e-mails, simply send your e-mail address to art@thecentreofattention.org Participation is free. For more information on the artists and the exhibition visit the page: http://www.thecentreofattention.org/exhibitions/emailart.html This show is kindly supported by tincan.co.uk providers of online solutions to the National Theatre, the Royal Academy and the Centre of Attention. The Centre of Attention is a non-commercial, non-funded gallery based in London, England --=====================_1199566==_.ALT Content-Type: text/html; charset="us-ascii" Email Art, beginning August 12, 2002.

The Centre of Attention brings together Jenny Holzer, Sylvie Fleury,
Simon Poulter, Simon Faithfull and Ken Friedman in 'EMail Art', an
exhibition which looks at how the medium works as art or to communicate art.
Every Monday for 6 weeks starting 12 August, subscribers will receive an
email from a different artist. The 6th artist will be selected from
contributions received from amongst the exhibition subscribers.To register,
take part or just receive the 6 e-mails, simply send your e-mail address to
art@thecentreofattention.org Participation is free.

For more information on the artists and the exhibition visit the page:
http://www.thecentreofattention.org/exhibitions/emailart.html
This show is kindly supported by tincan.co.uk providers of online solutions
to the National Theatre, the Royal Academy and the Centre of Attention.
The Centre of Attention is a non-commercial, non-funded gallery based in
London, England --=====================_1199566==_.ALT-- From kspal@aramszu.net Wed Aug 14 08:16:31 2002 From: kspal@aramszu.net (=?iso-8859-2?q?Kiss-P=E1l=20Szabolcs?=) Date: Wed, 14 Aug 2002 08:16:31 +0100 (MET DST) Subject: [artinfo] palya Message-ID: ------------------------------------------------------------------------- Deadline: For exhibition Fall, 2002 Works in any media smaller than 8"x10" Gallery 304, Great Barrington MA Gallery 304 is seeking submissions for a Fall exhibit entitled "Anything = Goes". Works in any media smaller than 8"x10". No jury. Five dollar = handling fee. For detailed information send a self-addressed stamped = envelope to Gallery 304, 304 Main Street, Great Barrington MA or email = GalleryThree04@aol.com or you can telephone at 413 644-9009. ------------------------------------------------------------------------- HULL TIME BASED ARTS 42 High Street, HULL HU1 1PS =8CHull Time Based Arts is an artist led organisation, existing to pioneer= and champion new work in time based media=82 Commissions for =8CSPEECHLESS=82 project INVITATION The commissions will provide opportunities for four artists to create new = and innovative large-scale projection works.=20 =8CSpeechless=82 invites artists to explore exclusive of sound, notions of= cultural tourism and possibilities of residential displacement and disempowerment affected through regeneration programmes. = Although not necessarily based on the area, the works themselves will respond to the environment on which they = are projected. The River Hull Corridor, a designated =8CHeartlands Improvement=82 Zone is undergoing a facelift, = directing visitors over the new footbridge to the multi- million pound tourist attraction, =8CThe Deep=82. The silent works will be digitally composed and may be derived from video,= still photographic imagery, the internet/web art or a combination of these media. Artists will engage with normally excluded and =8Csilent=82 community = groups, linking with Hull=82s Homeless and Rootless project, to enable the production of responsive works exploring aspects of= communication: the skills and techniques, understanding, expressions, abilities, comedy, spontaneity and interaction. The proposed backdrop is the huge South-facing facade of Hull=82s Rank = Hovis Building, itself providing an intriguing, historical cultural context with its links to Lord Rank, the filmmaker. = Lord Rank entered the film industry in 1934 making religious films The selected artists will be in residence in Hull with free access to = HTBA=82s in-house digital facilities including technical expertise, marketing and profile. Commission budget of =A33,800. Hull Time Based Arts will supply available = equipment for the artwork. Deadline for submissions: September 30th 2002. Further information available from Janis Britland, Programme Manager, Hull= Time Based Arts, 42 High Street, HULL HU1 1PS, Tel: 01482 216446, e-mail Janis@htba.demon.co.uk This project is funded by Yorkshire Arts Board and the Government's Single= Regeneration Budget, via Hull CityVenture. ------------------------------------------------------------------------- ARMORY CENTER FOR THE ARTS AND ONE COLORADO "ART OVER YOUR HEAD"CALL FOR PROPOSALS To be considered for a one-person installation exhibition in the Courtyard at One Colorado, Old Pasadena Beginning November 2, 2002, the Armory Center for the Arts will organize = four outdoor site-specific installations for the 2002-03 program year in = the central courtyard area of One Colorado. Three of these will be = one-person shows. Each installation will be on view for approximately three= months. The exhibitions are a collaboration between the Armory and One = Colorado. One Colorado consists of seventeen historical buildings including shops,= restaurants, offices, and a central courtyard on one city block in the = heart of Old Pasadena. Set between Colorado Boulevard and Union Street and= between Fair Oaks and Delacey Street, the One Colorado courtyard attracts= between 2,000 and 4,000 visitors daily. Chosen artists will construct a site-specific installation to be shown at = least 8 feet above the ground. Works may be in a wide variety of media, = including sound-based or light-based media and may be installed in = different types of spaces, such as the courtyard's windows, outer = passageways, walls, rooftops, or tower. Works may be visible by day, night,= or both. All works must be weather-resistant and be able to last four = months. Issues of public safety must be in consideration. Artists are = encouraged to visit One Colorado and its venues to possibly integrate = related subjects into their proposal. One Colorado site plans are available= at http://www.onecolorado.net Installation proposals (maximum 200 words), accompanied by a maximum of= 10 slides of related work by each submitting artist, will be reviewed by = Jay Belloli, Director of Gallery Programs, Jennifer Gunlock, Gallery = Assistant at the Armory Center for the Arts, and Robin Faulk, Marketing = Consultant at One Colorado. One Colorado will provide a $500 honorarium to= each participating artist. "Art Over Your Head" is made possible through = the generosity of One Colorado. For submission send up to 10 slides, installation proposal (up to 200 = words, may include diagrams), and SASE to: Art Over Your Head Armory Center for the Arts 145 North Raymond Avenue Pasadena, CA 91103 DEADLINE: Proposals must arrive at the Armory by Monday, September 16, 5 p.m. Artists= will be notified whether or not their proposals are approved by Monday, = September 23. If you have any questions, please call: Jennifer Gunlock, Gallery Assistant, 626-792-5101 x. 142 or Jay Belloli, Director of Gallery Programs, 626-792-5101 x. 117 For further information about the Armory Center for the Arts, visit = www.armoryarts.org. ------------------------------------------------------------------------- The 12th annual WOW International Film Festival: Call for Entries ENTRIES DUE: 20th August FESTIVAL DATES: 17-20th October Sydney WOW is now calling for entries of interactive media and digital web based = work by women for inclusion in the 12th annual WOW International Film = Festival. We are looking for interactive work by CDROM, DVD and Web Artists. WOW takes place in Sydney from 17-20th October 2002 followed by the = national tour. Presented by Women in Film and Television (NSW), WOW is = unique in Australia promoting the work of women in all screen based media. See the WIFT Web for details and entry form INFO: Danielle Karalus, Curator - Femmedia EMAIL: danyell@smartchat.net.au ONLINE: http://www.wift.org ------------------------------------------------------------------------- The Arts Catalyst/Gallery Oldham: Art & Biotechnology Residencies PROPOSALS DUE: 10th September Manchester, UK The Arts Catalyst & Gallery Oldham are looking for 2 artists-in-residence,= primarily to lead participatory activities on themes of art/biotechnology:= A Media Artist, and A Theatre / Live Art Practitioner For 15 day residencies during the CLEANROOMS exhibition at Gallery Oldham,= Oldham, Greater Manchester, UK, October / November 2002 Experienced and motivated artists, interested in engaging the public with = issues connected with art and biotechnology, are sought. These residencies= are intended to support the CleanRooms exhibition, which presents art = works that challenge responses to a science often perceived as secretive = and sinister: biotechnology. Exploring ideas of contamination and = containment, ethics and accountability, CleanRooms asks the audience to = decide how far they themselves would go with the emerging powers of genetic= manipulation. For the media artist, half the time can be spent on your own work, = utilising Gallery Oldham's media facilities, and half the time engaging = with the public. For more information about the CleanRooms exhibition see: http://www.artscatalyst.org/htm/cleanrooms.htm For details of the artist-in-residence opportunities and how to apply, go to: (Media Artist) ONLINE: http://www.artscatalyst.org/htm/CRmediaartist.htm=20 (Theatre/Live Art Practitioner) ONLINE: http://www.artscatalyst.org/htm/CRliveartist.htm=20 ------------------------------------------------------------------------- The Calls and Opps Email list is Edited by Michael Mandiberg To join the list, go to http://theredproject.com/calls ------------------------------------------------------------------------- comp/ks From kspal@aramszu.net Wed Aug 14 12:36:28 2002 From: kspal@aramszu.net (=?iso-8859-2?q?Kiss-P=E1l=20Szabolcs?=) Date: Wed, 14 Aug 2002 12:36:28 +0100 (MET DST) Subject: [artinfo] balkan Message-ID: ----- Original Message ----- > Date: Sat, 3 Aug 2002 10:48:34 +0200 > From: "Dr. Karlheinz Essl" > Subject: [max-msp] OT: Electronic Music from the Balkan / Call for > projects > > Dear friends! > > As the music curator of the Essl Collection for Contemporary Arts > > http://sammlung-essl.at/musik/ > > I am searching musicians and composers from the Balkan who are > engaged with electronic music, (interactive) sound installations and > live performances. I am currently preparing a series of > concerts/performances and sound installations which will accompany an > exhibition on contemporary art of the Balkan, curated by Harry > Szeemann (former Biennale di Venezia director). This show will run > between May and September 2003 in Klosterneuburg/Vienna (Austria). > > "Balkan" here refers to the following countries: Croatia, Serbia, > Slovenia, Bosnia-Hercegovina, Macedonia (and all other parts of > former Yugoslavia), Bulgaria, Romania, Hungary and Turkey. > > Musicians, composers and performers from those countries who would > like to submit a project are invited to contact my *PRIVATELY* at: > > mailto:essl@eunet.at > > Please forward this information to people who might be interested. > > Thanks and cheers, > --- Karlheinz > From adele@c3.hu Thu Aug 15 01:31:33 2002 From: adele@c3.hu (Adele Eisenstein) Date: Thu, 15 Aug 2002 02:31:33 +0200 Subject: [artinfo] Folyamat Galeria Message-ID: <5.1.0.14.2.20020815022933.025459b0@visio.c3.hu> A Folyamat Gal=E9ria szeretettel megh=EDvja =D6nt a k=F6vetkez=F5= ki=E1ll=EDt=E1sra: ________________________________________________________________ m=FBv=E9sz: V=E1rnagy Tibor ki=E1ll=EDt=F3hely: Folyamat Gal=E9ria a Dunai Vizm=E9rceh=E1zban Bp. I., Bem rkpt., a L=E1nchid budai hidf=F5je f=F6l=F6tt kb. 50 m=E9terrel megnyit=F3: h=E9tf=F5n, 2002. augusztus 19., 20:00 z=E1r=E1s: h=E9tf=F5n, 2002. augusztus 26. (amikor a k=F6vetkez=F5 megny=EDt= =F3 ker=FCl sorba)=20 From fmr@mrf.hu Tue Aug 20 12:45:46 2002 From: fmr@mrf.hu (kmkk) Date: Tue, 20 Aug 2002 12:45:46 +0100 Subject: [artinfo] augusztus 23. / Love Show Message-ID: KET MUVESZ - KET KURATOR / TWO ARTISTS - TWO CURATORS - reciklalt figyelem / attention recycling - idopont/date: 2002. augusztus 23., pentek, 19h =20 helyszin/venue: Balazs Bela Studio =20 Budapest, XIII. Ujpesti rakpart 5. =20 + Ez alkalommal / This Friday we present the =20 THE LOVE SHOW a collection of independent short films from California, curated by= Christian Bruno fuggetlen rovidfilmek Kaliforniabol, valogatta: Christian Bruno Each film loosely examining the many facets of Love. Whether it is the magic= of ecstasy, the mythology of self-sacrifice or the confusion between= reality and fantasy, each film in the program is uniquely constructed in= all aspects of low budget filmmaking. Samara Halperin: TUMBLEWEED TOWN=20 Miles Montalbano: LOVE AND THE MONSTER=20 Abigail Severance: SIREN =20 Natalija Vekic: THE GIRL WITH THE PEARL SUSPENDED Danny Plotnick: SWINGERS' SERENADE=20 Helen Hills: TUNNEL OF LOVE=20 Naomi Uman: PRIVATE MOVIE=20 =46or more information contact Christian Bruno honeyhouses@hotmail.com =20 + =09 http://exindex.c3.hu/media/index.php3?mediafile=3Dkmkk.html http://www.magyarhirlap.hu/cikk.php3?cikk=3D100000043207 http://exindex.c3.hu/media/index.php3?mediafile=3Dkmkkx.html http://exindex.c3.hu/media/kommunike.html Szervezok / Organizers: El-Hassan Roza, Hegyi Dora, Sugar Janos, Suvecz= Emese=20 =20 fmr@mrf.hu From ebora@mucsarnok.hu Thu Aug 15 07:50:38 2002 From: ebora@mucsarnok.hu (=?iso-8859-2?B?Qm9yYSDJdmE=?=) Date: Thu, 15 Aug 2002 08:50:38 +0200 Subject: [artinfo] =?iso-8859-2?B?QSBTeu1uIPZu4Wxs8yDpbGV0ZSAtIHrhcvNlc2Vt6W55ZWs=?= Message-ID: <001001c24428$107e79e0$e600a8c0@mucsarnok.hu> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C24438.D3D7FC80 Content-Type: text/plain; charset="iso-8859-2" Content-Transfer-Encoding: quoted-printable A SZ=CDN =D6N=C1LL=D3 =C9LETE - NEMZETK=D6ZI =C9S MAGYAR MONOKR=D3M = KI=C1LL=CDT=C1S Z=C1R=D3ESEM=C9NYEI A M=DBCSARNOKBAN 2002. augusztus 20., kedd 18.30 =F3ra -------------------------------------------------------------------------= ------- =C9LVEZI A VIL=C1GOSZ=D6LDET (kezd=E9s: f=E9l 7-kor) Koreogr=E1fia: Bata Rita=20 T=E1nc: Pint=E9r G=E1bor, Bata Rita Zene: Ligeti Gy=F6rgy - Szimf=F3nia 100 metron=F3mra "2000 =F3ta dolgozunk, k=EDs=E9rletez=FCnk egy=FCtt. Munk=E1ink az = =E9rzelmekb=F5l, az =E1ltaluk keltett energi=E1kb=F3l kiindul=F3 = fizikalit=E1sra =E9p=FClnek. A darab 2001-ben k=E9sz=FClt, bemutat=F3ja = Pr=E1g=E1ban, a Jarmila Jerabkova Award fesztiv=E1lon volt, majd = megh=EDv=E1st kapott a budapesti Ernst M=FAzeumba =E9s a Mediawave = Fesztiv=E1lra Kom=E1romba. A darab az azonos vil=E1gban - t=E9rben =E9s = id=F5ben =E9l=F5k elszigetelts=E9g=E9t, mag=E1ny=E1t, a kommunik=E1ci=F3 = hi=E1ny=E1t, a m=E1sik =E9szre nem v=E9tel=E9t, a f=E9lelmet =E9s a = k=F6z=F6mb=F6ss=E9get k=EDv=E1nja megmutatni." (Bata Rita =E9s Pint=E9r = g=E1bor) -------------------------------------------------------------------------= ------- KONDOR =C1D=C1M: 12 DU=D3 (kezd=E9s: f=E9l 8-kor) El=F5ad=F3k: Bar=E1ti Eszter (gordonka) =E9s R=F6nk=F6s Ildik=F3 = (gordonka) "Amikor 1992-ben, r=F6viddel elk=E9sz=FClte ut=E1n megmutattam S=E1ri = J=F3zsefnek a 12 du=F3 kott=E1j=E1t, csal=F3d=E1st kelt=F5en annyit = mondott, hogy =EDrhatn=E9k v=E1ltozatosabb ritmusokat is. Ez az = egyszerre megenged=F5en felsz=F3l=EDt=F3nak hat=F3 mondat alapvet=F5en = =FAj ir=E1nyba terelte zeneszerz=F5i pr=F3b=E1lkoz=E1saimat, tal=E1n = ez=E9rt tettem f=E9lre hossz=FA id=F5re a darabot, =E9s ez=E9rt kellett = t=EDz =E9vvel k=E9s=F5bb a lyoni bemutat=F3n =FAjra felfedezni. A 12 = du=F3 R=F6nk=F6s Ildik=F3nak k=E9sz=FClt, =E9s megt=F6rt=E9nt az a ritka = eset, hogy egy darab megtal=E1lta ide=E1lis el=F5ad=F3j=E1t; =F5 =E9s = Bar=E1ti Eszter olyan autorit=E1ssal j=E1tssz=E1k ezeket a kis = t=E9teleket, hogy abba a szerz=F5nek sem lehet belesz=F3l=E1sa. = Anyanyelvk=E9nt besz=E9lik a darab nyelv=E9t, azon a szinten, amikor a = hib=E1k is a nyelv=20 logik=E1j=E1t er=F5s=EDtik. Nem eml=E9kszem eredeti elk=E9pzel=E9seimre, = ma m=E1r teljesen az =F5 el=F5ad=E1sukban id=E9z=F5dnek fel bennem a = darab elemei." Kondor =C1d=E1m -------------------------------------------------------------------------= ------- Helysz=EDn: M=FBcsarnok - Budapest XIV., H=F5s=F6k tere A bel=E9p=F5jegy a k=E9t el=F5ad=E1sra: 400 Ft ------=_NextPart_000_000D_01C24438.D3D7FC80 Content-Type: text/html; charset="iso-8859-2" Content-Transfer-Encoding: quoted-printable
A SZ=CDN = =D6N=C1LL=D3 =C9LETE -=20 NEMZETK=D6ZI =C9S MAGYAR MONOKR=D3M KI=C1LL=CDT=C1S Z=C1R=D3ESEM=C9NYEI = A=20 M=DBCSARNOKBAN
2002. augusztus = 20., kedd=20 18.30 =F3ra
 
=C9LVEZI A VIL=C1GOSZ=D6LDET (kezd=E9s: f=E9l=20 7-kor)
Koreogr=E1fia: Bata Rita 
T=E1nc: Pint=E9r G=E1bor, Bata Rita
Zene: = Ligeti Gy=F6rgy –=20 Szimf=F3nia 100 metron=F3mra
“2000 =F3ta dolgozunk, = k=EDs=E9rletez=FCnk egy=FCtt. Munk=E1ink=20 az =E9rzelmekb=F5l, az =E1ltaluk keltett energi=E1kb=F3l kiindul=F3 = fizikalit=E1sra =E9p=FClnek. A=20 darab 2001-ben k=E9sz=FClt, bemutat=F3ja Pr=E1g=E1ban, a Jarmila = Jerabkova Award=20 fesztiv=E1lon volt, majd megh=EDv=E1st kapott a budapesti Ernst = M=FAzeumba =E9s a=20 Mediawave Fesztiv=E1lra Kom=E1romba. A darab az azonos vil=E1gban = – t=E9rben =E9s id=F5ben=20 =E9l=F5k elszigetelts=E9g=E9t, mag=E1ny=E1t, a kommunik=E1ci=F3 = hi=E1ny=E1t, a m=E1sik =E9szre nem=20 v=E9tel=E9t, a f=E9lelmet =E9s a k=F6z=F6mb=F6ss=E9get k=EDv=E1nja = megmutatni.” (Bata Rita =E9s=20 Pint=E9r g=E1bor)

KONDOR =C1D=C1M: 12 DU=D3 (kezd=E9s: f=E9l = 8-kor)

El=F5ad=F3k: Bar=E1ti Eszter=20 (gordonka) =E9s R=F6nk=F6s Ildik=F3 (gordonka)
“Amikor 1992-ben, r=F6viddel = elk=E9sz=FClte ut=E1n=20 megmutattam S=E1ri J=F3zsefnek a 12 du=F3 kott=E1j=E1t, csal=F3d=E1st = kelt=F5en annyit mondott,=20 hogy =EDrhatn=E9k v=E1ltozatosabb ritmusokat is. Ez az egyszerre = megenged=F5en=20 felsz=F3l=EDt=F3nak hat=F3 mondat alapvet=F5en =FAj ir=E1nyba terelte = zeneszerz=F5i=20 pr=F3b=E1lkoz=E1saimat, tal=E1n ez=E9rt tettem f=E9lre hossz=FA id=F5re = a darabot, =E9s ez=E9rt=20 kellett t=EDz =E9vvel k=E9s=F5bb a lyoni bemutat=F3n =FAjra felfedezni. = A 12 du=F3 R=F6nk=F6s=20 Ildik=F3nak k=E9sz=FClt, =E9s megt=F6rt=E9nt az a ritka eset, hogy egy = darab megtal=E1lta=20 ide=E1lis el=F5ad=F3j=E1t; =F5 =E9s Bar=E1ti Eszter olyan autorit=E1ssal = j=E1tssz=E1k ezeket a kis=20 t=E9teleket, hogy abba a szerz=F5nek sem lehet belesz=F3l=E1sa. = Anyanyelvk=E9nt besz=E9lik a=20 darab nyelv=E9t, azon a szinten, amikor a hib=E1k is a nyelv =
logik=E1j=E1t er=F5s=EDtik.=20 Nem eml=E9kszem eredeti elk=E9pzel=E9seimre, ma m=E1r teljesen az =F5 = el=F5ad=E1sukban=20 id=E9z=F5dnek fel bennem a darab elemei.” Kondor = =C1d=E1m
 
Helysz=EDn: M=FBcsarnok – = Budapest XIV., H=F5s=F6k=20 tere
A bel=E9p=F5jegy a k=E9t el=F5ad=E1sra: 400 = Ft
------=_NextPart_000_000D_01C24438.D3D7FC80-- From czolibel@freemail.hu Tue Aug 20 19:04:09 2002 From: czolibel@freemail.hu (czolibel@freemail.hu) Date: Tue Aug 20 19:04:24 2002 Subject: [artinfo] (no subject) Message-ID: <1.5.4.16.20020820165123.0e77f258@freemail.hu> M E G H I V =D3 A Monostori Er=F5d Kht megh=EDvja =F6nt Dunai Kil=E1t=F3 c=EDm=FB ARTFORT miniFESZTIV=C1LJ=C1NAK z=E1r=F3 esem=E9ny=E9re=20 2002 augusztus 24-=E9re 13 =F3r=E1ra a kom=E1romi Monostori Er=F5dbe=20 Ekkor tekinthet=F5 meg: IRSAI ZSOLT (Marosv=E1s=E1rhely, Rom=E1nia) A vend=E9g c=EDm=FB= install=E1ci=F3ja =E9s=20 A M=C1SIK PARADICSOM III. c=EDm=FB performansz=20 szerepl=F5k: KRUPA S=C1NDOR =E9s V=C1RSZEGI TIBOR zene: MEZEI SZIL=C1RD (br=E1csa) =E9s MALINA Ervin (b=F6g=F5)=20 A Monostori Er=F5d az 1-es au=F3=FAtr=F3l k=F6zel=EDthet=F5 meg, vagy a= vas=FAt=E1llom=E1sr=F3l gyalog a Duna parton Gy=F5r fel=E9. =C9rdemes hozni t=FAra=F6lt=F6zetet =E9s= eleml=E1mp=E1t.=20 _ __________________ ____ _____________ / \ | \ | | / __ \ | \ | / \ |____/ | |____/ / \ \|____/ | /_____\| \ | | \ \__/ /| \ | / | \ | | \____/ | \ | Monostori Er=F5d 2900 Kom=E1rom, Dunapart 1. Pf. 18. Tel/Fax 34 540-582, 540-583 V=E9csi Nagy Zolt=E1n mobilja: 06 30 263 1878 ------------------------------------------------------------ Ve'csi Nagy Zolta'n=20 Hatvany Lajos Mu'zeum, Hatvan; Tel/fax: 37/346 293=20 MAMU" Ta'rsasa'g, Budapest; =20 ARTFORT Monostori Ero"d, Koma'rom;=20 mobil: 30 2631878; posta: 3000 Hatvan, Tab=E1n u. 28. IV. 17. From SAIZ@azar.ms Wed Aug 21 16:35:39 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Wed, 21 Aug 2002 17:35:39 +0200 Subject: [artinfo] [UNXposed] Commissions Message-ID: <5.1.0.14.2.20020821173342.03021c70@visio.c3.hu> HULL TIME BASED ARTS 42 High Street, HULL HU1 1PS Hull Time Based Arts is an artist led organisation, existing to pioneer and champion new work in time based media Commissions for SPEECHLESS project INVITATION The commissions will provide opportunities for four artists to create new and innovative large-scale projection works. Speechless invites artists to explore exclusive of sound, notions of cultural tourism and possibilities of residential displacement and disempowerment affected through regeneration programmes. Although not necessarily based on the area, the works themselves will respond to the environment on which they are projected. The River Hull Corridor, a designated Heartlands Improvement Zone is undergoing a facelift, directing visitors over the new footbridge to the multi-million pound tourist attraction, The Deep. The silent works will be digitally composed and may be derived from video, still photographic imagery, the internet/web art or a combination of these media. Artists will engage with normally excluded and 'silent' community groups, linking with Hull's Homeless and Rootless project, to enable the production of responsive works exploring aspects of communication: the skills and techniques, understanding, expressions, abilities, comedy, spontaneity and interaction. The proposed backdrop is the huge South-facing facade of Hull's Rank Hovis Building, itself providing an intriguing, historical cultural context with its links to Lord Rank, the filmmaker. Lord Rank entered the film industry in 1934 making religious films The selected artists will be in residence in Hull with free access to HTBA's in-house digital facilities including technical expertise, marketing and profile. Commission budget of GBL 33,800. Hull Time Based Arts will supply available equipment for the artwork. Deadline for submissions: September 30th 2002. Further information available from Janis Britland, Programme Manager, Hull Time Based Arts, 42 High Street, HULL HU1 1PS, Tel: 01482 216446, e-mail Janis@htba.demon.co.uk This project is funded by Yorkshire Arts Board and the Government's Single Regeneration Budget, via Hull CityVenture. From SAIZ@azar.ms Wed Aug 21 16:36:13 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Wed, 21 Aug 2002 17:36:13 +0200 Subject: [artinfo] [UNXposed] interactive media and digital web based Message-ID: <5.1.0.14.2.20020821173550.0302ead0@visio.c3.hu> The 12th annual WOW International Film Festival: Call for Entries ENTRIES DUE: 20th August FESTIVAL DATES: 17-20th October Sydney WOW is now calling for entries of interactive media and digital web based work by women for inclusion in the 12th annual WOW International Film Festival. We are looking for interactive work by CDROM, DVD and Web Artists. WOW takes place in Sydney from 17-20th October 2002 followed by the national tour. Presented by Women in Film and Television (NSW), WOW is unique in Australia promoting the work of women in all screen based media. See the WIFT Web for details and entry form INFO: Danielle Karalus, Curator - Femmedia EMAIL: danyell@smartchat.net.au ONLINE: http://www.wift.org our use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ From adele@c3.hu Wed Aug 21 19:52:29 2002 From: adele@c3.hu (Adele Eisenstein) Date: Wed, 21 Aug 2002 20:52:29 +0200 Subject: [artinfo] Istanbul Contemporary Art Museum: Call for Net-Art Message-ID: <5.1.0.14.2.20020821205107.02543ec0@visio.c3.hu> --=====================_12956642==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed istanbulmuseum@yahoo.com Istanbul Contemporary Art Museum Invitation to artists for net based art work and projects ISCAM is looking for exceptional artists and their projects in order to include them in it's virtual gallery. Artists are invited to submit the URL(s) of their projects, and net based art work. A selection of the best submissions will be included in these series. There are no limitations concerning the used media, subjects and size. Send your submission, i.e the URL (s) completed with your name, email address, CV and one screen shot (.jpg or .gif) of the project(s) to the e-mail bellow. Deadline extended: August 30, 2002 Contact: istanbulmuseum@hotmail.com in attention of Ms.Hayal Pozanti http://www.istanbulmuseum.org SCAM was founded by Mehmet Sinan in 1998. --=====================_12956642==_.ALT Content-Type: text/html; charset="us-ascii" istanbulmuseum@yahoo.com

Istanbul Contemporary Art Museum

Invitation to artists for net based art work and projects
ISCAM is looking for exceptional artists and their projects
in order to include them in it's virtual gallery. Artists are invited to
submit the URL(s) of their projects, and net based art work.
A selection of the best submissions will be included in these series.
There are no limitations concerning the used media,
subjects and size. Send your submission, i.e the URL (s)
completed with your name, email address, CV and one screen
shot (.jpg or .gif) of the project(s) to the e-mail bellow.
Deadline extended: August 30, 2002

Contact: istanbulmuseum@hotmail.com
in attention of Ms.Hayal Pozanti
http://www.istanbulmuseum.org

SCAM was founded by Mehmet Sinan in 1998. --=====================_12956642==_.ALT-- From radioedit@tilos.hu Wed Aug 21 23:35:29 2002 From: radioedit@tilos.hu (blaumann) Date: Thu, 22 Aug 2002 00:35:29 +0200 Subject: [artinfo] Vetits! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_005B_01C24973.D0C9FBC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit VETÍTS! Ingyenes, szabadtéri animációs és rövidfilm vetítés Liszt Ferenc tér 08.23 péntek Sötétedéstol 11-ig Szeretettel meghívunk a Broadway Egyesület és Hézag által szervezett animációs és rövidfilm vetítésre. Program: 1. Terasz 3'- Domján Gyula 2. Pbo - Hézag intro Váratlan Látomással 2'- Cziráki Gergely, Mester Attila, Blaumann Edit (Hézag) 3. Angle and Devil 30"- Lukafilm (Lengyelo.) Cemedia 4. Mesterlövész 3.25' - Hegedus Márton, (Ex-ist) 5. Angle and Devil 30" - Cemedia 6. Selavi 5.30' - Heim István, Reidl Katalin, (Ex-ist) 7. Angle and Devil 30" - Cemedia 8. Csipkerózsika rémálma 3'- Nagybákai M. Diána 9. Angle and Devil 30" - Cemedia 10. Minimal 3.50' - Gróf Balázs. 11. Angle and Devil 30" - Cemedia 12. Eallian Showreel 2.45' - Prágai Eallian stúdió és a FAMU cseh filmiskola közös produkciója 13. Angle and Devil 30" - Cemedia 14. Love Gamestation 10' - Varsói SMF 15. Angle and Devil 30" - Cemedia 16. Pirát 19.10' - Prágai Eallian báb-animáció 17. Angle and Devil 30" - Cemedia 18. Pakarna Madhouse 8.53' - Prágai Alkay 19. Angle and Devil 30" - Cemedia 20. A nagy tüsszento 10' - Prágai Eallian 21. Angle and Devil 30" - Cemedia 22. Bestiák 6.40'- Varga Csaba, Varga Studió 23. A szél 7.50' - Varga Csaba, Varga Studió 24. Ablak 4.24 - Varga Csaba, Varga Studió 25. Help 2×3.25' - Varga Csaba, Varga Studió 26. Underground 6' - Varga Miklós, Varga Studió 27. Rambo 13 5.16' - Pál Balázs, Varga Stúdió 28. My baby left me 8.25' - Milorad Krstic Varga Stúdió 29. Help 2×3.25' - Varga Csaba, Varga Studió 30. Hotel Tubu 5' - Igor Ivan Buharov, Duna Muhely 31. Mesék kegyetlen embereknek 7' - Igor Ivan Buharov Duna Muhely 32. Interdiktor 21' - Galambos Attila, Herbai Máté 33. Pincér 16' - Domján Gyula A rendezvény részletes programja, további információk; a weboldalon. Hamarosan indul a www.hezag.hu projekt is! Gyertek el! 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Weltkarten - Change the Map =2E............................ =2E............................ 2. African Art Screen =2E............................ =2E............................ 3. Ars Electronica 2002 - Program online =2E............................ You are reading the sixth issue of the Ars Electronica 2002 newsletter, foc= using on the theme exhibition Weltkarten - Change the Map and on African Ar= t Screen. =2E............................ 1. Weltkarten - Change the Map =2E............................ Ars Electronica exhibits current world map projections in which geography l= egitimated by the nation-state system is overlaid by the reciprocities and = points of rupture in our modern Information Society-cyber-graphies of a wor= ld of data and information systems whose meridians are lines of economic, e= cological and political power. Artists as cartographers: a confrontation with topological world models is = meant to formulate and/or inspire a critique of the topographic Weltanschau= ung and patterns of behavior on which it has had an impact. (September 8-12, 10:00 AM - 7:00 PM, Brucknerhaus) Artists and works: Peter Fend/USA - Energy Solution / Water Resources Josh On, Futurefarmers/USA - They Rule www.theyrule.net RSG Radical Software Group/USA - Carnivore http://rhizome.org/carnivore Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer/A - ./logicala= nd www.logicaland.net Mark Napier/USA - net.flag - flag for the Internet www.potatoland.org/pl.htm schoenerwissen/D - Minitasking www.minitasking.com Thomas Feuerstein/A - Internet-Metrik::Biophily*Warp Map www.myzel.net/geomorph Werner Jauk, Heimo Ranzenbacher/A - Klimakonverter social impact/A - border rescue =2E............................ 2. African Art Screen =2E............................ @rtscreen is an unusual screen for the presentation and projection of art i= n public spaces and is based on the interaction among several artists. Proj= ects selected by Davis O. Nejo/Nigeria/A @rtscreen - Between the Large Tree and the Small One (September 7-12, 10:00 AM - 9:00 PM, Ars Electronica Quarter) Emeka Udemba/Nigeria - World White Walls Souyabou Kandji/Senegal - La Valise Moataz Nasr/Egypt - The Water Baba Diawara et Fr=E8res/Senegal - L'Atelier du grand jeu HSC - Highly Social Cinema - Horror - Sitcom - Comedy Videos (September 8-12, 10:00 AM - 7:00 PM, Brucknerhaus) =2E............................ 3. Ars Electronica 2002 - Program online =2E............................ The detailed Ars Electronica 2002 festival program you can find under: www.aec.at/unplugged/ Ars Electronica is providing online updates on an almost daily basis beginn= ing immediately and continuing until the festival in September: topical ide= as, theme-related essays, background information, relevant links as well as= portraits of artists and symposium speakers. www.aec.at/unplugged/ functions as a forum and invites participants to submit comments and feedba= ck. -------------------------------------------------------------- Ars Electronica 2002 Organization: Ars Electronica Center Linz and ORF - Austrian Broadcasting Corporation, Upper Austrian Regional Studio Co-organizers: Brucknerhaus Linz, O.K - Center for Contemporary Art Concept & Artistic Direction:=09Gerfried Stocker, Christine Schoepf Curator= ial Team: Ingrid Fischer-Schreiber, Andreas Hirsch, Davis O. Nejo, Jay Rutl= edge Contact: Ars Electronica Center Hauptstrasse 2 A-4040 Linz, Austria info@aec.at www.aec.at/unplugged/ Sponsors of Ars Electronica 2002: SAP AG, Gericom, Telekom Austria Bank Austria Creditanstalt, Quelle AG, Hewlett Packard, Microsoft, Oesterre= ichische Brauunion, Sony DADC, Siemens AG, Voest MCE, Linz AG Austrian Airlines, Lufthansa, Air France, Spring, Opel Guenther Sponsors of Prix Ars Electronica 2002: The Prix Ars Electronica 2002 is sponsored by Telekom Austria. Supported by Telekom Austria, voestalpine, P.S.K. (Austrian Postal Banking), Sony DADC, the City of Linz, the Province of Upper Austria Austrian Airlines, Lufthansa, Casinos Austria, City-Hotel Linz, Courtyard b= y Marriott, Poestlingberg Schloessl, Oesterreichischer Kulturservice -------------------------------------------------------------- Please do not reply to this message. If you want to remove yourself from this mailing list, you can send mail to with the following command in the body of your email message: unsubscribe announcement To remove an address other than the one from which you're sending the request, give that address in the command: unsubscribe announcement email@address.xyz -------------------------------------------------------------- From info@c3.hu Thu Aug 22 16:37:21 2002 From: info@c3.hu (C3 Information) Date: Thu, 22 Aug 2002 17:37:21 +0200 Subject: [artinfo] Programma augustus 2002 / Programme August 2002 (fwd) Message-ID: ---------- Forwarded message ---------- Date: Fri, 16 Aug 2002 11:20:18 +0200 From: "Nederlands Instituut voor Mediakunst, Montevideo/Time Based Arts" To: mailing@montevideo.nl Subject: Programma augustus 2002 / Programme August 2002 Programma augustus 2002 (English version below) The Pleasure of Language 24 augustus - 28 september 2002 opening 23 augustus 17.00 - 19.00 uur Brandon LaBelle, P=E9ter Frucht, MEZ (Mary Anne Breeze), Netochka Nezvanova= & Jaine Evans, Imogen Stidworthy Tijdens de opening: KKEP met See You De populariteit van chatrooms op het internet en de snelheid van het elektronisch mailen heeft geleid tot een enorme groei in de communicatie en daarmee in de verandering van het taalgebruik en het ontstaan van talloze subtalen. In de tentoonstelling spelen kunstenaars met beeld, tekst en geluid in op een veranderend taalgebruik en communicatieproces. In een aantal werken wordt het gedachtegoed en de werkwijze van kunstenaars uit he= t begin van de vorige eeuw in een eigentijds perspectief geplaatst. Naast de installaties wordt een aantal historische videowerken uit eigen collectie vertoond. Meer informatie: Uitmarkt 2002 24/25 augustus Videoprojecties onder het Rijksmuseum Programma met werk van Robert Arnold, Yeal Bartana, eddie d., Leon Grodski & Pearl Gluck, Jeroen Kooijmans en Pia Wergius. Extra project KKEP met See You Doorlopend van 12.00 - 18.00 uur Meer informatie: Workshop Live Art Use of media technology in performance 26 - 31 augustus, Amsterdam Workshop in samenwerking met de Amsterdam-Maastricht Summer University. Meer informatie: >50% beeld dinsdag 27 augustus 2002 Live Art practices met Blast Theory en Matthew Fuller / Graham Harwood Toegang =80 3,- ( studenten =80 2,-) Aanvang 20.30 uur Deur open 20.00 uur Meer informatie: ---------------------------------------------------------------------------= - ---------------------------------------------------- Programme August 2002 The Pleasure of Language August 24 - September 28 2002 Opening August 23, 17.00 - 19.00 hour Brandon LaBelle, P=E9ter Frucht, MEZ (Mary Anne Breeze), Netochka Nezvanova= & Jaine Evans, Imogen Stidworthy At the Opening: KKEP with See You The popularity of chatrooms on the internet and the speed of electronic mai= l have led to an enormous growth in communication, and with it, changes in th= e use of language and the creation of countless vernaculars. In this exhibition the artists respond through image, text and sound to and participate in the ways language-use as well as the communication process are changing. A number of works reflect the body of thought and ways of working of artists at the beginning of the last century placing these ideas in a contemporary perspective. In addition to the installations a few historical video works from the collection will be shown. More information: Uitmarkt 2002 Video projections under the Rijksmuseum, Amsterdam 24/25 August Video programme with work from Robert Arnold, Yael Bartana, eddie d., Leon Grodsky & Pearl Gluck, Jeroen Kooijmans and Pia Wergius. Extra project KKEP with See You Open from 12.00 - 18.00 hour Live Art Use of media technology in performance 26 - 31 August Amsterdam Workshop in collaboration with the Amsterdam-Maastricht Summer University. More information: > 50% beeld evening Tuesday August 27 Live Art practices with Blast Theory and Matthew Fuller / Graham Harwood Entrance =80 3,- ( students =80 2,-) Door open 20.00 hour Start 20.30 hour More information: Netherlands Media Art Institute Montevideo/Time Based Arts Keizersgracht 264 NL 1016 EV Amsterdam The Netherlands T +31 (0)20 6237101 F +31(0)20 6244423 E info@montevideo.nl PRESENTATION =B7 COLLECTION =B7 DISTRIBUTION =B7 RESEARCH =B7 SERVICES Als u deze email mailing niet wilt ontvangen kunt u dit doen door een reply te sturen naar mailing@montevideo.nl met UNSUBSCRIBE in de body van de email. If you do not wish to receive these e-mail communications, you can delete yourself from this service by sending a response to mailing@montevideo.nl, with UNSUBSCRIBE in the body of the e-mail. From SAIZ@azar.ms Mon Aug 26 15:22:16 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Mon, 26 Aug 2002 16:22:16 +0200 Subject: [artinfo] [UNXposed] POLITICALLY INCORRECT FILM FESTIVAL Message-ID: <5.1.0.14.2.20020826162130.02514ec0@visio.c3.hu> POLITICALLY INCORRECT FILM FESTIVAL ---------------------------------------------------------------------------- europe, slovenija, ljubljana - metelkova mesto, may 2003 ---------------------------------------------------------------------------- with your support we announce a film festival that will present films (documentaries, fiction films, ...) about real events in politically social enviroment. EVENTS that pushed people in very cruel situation. EVENTS in which people did not know how to resist and with what. EVENTS that rose from injustice. EVENTS that changed people's lives with no acquiescence. EVENTS that bereaved human beings of their dignity. EVENTS that triggered violation of human rights. this film festival will be organized to prevent such events, to help people to see what is going on in their neighborhood and that YOU help or support OTHERS. but first WE NEED YOUR SUPPORT: FILM TITLES......we would be happy to discover some films for which we did not even know they existed! IDEAS .... where and what we should not forget when making this kind of festival! SPREADING THIS NEWS .....so that we get as many films as possible for the screening. FINANCIAL SUPPORT .... if you know for organization that supports this kind of projects, we would appreciate to let us know. AND do NOT forget... 1. this is a film festival and with great respect towards the art of cinema, its language and development, we will make selection that will base on quality (technical, narrative,....). 2. festival is international and films should be either in english or english subtitled....if this is not possible and you have certain reason why not, you are welcomed to translate it or introduce it personally before or during the screening. 3. film should tell as much as possible in as short time as possible. 4. festival will be low budget. but we will do our best to get as much money as we need to invite film makers to attend the festival. 5. films will be at first shown from VHS or BETA format although they were shot on 35 mm. cause we do not want that budget influence on our programme and aim of the festival. ----------------------------- FILMS can be send to: (deadline is 1st of April 2003) SABINA DZOGIC PIFF Gornji trg 26 1000 Ljubljana Slovenija Europe From newsletter@viennale.at Mon Aug 26 13:33:23 2002 From: newsletter@viennale.at (Viennale Newsletter) Date: Mon, 26 Aug 2002 14:33:23 +0200 Subject: [artinfo] First Preview Viennale 2002 Message-ID: <5.1.0.14.2.20020826143238.02503ec0@visio.c3.hu> >>> FIRST PREVIEW VIENNALE Die FIRST PREVIEW VIENNALE 2002, eine allererste Vorschau auf das Programm des diesj=E4hrigen Festivals, die ersten ausgew=E4hlten Tributes, Special= Programs sowie die Retrospektive, ist online. http://www.viennale.at/deutsch/1stpreview/ _____________________________ >>> FIRST PREVIEW VIENNALE The very first preview at the VIENNALE 2002, the program, the tributes, special programs and this year's retrospective is online. http://www.viennale.at/english/1stpreview/ From kspal@aramszu.net Mon Aug 26 11:30:08 2002 From: kspal@aramszu.net (=?iso-8859-2?q?Kiss-P=E1l=20Szabolcs?=) Date: Mon, 26 Aug 2002 11:30:08 +0100 (MET DST) Subject: [artinfo] palya Message-ID: Art in General Video Marathon - Call for Entries Deadline: 28 September Info: Video Series Art in General 79 Walker Street New York NY 10013-3523 jeanine@artingeneral.org ----------------------------------------------------------------------------= ----------- Grant Opportunities website New grant opportunities published in the Official Journal of the European = Communities are now on the website. http://www.eupraxis.com/GRANTS/FreeGrants.htm =20 = ----------------------------------------------------------------------------= ----------- 1st International Conference for Digital Technologies and Performance Arts= - CFP The 1st International Conference for Digital Technologies and Performance = Arts held from 27-29 June 2003, aims to explore, debate and demonstrate the= potential creative opportunities that can exist between performance arts = and digital technologies. The conference is looking for key note speakers,= as well as practitioners to run workshops, lecture demonstrations and = performance pieces. Interested participants send a short proposal of no = more than 300 words to address below. Further details will be available = later in the year. Deadline: 30 September Info: Dr. David Collins david.collins@don.ac.uk = ----------------------------------------------------------------------------= ----------- Waikato Institute of Technology - Artist Residency A six-week interdisciplinary artist residency has been established at the = Waikato Institute of Technology in Hamilton, New Zealand to take place = January-March 2003. The residency will be based on a collaborative model to= explore the theme of cultural difference and involve up to three artists.= The artists will ideally work across different art forms (eg. visual arts,= crafts, new media, music, sound design, etc), have experience in = production techniques and some experience working in a small group. Deadline: 20 September Info: v.clare@ozco.gov.au http://www.ozco.gov.au/support/waikato.html = ----------------------------------------------------------------------------= -----------=20 Pulse Field - Call for Works Composers and sound artists are invited to submit original works for = inclusion in the Pulse Field project at Georgia Stage University in = Atlanta, Georgia. Selected works will be featured in the project's = exhibition, published on the CD Rom and become permanent items in the Pulse= Field archive. Appropriate genres include: electroacoustic music, = electronic music, experimental music, articulated found sound, acoustic = ecology, and sound and image. Submissions must include biography and photo;= recordings on DAT, CD, DVD; program notes; and artistic statements of the= artist/composer. Deadline: 15 October Info: musrst@langate.gsu.edu =20 = ----------------------------------------------------------------------------= ----------- EVOIASP2003 - CFP The 5th European Workshop on Evolutionary Computation in Image Analysis and= Signal Processing (EVOIASP2003) will be held 14 April 2003 in Essex, = United Kingdom. The conference will provide European and non-European = researchers the opportunity to present their latest research and to discuss= current developments and applications, as well as fostering closer future= interaction between three scientific communities. EVOIASP2003 are seeking= papers and topics include: applications of evolutionary computation to = real-life IASP problems, evolutionary pattern recognition and hybrid = architectures. Deadline: 20 November http://evonet.dcs.napier.ac.uk/eurogp2003 =20 = ----------------------------------------------------------------------------= ----------- Performance Studies International Conference The Performance Studies/Theory conference in Asia will examine the 'state = of the art' performance theory around the region. Although an initial = committee is formed, they are now seeking theatre practitioners and = performers in Asia to attend a meeting in Penang to determine the structure= and theme of the conference. Participants will present a theoretical = direction or stream in 2003, help in designing the content of the 2004 = conference and coalesce local participation in their theoretical stream. Deadline: 4 August Info: alvintan@necessary.org http://www.nyu.edu/pages/psi/ =20 = ----------------------------------------------------------------------------= ----------- Japan Foundation AIR Japan Foundation released updated information on artist-in-residence(AIR) = programs. It includes a well-summarised list of twenty-seven AIR projects = in Japan and links to about 100 international AIR sites. http://www.jpf.go.jp/air/index.html = ----------------------------------------------------------------------------= -----------=20 MAXIMUM INSECURITY - Call for Submissions Maximum Insecurity is an exhibition for laptop-specific works based on the= theme 'Police Culture'. Works from all mediums are sought including: = time-based works (performance, web-cast, real-time), video, text-based or = audioworks, flatworks and photography, surveillance, sculpture and = installation. Venue is TBA, with a reception and announcements provided. Deadline: 20 August Info: elessing1@yahoo.com =20 = ----------------------------------------------------------------------------= ----------- Malaysian Video Awards (MVA) - Call for Entries The 7th Malaysian Video Awards is here again. The 5-day MVA Festival = strives to create a conducive meeting place for industry professionals and= aspiring film makers from Malaysia, ASEAN and other countries, to meet and= exchange ideas with one another. The Festival is putting out a call for = entries in various categories. There are separate categories for works from= ASEAN countries. Short films and experimental works are welcomed. The = entry form can be downloaded from the URL listed below. Deadline: 10 August Info: kancah@pc.jaring.my http://www.mva.com.my/html/7thmva.html =20 ----------------------------------------------------------------------------= ----------- Videotage Hong Kong Subject: Microwave International Media Art Festival - Call for Entries Microwave International Media Art Festival is calling for video and CD-Rom= art works. Send previews with image files, CV and art work synopsis to the= address below. Deadline: 30 September Info: videotage@i-cable.com =09 = ----------------------------------------------------------------------------= ----------- i am putting together a series of video shows for remotelounge in NYC (next show jan 12 2003), Los Angeles venue as well. please send video for consideration, enclose SASE if you would like materials returned. please forward to anyone who may be interested. as always, susan joyce Fringe Exhibitions 1149 bennett ave glendora, ca 91741 = ----------------------------------------------------------------------------= ----------- ...HERE NOR THERE... in collaboration with KIBLA MULTIMEDIA CENTER invite submissions for: SHORT CALL the smallest film festival in the world taking place in MINIKINO (an installation by Dejan Stampar) the smallest cinema in the world =20 from: 13-20 sept. 2002 at: KIBLA Multimedijski center, Maribor, Slovenia =20 The film program will take place in the MINIKINO, and will also include = digital projection screenings of selected films throughout the week. submission info: Duration: 1 to 2 minute shorts Format: VHSpal, or on CDRom as AVI or Mpeg (please be aware we may have to make showreels) DEADLINE: Sept. 10th, 2002. there is no entry form, please include any relevant information you wish, = which may be used in publicity. =20 submit entries to: SHORT CALL c/o KIBLA, UL KNEZA KOCLJA 9 2000 MARIBOR, SLOVENIA =20 (please include notification of a return address with a S.A.E. if you wish= material to be returned) ----------------------------------------------------------------------------= ----------- Chisinau, Moldova Datum dogodka: November 2002 [KSA:K] Videomarathon (6th edition) The event presents alternative audiovisual works and is supposed to fill = the lack of information in this domain in Moldova. The [KSA:K] Videomarathon is not a contest or a festival, the works are = presented in public, the selection of the works for the screening program = is decided by the organizers. The entrance to the Videomarathon is free. You are invited to submit your videos to be screened during this visual = fiesta taking three days in November when video meets grand public. If you're a videoartist, a curator or have something to do with = videoexpression and are interested contributing to this event - send us a = message. We are also looking for theoretical contributions and = presentations. Interested? Contact us! For more information about the program please contact Marin TUREA from the= Center's Video/Multimedia Department. *We remind you that "The Videomarathon" is not a festival or a contest, it= is for the pleasure of our videophiles. =20 Kontakt: [KSA:K], Center for Contemporary Art Marin Turea marin@art.md http://www.art.md/en.html = ----------------------------------------------------------------------------= ----------- Amsterdam, The Netherlands De ATELIERS Non-academic study De Ateliers is an independent artists' institute which is run by visual = artists. It focuses on the artistic development of young, talented artists= from within the Netherlands and abroad. The monumental building in the center of Amsterdam offers twenty-three = spacious studios. These are placed at the disposal of beginning artists who= wish to combine intensive self-motivation with critical guidance. Though = similar to a post-academic teaching facility, de Ateliers is not an = educational institution. Its policy as a foundation is determined by the = supervising artists. The working year at de Ateliers runs from September 1 through May 31. A = student may also use his or her studio during the summer months, though = there are no studio visits from teachers in June, July and August. De Ateliers, formerly known as Ateliers '63, was established in Haarlem in= 1963 by several visual artists. Dissatisfied with the mass-oriented and = formal art education of that time, the initiators aimed to create a = structure that would meet the need for beginning artists to have direct = contacts with colleagues in a professional working environment. Under former teaching artists such as Edgar Fernhout, Jan Dibbets, Stanley= Brouwn and Carel Visser, de Ateliers has developed into a highly reputed = institution where approximately twenty students work, each in a private = studio, for a maximum of two years. The permanent staff of teachers makes = individual studio visits each Tuesday. Through ongoing discussions about = art and artistry, students are challenged to reflect on their own = standpoints and make choices that can be crucial to the further development= for their work. Since 1993, de Ateliers has been housed in Amsterdam. Every working year begins with a study tour for all students and teachers.= Part of the travel program concentrates on lesser-known sites which are = special from an artistic point of view. The study tour includes museums, = art institutions, exhibitions, monuments, these involving both ancient and= modern art. The trip is also a good opportunity for making acquaintances.= De Ateliers covers the cost of travel and lodging. =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D APPLICATION De Ateliers is open to young artists who are at the beginning of their = artistic development. Although de Ateliers does not impose a strict age = limit, there is a preference for candidates up to (and including) = twenty-seven years of age. They should have a good command of the English = language. A completed course of training and professional experience are = not required; applications are considered on the basis of visual qualities. Those interested may apply by submitting a selection of work which provides= a good indication of what has been done over the past two years. Should = the nature of the work require so, documentation in the form of roughly = twenty slides, photographs or videotapes will be accepted. Please, find more + application form on the website! It is possible to apply any time one wishes. Those interested in applying = may call throughout the year to set a time for bringing in work. During the= working year, from September through May, submitted work is evaluated on a= weekly basis. Work submitted during the months of June, July and August is= evaluated in August. The time of application has no influence on one's = chances of being selected. There is no application fee. STIPENDS The Department of Culture of the Dutch Ministry of Education, Culture and = Sciences offers a stipend to all students, both Dutch and foreign. De = Ateliers organizes the request and grants the yearly allowance in two = installments. The stipend covers basic living costs. A period of study at = de Ateliers involves no registration or tuition fees. =20 Kontakt: Stadhouderskade 86 1073 AT Amsterdam The Netherlands tel: 0031 20 6739359 fax: 0031 20 6755039 office@de-ateliers.nl http:/www.de-ateliers.nl Vir podatka: Universes in Universe = ----------------------------------------------------------------------------= ----------- Vaduz, Liechtenstein International Music and Art Foundation Support of worthy arts organizations worldwide. IMAF makes grants to facilitate the improvement and dissemination of the = visual and performing arts, as well as the study and preservation of art = and culture from the past. http://imafoundation.homestead.com/ organizations only! Kontakt: International Music and Art Foundation Legal Domicile (Registered Office) P.O. Box 831 FL-9490 Vaduz Liechtenstein trustees@imaf.li = ----------------------------------------------------------------------------= ----------- L=FCneburg, Germany Landkreis L=FCneburg Fachdienst Schule und Kultur Artist's residential scholarship at the K=FCnstlerst=E4tte Schloss Bleckede Scholarship of three, six, nine or eleven months for young artists... Since 1979 the K=FCnstlerst=E4tte Schloss Bleckede has been seeking to = promote young artists who explore innovative positions in the field of = contemporary art. Today artists, whose work addresses complex aesthetic, = cultural or political issues, rarely find the necessary support to realize= their ambitious projects. This is why the K=FCnstlerst=E4tte Schloss = Bleckede wishes to offer these artists the opportunity to develop their = work in the course of a residential scholarship of three, six, nine or = eleven month. The K=FCnstlerst=E4tte Schloss Bleckede offers ideal working= conditions. The historic remise of the castle of Bleckede has been restored and = transformed into three studios, each of which provides an extensive work = space and a comfortable living area. The castle is located in the nature = reserve Elbufer Drawehn close to the river Elbe. The placid environment = guarantees an atmosphere of undisturbed concentration. The scholarship = includes a monthly grant of two thousand German marks (1022 Euro), which is= made available for up to three scholarship holders at any one time, by the= state of Lower Saxony. The city of L=FCneburg is not far away. Here the innovative programme of = exhibitions and events staged by the Kunstraum of the University of = L=FCneburg and the halle_f=FCr_kunst L=FCneburg e.V. allows the = participation in the contemporary art world. If required, the facilities of= the cultural studies-course at the University of L=FCneburg might be used. Moreover Hamburg and Berlin is within easy reach, both of which have a = thriving cultural life. The residential scholarship of the = K=FCnstlerst=E4tte Schloss Bleckede is associated with the international = exchange program P=E9pinieres Europ=E9enes pour Jeunes Artistes. Previous = scholarship winners have included reknown artists like Katharina = Sieverding, Lili Fischer, Mariella Mosler and Rupprecht Matthies, = Hans-Christian Dany, Nana Petzet and Maki Tamura. The K=FCnstlerst=E4tte = Schloss Bleckede is supported by the district of L=FCneburg and the state = of Lower Saxony. The residential scholarship will be awarded on = recommendation of a jury of art professionals. =20 Kontakt: Landkreis L=FCneburg Fachdienst Schule und Kultur Auf dem Michaeliskloster 4 D-21335 L=FCneburg Germany tel: +49-4131-26-1449 fax: +49-4131-26-1466 hfk@lueneburg.net www.lueneburger-elbtalaue.de... ------------------------------------------------------------------------- The Calls and Opps Email list is Edited by Michael Mandiberg =20 ------------------------------------------------------------------------- comp./ks From art@thecentreofattention.org Mon Aug 26 15:48:36 2002 From: art@thecentreofattention.org (Ken Friedman) Date: Mon, 26 Aug 2002 16:48:36 +0200 Subject: [artinfo] Mandatory Happening Message-ID: <5.1.0.14.2.20020826164805.02504dd0@visio.c3.hu> Mandatory Happening You will decide to read this score or not to read it. When you have made your decision, the happening is over. Notes on this event and the complete free electronic edition of Ken Friedman's 52 Events are available at the Centre of Attention http://www.thecentreofattention.org/artists/friedman.html From adele@c3.hu Tue Aug 27 12:45:23 2002 From: adele@c3.hu (Adele Eisenstein) Date: Tue, 27 Aug 2002 13:45:23 +0200 Subject: [artinfo] El-Hassan Roza: in memoriam 2001.szept.11. Message-ID: <5.1.0.14.2.20020827133308.02506a60@visio.c3.hu> El-Hassan Roza-tol: V=E9rad=E1s helysz=EDn: Orsz=E1gos V=E9rell=E1t=F3 Szolg=E1lat 1113 Bp., Karolina =FAt 19-21. id=F5pont: 2002. Szeptember 2., h=E9tf=F5 du. 16 =F3r=E1t=F3l 18 =F3r=E1ig A v=E9rad=F3k szeptember 2-=E1n d=E9lut=E1n 16 =F3r=E1t=F3l 17 =F3r=E1ig= jelentkezhetnek be, de=20 annak is =F6r=FCln=E9k, ha el=F5z=F5leg irn=E1nak nekem egy r=F6vid mail-t,= hogy nagy=E1bol=20 tudjam jelezni a k=F6zpont fel=E9, hogy h=E1nyan j=F6nnek majd el. Aki v=E9r= t ad, ne=20 felejtsen el szem=E9lit is hozni, l=E1togat=F3k=E9nt azokat is szeretettel= v=E1rom,=20 akik valamely okn=E1l fogva nem tudnak k=F6zvetlen=FCl r=E9szt venni, de=20 jelenl=E9t=FCkkel jelzik r=E9szv=E9tel=FCket. c=EDm: Orsz=E1gos V=E9rell=E1t=F3 Szolg=E1lat, Bp. XI., Karolina =FAt 19-21. b=F6vebb info: El-Hassan R=F3za , tel.: 06 30 390 0697 From art@thecentreofattention.org Mon Aug 26 15:24:54 2002 From: art@thecentreofattention.org (Simon Poulter) Date: Mon, 26 Aug 2002 16:24:54 +0200 Subject: [artinfo] circle|star|square|cross|oval Message-ID: <5.1.0.14.2.20020826162426.02541ec0@visio.c3.hu> --=====================_10141483==_ Content-Type: text/plain; charset="us-ascii"; format=flowed The philosopher Garamond Barchelli indicated that the stones may indicate that somewhere inside the nominal the real can be found. He suggested that the combination star|cross|oval|circle|square was a curious form of code. Place the stones in this combination and the 'very essence' of being can be seen. The archaeologist Myra Schaffschider took one look at the stones and was 'beyond doubt' that the inscriptions were the earliest sign of written language. "In primitive cultures, we see these pieces of the earth as the first step in recording information about the world itself." The historian Archibald Criblyn-Cox peered into the cabinet where the stones were displayed. In a side-glance he affirmed that these stones were 'unquestionably' an early form of currency. The oval represented the smallest unit with the circle as the highest. The politician Karl-Heinz Asphalt refuted all of the above. "To my mind these stones represent man's earliest manifesto. Within them we see all of homo sapiens' future political systems. "Christianity, Islam, Communism and latterly monetarism are naturally foretold." The artist Eva-Marie Mammoth spoke few words. She looked long and hard and then uttered one word: "art." The scientist Hagaar Ratbrath requested time to examine the stones at great length. Tests revealed the age, mass and origin of each. A detailed report was prepared and circulated to four of the leading authorities in the academic world. A press conference was called and together with his colleagues, Ratbrath pronounced: "We feel certain that our examination leads us to one conclusion. These stones are the first database known to man." 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charset="us-ascii"; format=flowed Date: Fri, 16 Aug 2002 12:57:21 +0200 From: "Dr. Karlheinz Essl" To whom it may concern: Currently I am preparing a series of 4 concerts/performances and eventually sound installations which will accompany an exhibition on contemporary art of the Balkan, curated by Harry Szeemann (former Biennale di Venezia director). This show entitled "Blut und Honig" ("Blood and Honey") will be presented between May 15th - Sep 28th, 2003 at the Sammlung Essl in Klosterneuburg/Vienna: http://sammlung-essl.at I am searching musicians and composers from the Balkan who are engaged with electronic music, (interactive) sound installations and live performances and who have to capability to perform their works themselves (--- persons acting as composer/performer). "Balkan" here refers to the following countries: Croatia, Serbia, Slovenia, Bosnia-Hercegovina, Macedonia (and all other parts of former Yugoslavia), Albania, Bulgaria, Romania, Hungary and Turkey. I am mostly interested in individuals or groups which are reflecting their socio-cultural heritage into an contemporary language using electronic media with/out acoustical instruments (preferably those instruments which are also used in folk music, but without just reproducing it). Cheers, -- Dr. Karlheinz Essl composition - performance - improvisation Studio for Advanced Music and Media Technology (Austria) http://www.essl.at --=====================_15330222==_.ALT Content-Type: text/html; charset="us-ascii" Date: Fri, 16 Aug 2002 12:57:21 +0200
From: "Dr. Karlheinz Essl" <essl@eunet.at>

To whom it may concern:
Currently I am preparing a series of 4 concerts/performances and eventually sound installations which will accompany an exhibition on contemporary art of the Balkan, curated by Harry Szeemann (former Biennale di Venezia director). This show entitled "Blut und Honig" ("Blood and Honey") will be presented between May 15th - Sep 28th, 2003 at the Sammlung Essl in Klosterneuburg/Vienna:

http://sammlung-essl.at

I am searching musicians and composers from the Balkan who are engaged with electronic music, (interactive) sound installations and live performances and who have to capability to perform their works themselves (--- persons acting as composer/performer).

"Balkan" here refers to the following countries: Croatia, Serbia, Slovenia, Bosnia-Hercegovina, Macedonia (and all other parts of former Yugoslavia), Albania, Bulgaria, Romania, Hungary and Turkey.

I am mostly interested in individuals or groups which are reflecting their socio-cultural heritage into an contemporary language using electronic media with/out acoustical instruments (preferably those instruments which are also used in folk music, but without just reproducing it).

Cheers,

--
Dr. Karlheinz Essl
composition - performance - improvisation
Studio for Advanced Music and Media Technology (Austria)
http://www.essl.at --=====================_15330222==_.ALT-- From jaka@jaka.org Thu Aug 29 16:11:56 2002 From: jaka@jaka.org (jaka zeleznikar) Date: Thu, 29 Aug 2002 16:11:56 +0100 Subject: [artinfo] Pixxelpoint [info/call] - International Computer Art Festival Message-ID: Pixxelpoint is festival that gathers artists, students and enthusiasts of computer art. It is based on showing illustrations, fine and pop art made with computers. It will take place in Nova Gorica, Slovenia, from Nov. 22 to Nov. 29 2002. Pixxelpoint is a two way communication exhibition: it gives artists from all around the world the opportunity to show their work and lets people see what's happening in the world of computer art. Images are put from screen onto the walls of the gallery, and animations are shown via video projector. For the music section there's a separate room where the compositions will be played. The festival itself is accompanied with concerts and lectures. Joining the festival is free of charge. There are no age, nationality and thematic limitations. You may join categories: - static images (2D, 3D & vector) - computer animations - interactive art - music Read rules and regulations can be found on the festivlal page. Deadline for submitting works is September 15 2002 Awards will be given by public and by the jury. More info on http://www.pixxelpoint.org From adele@c3.hu Fri Aug 30 14:51:01 2002 From: adele@c3.hu (Adele Eisenstein) Date: Fri, 30 Aug 2002 15:51:01 +0200 Subject: [artinfo] Folyamat Galeria Message-ID: <5.1.0.14.2.20020830154948.01987010@visio.c3.hu> A Folyamat Gal=E9ria szeretettel megh=EDvja =D6nt a k=F6vetkez=F5= ki=E1ll=EDt=E1sra: ________________________________________________________________ m=FBv=E9sz: Cs=F6rg=F5 Attila ki=E1ll=EDt=F3hely: Folyamat Gal=E9ria a Dunai Vizm=E9rceh=E1zban Bp. I., Bem rkpt., a L=E1nchid budai hidf=F5je f=F6l=F6tt kb. 50 m=E9terrel megnyit=F3: h=E9tf=F5n, 2002. szeptember 2., 19:00 z=E1r=E1s: h=E9tf=F5n, 2002. szeptember 9. (amikor a k=F6vetkez=F5 megny=EDt= =F3 ker=FCl sorba)=20 From info@c3.hu Fri Aug 30 17:37:28 2002 From: info@c3.hu (C3 Information) Date: Fri, 30 Aug 2002 18:37:28 +0200 Subject: [artinfo] Godot Galeria MEGHIVO (fwd) Message-ID: From: Godot Galeria A { TEXT-DECORATION: none } A:hover { BACKGROUND: #990000; COLOR: #ffffcc; TEXT-DECORATION: underline } Flash anim=E1ci=F3 A Godot Gal=E9ria tisztelettel meghivja =D6nt 2002. szeptember 4-=E9n 20 =F3r=E1ra Kov=E1cs P=E9ter Arckeres=F5 c=EDm=FB ki=E1ll=EDt=E1s=E1nak megnyit=F3j=E1ra A ki=E1ll=EDt=E1st megnyitja: Ga=E1l J=F3zsef Godot Gal=E9ria (1075 Budapest, Mad=E1ch =FAt 8.) [kovacsp.jpg] k=E9p let=F6lt=E9se nyomdai m=E9retben A ki=E1ll=EDt=E1s megtekinthet=F5 2002. szeptember 27-ig h=E9tk=F6znap 10 =E9s 18 =F3ra k=F6z=F6tt. A Godot Gal=E9ria =E9vadnyit=F3 ki=E1ll=EDt=E1s=E1n Kov=E1cs P=E9ter (Munk= =E1csy-d=EDjas, k=EDv=E1l=F3 m=FBv=E9sz) leg=FAjabb munk=E1ival ismerkedhetnek meg a l=E1to= gat=F3k. A ki=E1ll=EDt=E1s t=F6rzs=E9t emberi arcokat =E1br=E1zol=F3 rajzok adj=E1k a = m=FBv=E9sz j=F3l ismert modor=E1ban megalkotva: az egyedi szabadk=E9zi rajz j=E1t=E9k=E1ban = elvesz=F5 illetve el=F5t=FBn=F5 von=E1sok keresg=E9l=E9se m=E9ly intellektu=E1lis =E9= lm=E9nyt rejt mag=E1ban. Kov=E1cs P=E9ter sz=E1m=E1ra egy =F6tlet csak a kiindul=F3pont rajzol=E1s k= =F6zben. Mihelyt dolgozni kezd =FAj =F6tletek t=E1madnak a tolla alatt =E9s ezut=E1n= j=F6n r=E1, hogy mit is akart igaz=E1b=F3l rajzolni. Ily m=F3don akaratlanul, a tudat a= latt ragadja meg t=E9m=E1it. Mint elhagyott, aszott h=E9jak fekszenek Kov=E1cs P=E9ter figur=E1i. Szomor= =FA =E1ltal=E1noss=E1gba mozdultak be, =E9s maradtak meg a gy=F6t=F6rt gesztus = alj=E1n, s mert a m=FBv=E9sz szerencs=E9re nem tagja semmilyen magatart=E1si klubnak, = e l=E9nyek nem szitu=E1lnak =E9s nem szitu=E1ltak. Nincs h=E1tter=FCk a sz=F3= egyetlen =E9rtelm=E9ben sem, =E9s =F5k maguk is alig l=E9teznek, az =E9let =E9s hal= =E1l hat=E1r=E1n v=E1rnak. Vonalgubancokban veget=E1l=F3 l=E9nyei k=F6nnytelenek =E9s sz=F3t= lanok; csak l=E9tezni =E9s l=E9teztetni akarnak, fel=E9lni az adom=E1nyt =E9rdek n=E9lk= =FCl. K=E9pei nem adnak a sz=F3 pedag=F3giz=E1l=F3 =E9rtelm=E9ben =E9s nem v=E1rnak el se= mmit. Nem tesznek m=E1st, mint megmutatnak: ecce. =84Az alkot=F3 szabads=E1ga, a gy=FBjt=F5 szenved=E9lye=94 ___________________________________________________________________________= _____ A Godot-R=F3zsakert Gal=E9ria tisztelettel meghivja =D6nt 2002. szeptember 5-=E9n 19 =F3r=E1ra Feh=E9r L=E1szl=F3 P O R T R =C9 c=EDm=FB ki=E1ll=EDt=E1s=E1nak megnyit=F3j=E1ra A ki=E1ll=EDt=E1st megnyitja: Szer=E9nyi G=E1bor R=F3zsakert Bev=E1s=E1rl=F3k=F6zpont (1026 Budapest, G=E1bor =C1ron u. 74.) II. emelet [rez.jpg] k=E9p let=F6lt=E9se nyomdai m=E9retben A ki=E1ll=EDt=E1s megtekinthet=F5: 2002. szeptember 30-ig. H-P: 10-20 Sz.: 10-19 V: 10-16 FEH=C9R L=E1szl=F3 1953-ban sz=FCletett Sz=E9kesfeh=E9rv=E1ron. 1971-76 k=F6z=F6tt tanulm=E1nyokat folytat a budapesti K=E9pz=F4m=FBv=E9sze= ti F=F4iskol=E1n. Mesterei: Szentiv=E1nyi Lajos =E9s Kokas Ign=E1c. 1978-81: Derkovits-=F6szt=F6nd=EDj; 1982: Fiatal K=E9pz=F4m=FBv=E9szek St= =FAdi=F3j=E1nak d=EDja; 1986: R=F3mai Magyar Akad=E9mia =F6szt=F6nd=EDja; 1987: Cagnes-sur-Mer-i 19. Nemzetk=F6zi Fest=E9szeti Fesztiv=E1l zs=FBrij= =E9nek d=EDja; 1990: Fiatal Kelet Eur=F3pai Fest=F4k Fesztiv=E1lj=E1nak II. d=EDja; 1993: Munk=E1csy Mih=E1ly-d=EDj; 1995: XXVIII. Szegedi Ny=E1ri T=E1rlat Szeged=E9rt Alap=EDtv=E1ny d=EDja; 1996: Millecenten=E1rium M=FBv=E9szeti P=E1ly=E1zat k=FCl=F6nd=EDja. A 70-es =E9vek k=F6zep=E9n, p=E1lyakezd=E9se idej=E9n fotorealista k=E9pekk= el jelentkezett. A hiperrealizmus ebben az id=F4szakban szinte provok=E1ci=F3n= ak hatott. A k=E9pek t=F6bbs=E9ge ebben az id=F4szakban fekete-feh=E9r. 1983-8= 5 k=F6z=F6tt stiliz=E1lt t=E1jk=E9peket fest, =E1tmenetileg elt=E1volodva a fot=F3alap= =FA kiindul=F3pontt=F3l. V=F6r=F6sek, feket=E9k, feh=E9rek =E9s okker az uralko= d=F3, szinte kiz=E1r=F3lagos sz=EDn. Ebben az id=F4szakban jelennek meg el=F4sz=F6r az e= gyetlen feh=E9r k=F6rvonallal jelzett figur=E1k k=E9pein. 1988-ban drasztikus fordu= lat t=F6rt=E9nt, az addig meglehet=F4sen gazdag sz=EDnvil=E1g=E1t l=E9nyeg=E9be= n h=E1rom sz=EDnre: s=E1rg=E1ra, feket=E9re =E9s feh=E9rre reduk=E1lta. 1990-ben a ve= lencei Bienn=E1l=E9n komoly nemzetk=F6zi sikert arat s=E1rga-fekete anyaga. A kilencvenes =E9vekben =FAjra fekete-feh=E9rre reduk=E1l=F3dtak sz=EDnei. Az= =E9vtized k=F6zep=E9t=F4l el=F4szeretettel k=E9sz=EDt portr=E9kat, m=FBv=E9szekr=F4l,= bar=E1tokr=F3l. A 90-es =E9vek v=E9g=E9n a nagyon kontrasztos sz=EDnvil=E1g old=F3dik, k=E9ke= ssz=FCrk=E9v=E9 vid=E1modik, t=F6bbszerepl=F4s lesz. 1990-t=F4l install=E1ci=F3kat is k=E9s= z=EDt, kont=FArfigur=E1inak egy-egy csoportj=E1t vasb=F3l is elk=E9sz=EDti. =84Az alkot=F3 szabads=E1ga, a gy=FBjt=F5 szenved=E9lye=94 ___________________________________________________________________________= _____ From info@c3.hu Fri Aug 30 17:36:23 2002 From: info@c3.hu (C3 Information) Date: Fri, 30 Aug 2002 18:36:23 +0200 Subject: [artinfo] Ars Electronica 2002 - 7th Announcement (fwd) Message-ID: From: Ars Electronica Center UNPLUGGED Art as the Scene of Global Conflicts Ars Electronica 2002 September 7 - 12 Linz, Austria www.aec.at/unplugged/ ----------------------------- Ars Electronica 2002 - 7th Announcement CONTENTS ............................. 1. electrolobby - TransIT Room ............................. ............................. 2. SEARCH ............................. ............................. 3. KOP ............................. ............................. 4. Mulonga - The Loop: tonga.online ............................. ............................. 5. Ars Electronica 2002 - Program online ............................. You are reading the seventh issue of the Ars Electronica 2002 newsletter, focusing on electrolobby - TransIT Room. ............................. 1. electrolobby - TransIT Room ............................. Ars Electronica has been conducting open X and electrolobby in conjunction with the festival since 1996 as an experimental series dedicated to net.working in which exemplary models designed to facilitate the encounter with the (artistic) practice of new cultural techniques are given a test run. electrolobby-TransIT Room is the continuation of this series in conjunction with UNPLUGGED. The aim is to collaborate with other initiatives to not only create presentations for the festival in Linz but also to establish structures that operate simultaneously at other locations and continue beyond the timeframe of the festival. (September 8-12, 10:00 AM - 7:00 PM, Brucknerhaus) Participating initiatives SEARCH: The Trinity Session, _sanman, The | PREMISES KOP Mulonga - The Loop: tonga.online ............................. 2. SEARCH ............................. SEARCH is portraying protagonists of the emerging digital urban culture in Johannesburg and Capetown. Digital culture in South Africa is developing at a rapid rate with digital activities responding to the international corporate counterparts that have been taking ownership of spaces such as the web. The concept of SEARCH is a workshopping, discussion and collaborative production platform that first starts in South Africa extends to Linz and returns as a network of relationships and collaborations to South Africa. SEARCH is developed by The Trinity Session (Stephen Hobbs, Kathryn Smith, Marcus Neustetter) from Johannesburg and will be realized in conjunction with _sanman (Southern African New Media Art Network) and The | PREMISES. http://www.onair.co.za/thetrinitysession http://www.onair.co.za/thepremises http://www.onair.co.za/sanman ............................. 3. KOP ............................. KOP is an online open workspace that explores piracy as the net's ultimate art form. The project includes links, objects, ideas, software, commissioned artists' projects, critical writing and online streaming media events. It is intended as an open-ended online exhibition; artists and authors will remain sole copyright owners of their works. Co-Curators: Shu Lea Cheang, Armin Medosch, Yukiko Shikata Project producer: Ray Wang; Project coordinator: Mia Chen www.aec.at/kop http://211.73.224.150 ............................. 4. Mulonga - The Loop: tonga.online ............................. Archived for 45 years, historical recordings of Tonga Ngoma Buntibe music are returning - via streaming from Grahamstown/ZA to Linz/A and via shortwave radio broadcasting from London/UK - to the territory of Zambezi River Valley. These historical files, mediated through technology and commented on via telephone are recirculated and reframed in contemporary Tonga culture. As both a broadcast event and website, the Loop is based on the interplay of seemingly obsolete and hightech media and underlines that global communication has to be considered as a process of uneven development. www.mulonga.net ............................. 5. Ars Electronica 2002 - Program online ............................. The detailed Ars Electronica 2002 festival program you can find under: www.aec.at/unplugged/ Ars Electronica is providing online updates on an almost daily basis beginning immediately and continuing until the festival in September: topical ideas, theme-related essays, background information, relevant links as well as portraits of artists and symposium speakers. www.aec.at/unplugged/ functions as a forum and invites participants to submit comments and feedback. -------------------------------------------------------------- Ars Electronica 2002 Organization: Ars Electronica Center Linz and ORF - Austrian Broadcasting Corporation, Upper Austrian Regional Studio Co-organizers: Brucknerhaus Linz, O.K - Center for Contemporary Art Concept & Artistic Direction: Gerfried Stocker, Christine Schoepf Curatorial Team: Ingrid Fischer-Schreiber, Andreas Hirsch, Davis O. Nejo, Jay Rutledge Contact: Ars Electronica Center Hauptstrasse 2 A-4040 Linz, Austria info@aec.at www.aec.at/unplugged/ Sponsors of Ars Electronica 2002: SAP AG, Gericom, Telekom Austria Bank Austria Creditanstalt, Quelle AG, Hewlett Packard, Microsoft, Oesterreichische Brauunion, Sony DADC, Siemens AG, Voest MCE, Linz AG Austrian Airlines, Lufthansa, Air France, Spring, Opel Guenther Sponsors of Prix Ars Electronica 2002: The Prix Ars Electronica 2002 is sponsored by Telekom Austria. Supported by Telekom Austria, voestalpine, P.S.K. (Austrian Postal Banking), Sony DADC, the City of Linz, the Province of Upper Austria Austrian Airlines, Lufthansa, Casinos Austria, City-Hotel Linz, Courtyard by Marriott, Poestlingberg Schloessl, Oesterreichischer Kulturservice -------------------------------------------------------------- Please do not reply to this message. If you want to remove yourself from this mailing list, you can send mail to with the following command in the body of your email message: unsubscribe announcement To remove an address other than the one from which you're sending the request, give that address in the command: unsubscribe announcement email@address.xyz -------------------------------------------------------------- From info@c3.hu Fri Aug 30 17:39:16 2002 From: info@c3.hu (C3 Information) Date: Fri, 30 Aug 2002 18:39:16 +0200 Subject: [artinfo] RETINA 2002 News by VIDEOFORMES (fwd) Message-ID: From: gabriel soucheyre RETINA 2002 Festival international de cin=E9ma et vid=E9o exp=E9rimentale SELLYE /HONGRIE 15/19 ao=FBt 2002 International Film & Video Art Festival SELLYE /HUNGARY 15/19 August 2002 "Fresh & French" www.videoformes.com une selection video pr=E9sent=E9e par a video selection by Gabriel Soucheyre / Videoformes R=E9gis Cotentin - Pierre-Yves Cruaud - Reynald Drouhin - Judith Josso - Thierry Lagalla - Pascal Li=E8vre - Fran=E7ois Paris - C=E9line Mallet - Ch= ris Quanta - Pierre Villemin - Fran=E7ois Vogel - Pascale Weber Le jury international de Retina 2002 =E0 Sellye (Hongrie) a, dans sa d=E9claration finale, soulign=E9 la qualit=E9 remarquable des vid=E9os fran=E7aises et decern=E9 les mentions et prix suivants : In his final statement, the international jury of Retina 2002 in Sellye (Hungary) enhanced the high quality of the French videos in general and delivered the following awards : mention =E0 / to "Spaltung" de / by Reynald Drouhin & "Abba Mao" de / by Pascal Li=E8vre Prix Retina 2002 / Retina 2002 Award "Le silence est en marche" de / by Pierre-Yves Cruaud VIDEOFORMES 2003 www.videoformes.com XVIII INTERNATIONAL MULTIMEDIA & VIDEO ARTS FESTIVAL 18 / 22 MARCH --=20 Gabriel Soucheyre Videoformes videoformes@nat.fr International Video & multimedia art Festival BP 50 Turbulences Video (magazine) 63002 Clermont-Ferrand Cedex Galerie l'art du temps France Espace C ulture Multim=E9di@ Videoformes T (0)4 73 17 02 17 F (0)4 73 93 05 45 ecm-videoformes@nat.fr www.videoformes.com zzaZzoo TiVi ( Internet Television) Directeur Gabriel Soucheyre mobile (00 33) (0) 6 12 59 27 53 From SAIZ@azar.ms Sat Aug 31 15:58:08 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Sat, 31 Aug 2002 16:58:08 +0200 Subject: [artinfo] [UNXposed] short films Message-ID: <5.1.0.14.2.20020831165750.02541430@visio.c3.hu> Short Shorts Film Festival, Asia's largest festival for short film, is now accepting submissions for its Summer 2003 tour of Japan, Singapore, LA, and other cities TBA. Now entering its 5th year, the SSFF has already reached audiences of 75,000. The SSFF is a competitive festival, which for the past 4 years has awarded cash prizes to winning filmmakers. Each year we sponsor airfare for 10-15 filmmakers to join the festival in Tokyo. No entry fee. Deadline: Nov 1, 2002 Visit our website, www.shortshorts.org, for guidelines and submission form. From info@c3.hu Fri Aug 30 17:39:46 2002 From: info@c3.hu (C3 Information) Date: Fri, 30 Aug 2002 18:39:46 +0200 Subject: [artinfo] master 2003 (fwd) Message-ID: From: MECAD (ENGLISH VERSION BELOW) El dia 2 de septiembre empieza el periodo de matricula para el Master Inter= nacional de Creacion y Dise=F1o en Sistemas Interactivos, organizado por ME= CAD\Media Centre d'Art i Disseny de la Escola Superior de Disseny ESDi y la= Universitat Aut=F2noma de Barcelona. El master se iniciara el 3 de febrero= de 2003. Para la solicitud de plazas, preinscripcion o cualquier otra info= rmacion pueden contactar con info@mecad.org o consultar la web: www.mecad.o= rg/master.htm On September 2nd starts the matriculation period in the International Maste= r on Creation and Design for Interactive Systems, organised by MECAD\Media = Centre of Art and Design of the Escola Superior de Disseny ESDi and the Uni= versitat Aut=F2noma de Barcelona. The master begins on February 3rd 2003. F= or further information about requirements, preliminary registration, etc: e-mail: info@mecad.org web: www.mecad.org/master.htm From SAIZ@azar.ms Sat Aug 31 15:57:44 2002 From: SAIZ@azar.ms (UNXposed Moderator) Date: Sat, 31 Aug 2002 16:57:44 +0200 Subject: [artinfo] [UNXposed] Art in General Video Marathon Message-ID: <5.1.0.14.2.20020831165729.02136210@visio.c3.hu> Art in General Video Marathon - Call for Entries Deadline: 28 September Info: Video Series Art in General 79 Walker Street New York NY 10013-3523 jeanine@artingeneral.org