[artinfo] Fwd: programajánló

Andrea Szekeres asz@c3.hu
Tue, 30 Oct 2001 11:37:57 +0100


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>From: "Markus Aron" <Arcibald@stud.btk.pte.hu>
>To: "Laterna-Film mailing list" <LATERNA@btk.pte.hu>
>Subject: programaj=E1nl=F3
>Date: Tue, 30 Oct 2001 11:19:05 +0100
>Organization: JPTE-BTK
>
>
>Laterna Magica Association
>University of P=E9cs
>Cultural Centre of P=E9cs
>
>announces
>
>
>Laterna Film Accademy IV/2
>8 th Symposium
>
>Problems of Pictorial Representation
>
>
>2001 Nov-5th =96 7th
>
>Dominican House
>(2 Szinh=E1z Square, P=E9cs)
>
>
>
>
>
>Local Organization Committee
>=C1ron M=E1rkus, L=E1szl=F3 Tarnay
>Dept. of Philosophy
>Faculty of Humanities, University of P=E9cs
>7624 P=E9cs, Ifj=FAs=E1g =FAtja 6.
>Tel./Fax: (36)-72-501-15-15/ Ext. 4105/6
>06-20-4728-486
>email: tarnay@btk.pte.hu
>
>
>
>Program
>
>Monday (Nov-05)
>
>8:30-9:00       Breakfast 9:00-9:30       Welcome addresses: L=E1szl=F3=
 Tarnay
>
>
>OPENING TALK
>Chair: L=E1szl=F3 Tarnay 9:30-10:15      Can Science Help Film Theory?=
 Malcolm=20
>Turvey (New York) m.turvey@worldnet.att.net
>
>
>10:15-10:30     Discussion
>
>10:30- 10:45    Coffee Break
>
>
>APSPECTS OF VISUAL FICTION
>Perceiving Images
>Chair: L=E1szl=F3 Tarnay
>
>Session Papers 10:45-11:15     Convention, the Usual=20
>Suspect        Emannuel Glon (Paris) emanuelleglon@freesurf.fr
>11:15-11:45     Camera Movement and Altering Spatial=20
>Perception        Alice M=E1nfai-Gyula Mez=F5si (P=E9cs)=
 alicemanfai@hotmail.hu
>
>
>11:45-12:00     Discussion
>
>12:00-12:30     Perception and Photography Damian Peter Sutton (Glasgow)=20
>0009329S@student.gla.ac.uk
>
>
>12:30-12:45     Discussion
>
>13:00-14:00     Lunch
>
>Generating Meaning in Images
>Chair: Attila Hor=E1nyi
>
>Keynote Lecture 14:00-14:45     On Generating Meaning in CaravaggioAndr=E1s=
=20
>R=E9nyi (Budapest) DRRenyi@mail.matavnet.hu
>
>
>14:45-15:00     Discussion
>
>15:00-15:15     Coffee Break
>
>
>Session Papers 15:15-15:45     Derek Jarman and the Politics of=20
>RepresentationL=E1szl=F3 S=E1ri (P=E9cs)
>15:45-16:15     The 39 Steps or Where do Hitchcock's stairs lead?Vilmos=20
>Hencsei (P=E9cs)
>
>
>16:15-16:30     Discussion
>
>16:30-16:45     Coffee Break 16:45-17:15     Dolce Stil Novo:Harmony=20
>Korine=92s Cinematic VernacularThomas Wall (Seattle) twall@oz.net
>
>
>17:15-17:45     To be announced Gy=F6rgyi Vajdovich (Budapest)
>
>
>17:45-18:00     Discussion 18:30   Coach leaves for Welcome Dinner and=20
>wine tasting in Vill=E1ny
>
>Tuesday (Nov-6)
>
>
>8:00-8:45       Breakfast
>
>COGNITION, MEANING, METAPHOR
>Chair: Johannes Riis
>
>Keynote Lectures 9:00-9:45       From Mental Travel to Serial=20
>CompositionB=E1lint Andr=E1s Kov=E1cs (Budapest) kovacsab@emc.elte.hu
>
>
>9:45-10:00      Discussion
>10:00-10:15     Coffee Break Session Pappers 10:15-10:45     How does=20
>Cognition in Images work? Logic and Cognitive Type of Iconic Signs in=20
>Cinema Johannes Ehrat (Rome) ehrat@uningre.it
>
>
>10:45-11:00     Discussion 11:00-11:30     Revisiting Representation I.:=20
 >From Natural Meaning to Affordances               Tam=E1s P=F3lya (Eger)=
=20
>olya@ektf.hu
>11:30-12:00     Revisiting Representation II.: From Aspect Seeing to=20
>SpecificityL=E1szl=F3 Tarnay (P=E9cs) tarnay@btk.pte.hu
>
>
>12:00-12:15     Discussion
>
>12:30-14:00     Lunch
>Chair: B=E1lint Andr=E1s Kov=E1cs
>
>Keynote Lecture
>14:00-15:00     Objects of Metaphor Samuel Guttenplan (London)=20
>s.guttenplan@bbk.ac.uk
>
>
>Session Papers 15:00-15:30     Dadaist film, or How to Avoid=20
>RepresentationAndr=E1s Kappanyos (P=E9cs) kappanyosa@matavnet.hu
>15:30-16:00     ANEMIC CINEMA: on the representation of movement in=20
>Duchamp's works.Nikoletta H=E1zas (P=E9cs) tradir@matavnet.hu
>
>
>16:00-16:15     Discusssion
>16:15-16:30     Coffee Break 16:30-17:00     Postcards from the Frame:=20
>Filming/Writing The Man with a Movie Camera Thomas Dean Tucker (USA)=20
>ttucker@CSC1.CSC.EDU
>17:00-17:30     G=E1bor B=F3dy and Dzigan VertovAndrea P=F3csik (Budapest)=
=20
>pocsik66@matavnet.hu
>
>
>17:30-17:45     Discussion 18:15-19:15     Dinner at at Kalamaris=
 Restaurant
>19:30-20:30     Screening at Youth Centre (English subtitles)Gy=F6rgy=
 Feh=E9r:=20
>Twighlight (Sz=FCrk=FClet)
>
>
>21:00-22:30     Round Table Discussion Opening talk:Andr=E1s Forg=E1ch=20
>(Budapest) forgacha@freemail.c3.hu
>
>Wednesday (Nov-7)
>
>
>
>8:00-8:45       Breakfast
>
>AFFECTIVE AND ETHICAL ASPECTS
>Chair: L=E1szl=F3 S=E1ri
>
>Keynote Lecture 9:30-10:15      The Interpretation of Image Meaning in=20
>Film Cynthia Freeland (Houston) Cfreeland@UH.edu
>
>
>10:15-10:30     Discussion
>10:30-10:45     Coffee Break
>
>
>Session Paper 10:45-11:15     The Paradox of Fiction Revisited: Uncovering=
=20
>the Emotional Foundations of Pictorial Representations Daniel H. Barratt=20
>(Canterbury) dhb2@ukc.ac.uk
>11:15-11:45             Ecological Utopianism: A case study of Grand=20
>Canyon Patrick Brereton (Dublin) patrick.brereton@dcu.ie
>
>
>11:45-12:00     Discussion
>
>Keynote Lecture 12:00-12:45     The Problems of the Concept of Imagination=
=20
>in Explaining Spectatorship: a Realist Approach Johannes Riis (Copenhagen)=
=20
>johriis@coco.ihi.ku.dk
>
>
>12:45-13:00     Discussion
>13:30-15:00     Lunch
>
>
>
>Hungarian Session/ Magyar Nyelv=FB Szekci=F3
>Eln=F6k: S=E1ri L=E1szl=F3 15:00-15:30     A magyar dokumentarizmus k=E9pi=
=20
>reprezent=E1ci=F3jaG=E1bor Gelencs=E9r (Budapest) filmvilag@filmvilag.hu
>15:30-16:00     A mozg=F3k=E9p id=F5- =E9s t=E9rszerkezeteG=E1bor=
 Zr=EDnyifalvi (Budapest)
>
>
>16:00-16:15     Coffee Break
>
>17:00-18:30     Screening at Dominican House John Greyson: Lilies
>
>
>19:00           Dinner
>
>20:30-22:00     Round Table Discussion
>                 Opening talk: L=E1szl=F3 S=E1ri
>
>
>Note: Breakfasts are served in City Centre (Belv=E1rosi) Restaurant facing=
=20
>the venue of the conference (the other side of the main walking street)=20
>You can have lunch independently there.

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<html>
<blockquote type=3Dcite cite>From: &quot;Markus Aron&quot;
&lt;Arcibald@stud.btk.pte.hu&gt;<br>
To: &quot;Laterna-Film mailing list&quot;=20
&lt;LATERNA@btk.pte.hu&gt;<br>
Subject: programaj=E1nl=F3<br>
Date: Tue, 30 Oct 2001 11:19:05 +0100<br>
Organization: JPTE-BTK<br>
<br>
<br>
<font face=3D"Impact" size=3D4 color=3D"#010101">Laterna Magica Association
<br>
University of P=E9cs <br>
Cultural Centre of P=E9cs <br>
<br>
</font>announces <br>
<br>
<br>
<font face=3D"Impact" size=3D4 color=3D"#010101">Laterna Film Accademy IV/2
<br>
8 th Symposium <br>
<br>
</font><font face=3D"Impact" size=3D7 color=3D"#010101">Problems of Pictoria=
l
Representation <br>
<br>
<br>
</font><font face=3D"Impact" color=3D"#010101">2001 Nov-5th =96 7th <br>
<br>
</font>Dominican House <br>
(2 Szinh=E1z Square, P=E9cs) <br>
<br>
<br>
<br>
<br>
<br>
<font face=3D"Times New Roman, Times" size=3D2 color=3D"#010101">Local
Organization Committee <br>
=C1ron M=E1rkus, L=E1szl=F3 Tarnay <br>
Dept. of Philosophy <br>
Faculty of Humanities, University of P=E9cs <br>
7624 P=E9cs, Ifj=FAs=E1g =FAtja 6. <br>
Tel./Fax: (36)-72-501-15-15/ Ext. 4105/6 <br>
06-20-4728-486 <br>
email: tarnay@btk.pte.hu <br>
<br>
<br>
<br>
</font><font face=3D"Impact" size=3D5 color=3D"#010101">Program <br>
<br>
</font><font color=3D"#010101">Monday (Nov-05) <br>
<br>
8:30-9:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Breakfast
9:00-9:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Welcome
addresses: L=E1szl=F3 Tarnay<br>
<br>
<br>
OPENING TALK <br>
Chair: L=E1szl=F3 Tarnay
9:30-10:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Can Science
Help Film Theory? Malcolm Turvey (New York)
m.turvey@worldnet.att.net<br>
<br>
<br>
10:15-10:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
10:30- 10:45 <x-tab>&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break <br>
<br>
<br>
APSPECTS OF VISUAL FICTION <br>
Perceiving Images <br>
Chair: L=E1szl=F3 Tarnay <br>
<br>
Session Papers
10:45-11:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Convention, the
Usual
Suspect<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Emannu=
el
Glon (Paris) emanuelleglon@freesurf.fr <br>
11:15-11:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Camera Movement
and Altering Spatial
Perception<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Ali=
ce
M=E1nfai-Gyula
Me</font><font face=3D"Arial CE, Helvetica" color=3D"#010101">z=F5si
</font>(P=E9cs) alicemanfai@hotmail.hu<br>
<br>
<br>
11:45-12:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
12:00-12:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Perception and
Photography Damian Peter Sutton (Glasgow)=20
0009329S@student.gla.ac.uk<br>
<br>
<br>
12:30-12:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
13:00-14:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Lunch <br>
<br>
Generating Meaning in Images <br>
Chair: Attila Hor=E1nyi <br>
<br>
Keynote Lecture
14:00-14:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>On Generating
Meaning in CaravaggioAndr=E1s R=E9nyi (Budapest)
DRRenyi@mail.matavnet.hu<br>
<br>
<br>
14:45-15:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
15:00-15:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break
<br>
<br>
<br>
Session Papers
15:15-15:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Derek Jarman and
the Politics of RepresentationL=E1szl=F3 S=E1ri (P=E9cs)<br>
15:45-16:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>The 39 Steps or
Where do Hitchcock's stairs lead?Vilmos Hencsei (P=E9cs)<br>
<br>
<br>
16:15-16:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
16:30-16:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break
16:45-17:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Dolce Stil
Novo:Harmony Korine=92s Cinematic
Vernacular<font face=3D"Courier New, Courier" color=3D"#010101">Thomas Wall
(Seattle) twall@oz.net<br>
<br>
<br>
17:15-17:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>To be announced
Gy=F6rgyi Vajdovich (Budapest)<br>
<br>
<br>
17:45-18:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion 18:30
<x-tab>&nbsp;&nbsp;</x-tab>Coach leaves for Welcome Dinner and wine
tasting in Vill=E1ny<br>
<br>
Tuesday (Nov-6) <br>
<br>
<br>
8:00-8:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Breakfast
<br>
<br>
COGNITION, MEANING, METAPHOR <br>
Chair: Johannes Riis <br>
<br>
Keynote Lectures 9:00-9:45
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>From Mental Travel to
Serial CompositionB=E1lint Andr=E1s Kov=E1cs (Budapest)
kovacsab@emc.elte.hu<br>
<br>
<br>
9:45-10:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion
<br>
10:00-10:15 <x-tab>&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break Session
Pappers
10:15-10:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab></font>How does
Cognition in Images work? Logic and Cognitive Type of Iconic Signs in
Cinema Johannes Ehrat (Rome) ehrat@uningre.it<br>
<br>
<br>
10:45-11:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion
11:00-11:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Revisiting
Representation I.: From Natural Meaning to
Affordances<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Tam=E1s
P=F3lya (Eger) polya@ektf.hu<br>
11:30-12:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Revisiting
Representation II.: From Aspect Seeing to SpecificityL=E1szl=F3 Tarnay (P=E9=
cs)
tarnay@btk.pte.hu<br>
<br>
<br>
12:00-12:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
12:30-14:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Lunch <br>
Chair: B=E1lint Andr=E1s Kov=E1cs <br>
<br>
Keynote Lecture <br>
14:00-15:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Objects of
Metaphor Samuel Guttenplan (London) s.guttenplan@bbk.ac.uk<br>
<br>
<br>
Session Papers
15:00-15:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Dadaist film, or
How to Avoid RepresentationAndr=E1s Kappanyos (P=E9cs)
kappanyosa@matavnet.hu<br>
15:30-16:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>ANEMIC CINEMA: on
the representation of movement in Duchamp's works.Nikoletta H=E1zas (P=E9cs)
tradir@matavnet.hu<br>
<br>
<br>
16:00-16:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discusssion=20
<br>
16:15-16:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break
16:30-17:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Postcards from
the Frame: Filming/Writing The Man with a Movie Camera Thomas Dean Tucker
(USA) ttucker@CSC1.CSC.EDU<br>
17:00-17:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>G=E1bor B=F3dy and
Dzigan VertovAndrea P=F3csik (Budapest) pocsik66@matavnet.hu<br>
<br>
<br>
17:30-17:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion
18:15-19:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Dinner at at
Kalamaris Restaurant<br>
19:30-20:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Screening at
Youth Centre (English subtitles)Gy=F6rgy Feh=E9r: Twighlight (Sz=FCrk=FClet)
<br>
<br>
<br>
21:00-22:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Round Table
Discussion Opening talk:Andr=E1s Forg=E1ch (Budapest)
forgacha@freemail.c3.hu<br>
<br>
Wednesday (Nov-7) <br>
<br>
<br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
8:00-8:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Breakfast
<br>
<br>
AFFECTIVE AND ETHICAL ASPECTS <br>
Chair: L=E1szl=F3 S=E1ri <br>
<br>
Keynote Lecture
9:30-10:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>The
Interpretation of Image Meaning in Film Cynthia Freeland (Houston)
Cfreeland@UH.edu<br>
<br>
<br>
10:15-10:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
10:30-10:45 <x-tab>&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break <br>
<br>
<br>
Session Paper 10:45-11:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>The
Paradox of Fiction Revisited: Uncovering the Emotional Foundations of
Pictorial Representations Daniel H. Barratt (Canterbury)
dhb2@ukc.ac.uk<br>
11:15-11:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Ecological
Utopianism: A case study of Grand Canyon Patrick Brereton (Dublin)
patrick.brereton@dcu.ie<br>
<br>
<br>
11:45-12:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
<br>
Keynote Lecture
12:00-12:45<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>The Problems of
the Concept of Imagination in Explaining Spectatorship: a Realist
Approach Johannes Riis (Copenhagen) johriis@coco.ihi.ku.dk<br>
<br>
<br>
12:45-13:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Discussion <br>
13:30-15:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Lunch <br>
<br>
<br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
<font face=3D"Arial CE, Helvetica" color=3D"#010101">Hungarian Session/
Magyar Nyelv=FB Szekci=F3 <br>
</font>Eln=F6k: S=E1ri L=E1szl=F3
15:00-15:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>A magyar
dokumentarizmus k=E9pi reprezent=E1ci=F3jaG=E1bor Gelencs=E9r (Budapest)
filmvilag@filmvilag.hu<br>
15:30-16:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><font face=3D"Arial=
 CE, Helvetica" color=3D"#010101">A
mozg=F3k=E9p id=F5- =E9s t=E9rszerkezete</font>G=E1bor Zr=EDnyifalvi=
 (Budapest)<br>
<br>
<br>
16:00-16:15<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Coffee Break
<br>
<br>
17:00-18:30<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Screening at
Dominican House John Greyson: Lilies<br>
<br>
<br>
19:00
<x-tab>&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;</x-tab>Dinner
<br>
<br>
20:30-22:00<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Round Table
Discussion <br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Opening
talk: L=E1szl=F3 S=E1ri <br>
<br>
<br>
Note: Breakfasts are served in City Centre (Belv=E1rosi) Restaurant facing
the venue of the conference (the other side of the main walking street)
You can have lunch independently there. </blockquote></html>

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